Study on the Evolution of Plane Shape of Guangfu Ancestral Hall Buildings and the Construction of Type Genealogy in the Ming and Qing Dynasties

This paper studies the clan temples in four periods,namely,the development period(early Ming Dynasty and before),the shaping period(mid-Ming Dynasty to early Qing Dynasty),the maturity period(mid-Qing Dynasty),and the programmed period(late Qing Dynasty),analyzes and summarizes their prototypical planform features and attempts to summarize and construct a genealogy of the architectural characteristics of the plane shape of clan temples.During the Ming and Qing dynasties,Guangfu ancestral halls in general showed a journey of development from a centripetal-single-linear-multi-linear-grid pattern,forming the unique Guangsanlu classic pattern in the Guangfu area.

Construction of the Genealogy of Eccentric Monks Based on the Historical Materials of Chan Buddhism in the Song Dynasty--From Enlightened Masters in Chan Buddhism,Sages,to Saints

Regarding the Chan Buddhism lamp records from the Song Dynasty and starting from Jing De Zhuan Deng Lu,the category of“enlightened masters in Chan Buddhism”禪門達者was listed separately,meaning a separate category was established for eccentric monks who pretended to be crazy,had unknown inheritance and miraculous deeds,and were difficult to classify.The following lamp records named this category of eccentric monks as“sages”散聖,or“saints”應化聖賢,which constructed another historical genealogy for the special Chan Buddhism eccentric monks.Moreover,the early lamp records included mostly idiosyncratic mad monks from previous dynasties.Since the Southern Song Dynasty,Chan Buddhism historical materials included many sages from the current dynasty.Therefore,this study mainly examines how the genealogy of Chan Buddhism eccentric monks was constructed in Song Dynasty Chan Buddhism lamp records,including quotations,and organizes the images of eccentric monks in the Song Dynasty,as written in Chan Buddhism historical materials,in order that the meaning of existence of these enlightened masters,sages,saints,etc.,included in the genealogy of Song Dynasty eccentric monks in the history of Chan Buddhism can be reflected.

Bibliometric-based Study of Scientist Academic Genealogy

Purpose:This study aims to construct new models and methods of academic genealogy research based on bibliometrics.Design/methodology/approach:This study proposes an academic influence scale for academic genealogy,and introduces the w index for bibliometric scaling of the academic genealogy.We then construct a two-dimensional(academic fecundity versus academic influence)evaluation system of academic genealogy,and validate it on the academic genealogy of a famous Chinese geologist.Findings:The two-dimensional evaluation system can characterize the development and evolution of the academic genealogy,compare the academic influences of different genealogies,and evaluate individuals’contributions to the inheritance and evolution of the academic genealogy.Individual academic influence is mainly indicated by the w index(the improved h index),which overcomes the situation of repeated measurements and distortion of results in the academic genealogy.Practical implications:The two-dimensional evaluation system for the academic genealogy can better demonstrate the reproduction and the academic inheritance ability of a genealogy.Research limitations:It is not comprehensive to only use the w index to characterize academic influence.It should also include scholars’academic awards and academic parttimers and so on.In future work,we will integrate scholars’academic awards and academic part-timers into the w index for a comprehensive reflection of scholars’individual academic influences.Originality/value:This study constructs new models and methods of academic genealogy research based on bibliometrics,which improves the quantitative assessment of academic genealogy and enriches its research and evaluation methods.

The Issue of Genealogy of Armenians, Georgians and Other Caucasian Nations in the Historiography of the Middle Ages

The paper shows that the story about the origin of Armenians, Georgians and other Caucasians from a common ancestor, namely, from Targamos (Togormah)—The Life of the Fore-Patriarchs and Ancestors of the Georgian Kings, which is represented in the introductory part of The Georgian Chronicles and is dated back to the end of the11th, is a compiled work that mainly contains, on the one hand, an old Georgian genealogical-geographical story about Tarshish’s son Kartlos (Iber) and his six brothers ( Egros, Movakan, Heros, Bardos, Lekan and Caucas)created at the end of the 6th c.-first half of the 8th c. based on Byzantine works, and on the other hand, a genealogical story created in old Armenian historiography about Targamos and his son Hayk that went through certain steps of development as well. In the process of synthesizing, Togormah (Targamos) and his son Hayk (Haos)were inserted between Tarsish and his son Kartlos (Iber), which violated the Biblical scheme as well as the structure of the sentence in which the insertion was made. The goal of developing the synthesized scheme was to bring evidence of the common origin of Georgians and Armenians, as long as quite a large number of Armenians,because of the incorporation of a large part of Armenian territories within Georgian borders, became citizens of Georgia. At the same time, the story also offers a justification in the eyes of the Muslim world for the claims of Georgia for Armenian territories. According to the newly-created synthesized scheme, Georgia was “the successor brother” of Armenia(Haos//Hayk) and considering the absence of Armenian states, i.e., “the elder brother”,Georgia was the only legal heir of Armenian territories.

The Significance of Geographical Factors in Genealogy to Language Research--Taking Liao’s Audio-visual Genealogy as an Example

The geographical information reflected in a traditional genealogy mainly has two aspects.On the one hand,it is the administrative division,human geography,and other general environmental conditions of the ethnic group.On the other hand,it points to the specific origin and migration of family members in the family tree.In addition to affecting the formation and evolution of language,these factors will also affect the development trend of language behavior by promoting the psychology of people’s geographic identity.From these data,we find that geographic factors in the genealogy have a non-negligible relationship with the geographical spread of the language of the genealogy.

中国共产党人精神谱系中的女排精神研究

女排精神是中国体育的一面旗帜,集中反映了中国体育工作者的初心使命和责任担当,是中华体育精神在排球运动中的一次展现。女排精神入选中国共产党人的精神谱系,是党和国家对中国体育事业发展成就的高度肯定,为中国体育界赢得了巨大荣誉,展示了体育人的良好社会形象,值得理论工作者深入探究。运用历史文献法、比较分析法和逻辑分析法,在中国共产党人精神谱系的视域下对女排精神进行探讨。“女排精神”于1981年首次在《人民日报》公开提出,在袁伟民、陈忠和、郎平执教时期的三代中国女排分别展现出女排精神的不同内涵,但在成为世界冠军的梦想精神、追求改变的创新精神、顽强拼搏的奋斗精神、精诚团结的团队精神和勇于奉献的牺牲精神等内容上存在共通之处;在此基础上,进一步分析女排精神与党的精神谱系在核心理念、价值追求和精神内涵上的契合之处,揭示影响中国社会几代人的女排精神能够入选中国共产党精神谱系的重要原因,为深入研究女排精神和中华体育精神提供理论参考。

“招娣/弟”命名偏好的省际差异及宗族文化的影响

“招娣/弟”是个有明确涵义的名字,它在群体层面上能够反映命名者的男孩偏好社会价值取向。通过档案资料建构了省级层面的宗族文化及“招娣/弟”比例等数据,卡方检验证实“招娣/弟”比例存在省际差异。同时探讨了宗族文化对这种差异的影响,相关分析和回归分析支持宗族文化正向预测“招娣/弟”比例的差异,宗族文化越强的省“招娣/弟”比例越高。

流动的抄本:明清嘉善《唐氏族谱》的编纂、流传与文本生产

上海图书馆藏《唐氏族谱》抄本两种,最早抄成于乾隆初期,此后历经一个多世纪的修订、增补和重抄、抽换,文献形态复杂凌乱。该族谱的文本层次则更为丰富,其祖源叙事和早期世系可能形成于宋代至明代前期。晚明以来,该族谱以抄本的形态在松江、嘉善一带的多支唐姓人群之间流传、增订、嫁接,在乾隆抄本形成之后仍有新的支系添加进来。因此,这一族谱的生产模式并非人们熟知的在“宗族组织”主持下编纂、续修的模式,族谱背后的唐姓人群也并未形成哪怕是松散的“宗族”。这一类族谱或可命名为“嫁接型族谱”,值得在将来的学术研究中进一步关注和探讨。

我们可以这样读族谱

濑川昌久通过对新界W氏族谱中最“枯燥乏味至极”的“个人生死等人事信息”的研究,提出了一些接近于族谱学纲领级别的“根本性问题”:“人们在记录族谱内容这件事上发现了什么意义?……被持续记录的构成了所记内容的各种信息具有何种价值?人们如何从族谱中发现宗族?”他“希望通过解释族谱究竟是什么文献,人们记录族谱的目的是什么这类问题,阐明族谱编纂主体以及与成为记录对象的人们关于时间的推移和超越时间的持续性所具有的非显性意识。”日本人类学家的问题意识和研究方式,是从族谱中看到宗族的实态,使族谱研究回归族谱本身的一次重要实践,值得中国族谱阅读者和研究者高度重视。

新中国成立以来中国共产党榜样文化叙事的特色与经验

榜样因其真实、生动、形象的特点,具有强大的说服力和感染力。中国共产党榜样文化建设对社会主义核心价值观的培育与践行以及对外弘扬中国价值、彰显中国力量、讲好中国故事等具有不可替代的价值。新中国成立以来,中国共产党榜样文化叙事呈现出鲜明的中国特色,积累了宝贵的工作经验:榜样选树标准突显人民性和时代性的价值取向;榜样典型构建彰显代表性和先进性的双重特质;榜样人物奖励注重规范化和制度化的运作机制;榜样文化传播体现传承性与创新性的融合发展。该研究拓宽了榜样文化的研究视域,有助于深入推进社会主义文化强国建设。

明代江西族谱研究

明代江西官僚士大夫编纂族谱,从“一本万殊”和“民胞物与”的观念出发,也视修谱为利用宗法观念治理宗族,还受到欧苏族谱学影响,视修谱如同修史。明初族谱较简,明中后期族谱内容充实,收录对族人的规训。族谱修纂盛行,吉安府尤为突出。修谱求真者有之,攀附冒充者亦有之。修谱谱例谨严,保留了一些珍贵谱例。修谱经费、间隔与族谱保存方面的讨论较为充分。

民航中央企业精神谱系育人价值实现路径研究

民航中央企业精神谱系具有强大的育人价值,将其全方位、全领域、全过程融入思政育人有助于引领员工听党话、跟党走,坚定勇攀高峰的信念,培养科学严谨的态度,激发敢打能胜的斗志。本文从构建协同育人体系、实现交替育人场域、融入职业技能培养全过程、贯穿技能全生命周期管理体系和纳入团队文化建设五个方面开展工作。

“个体性”的思想谱系——以约翰·密尔《论自由》文本为中心的考察

思想家如何组织文本,是思想史研究中的的重要内容。19世纪英国思想家约翰·密尔在撰写《论自由》时,便借用和转换了其他思想家的思想资源,来组织自己的文本。凭借这些思想资源,《论自由》文本才得以写就,并充满思想的力量。也正是在这种借鉴中,密尔和其他思想家的思想形成了一种内在关联和思想谱系。通过系统考察密尔所提及的一些思想家的思想内容,梳理这些思想谱系,将有助于把握《论自由》这一文本的组织方式,明晓文本产生的思想渊源,以及理解其思想的意义指向。

明代徽州族谱的早期源流——以正德刊本婺源《重修汪氏家乘》为中心

正德三年刊本婺源《重修汪氏家乘》由洪武三年编纂的《汪氏家乘》增订重编而成,是明代徽州族谱中创制最早的文本之一。该谱的渊源可以追溯至元朝的泰定时期,显示出元明之间存在着族谱赓续的演变线索。洪武谱的编者汪叡是明初徽州知名儒者,正德谱的编者汪奎是汪叡的四世孙,为明中期名宦。洪武、正德时期接续编纂的婺源大畈汪氏族谱,体现了精英化的人物背景,理学化的价值观念,以及正统化的文本表达,不仅代表了徽州族谱的一种基本类型,也提示了明代族谱的重要特征。

论因明的知识谱系

如果把因明仅仅定义为关于三支论式及其规则之学,重读古典,走进文本,则可以从文本里衍生出因明的知识谱系:从因明的发展演进来看,实现了印度因明到中国化因明的转换;从因明理论来看,三支论式是五支论式的完善,有与亚里士多德三段论不同的概念群;从研究范围来看,涵摄因明理论与应用。因明知识谱系的分析表明,与有效性推理不同,因明有着自己的一套概念体系和应用范围。从产生之初,逻辑就是思想的论证工具。研究逻辑史、写作逻辑史理应从思想论证视角进入,从逻辑理论与应用两个方面发现并总结不同逻辑的各自特征,这是文明互鉴的基础。

关于当代家庭教育学科化建设的几点思考

在学者们共同努力下,当前我国家庭教育的发展已从家庭教育指导普及转向学科建设提升。一门相对成熟的独立学科应具有较为明确的研究对象、逻辑起点、基本概念及学科共同体,而教育学、心理学、社会学等多学科、跨领域的知识融合,有助于当代家庭教育的学科建设与发展。我国家庭教育学科建设进路应包括学科框架进一步构建、跨学科研究进一步推进和家庭教育政策进一步聚焦,以至不远的未来在国内外取得独立的学科地位。

文艺美学的谱系赓续及其外力与内因

本文梳理了“文艺美学”自提出以来由文艺美学-文化美学-自然美学/生态美学-艺术美学构成的谱系赓续过程,描述了每个节点的历史表象,彰显了每个节点的内在机理。从时代精神的召唤、教育体制的提升、专业教学和人才培养的需要、中西文化互鉴的启示、本土化的追求等方面分析了推动“文艺美学”谱系赓续的外力。通过血脉渊源、流变形态、历史载体、核心力量、内在精髓等方面的论证揭示了维系“文艺美学”谱系赓续的内因。最后,对文艺美学谱系赓续的广阔前景给予积极的期待。

郭茂倩《乐府诗集》对乐府学谱系的建构

郭茂倩《乐府诗集》将汉魏六朝以来形成的以乐府歌辞载录、曲题考释和乐府专题批评为基本形态的乐府学成果集于一体,建构了比较系统、完整的乐府学谱系。在诗歌选录方面,它广采博收,成为历代乐府诗集选诗数量和卷次规模之最,并将乐辞本的“乐录”作品与文辞本的“歌录”作品同时收录,将乐工“乐奏辞”与文人“本辞”汇为一集,构建了乐府歌辞载录的新谱系。在解题方面,它将类题、组题和曲题三个层面的解题集于一体,使曲题本事、本义的解说与乐府音乐的专题论述相统一,拓展了乐府专题批评的新境界。在分类方面,它以乐府诗的音乐属性为基础,既充分吸纳前人分类成果,又结合乐府诗历代发展流变的复杂性,集汉唐历代乐府诗谱系之大成。

《雷雨》复数故事系统的生成及意义指向

话剧《雷雨》中有一个在时间和空间上层层叠叠的故事系统。其生成涉及从“五四”到20世纪30年代社会文化生活的多个层面,如个性解放、阶级斗争、文化时尚、旧家庭的恶习残留和人性错乱等。这些故事源头复杂,既涉及中西文化传统,也涉及时代语境。作家曹禺在讲述这些故事的时候,运用三角恋爱叙事、家庭戏、法庭审判叙事、戏剧巧合、人物身份背景模糊化、年龄漏洞和互文等方式,将本来散乱在不同历史阶段和当时社会各个层面的文化现象,在“家庭”格局下,收集、整理、剪辑、连缀、凝聚为一个以双重乱伦故事为树干,以其他故事为枝杈的层次丰富的故事树。这个复杂的故事树及其折叠艺术,所体现的伦理指向是复杂暧昧的,并远远逸出创作主体的把控。

论方苞佚文《石氏六修族谱序》的史料价值

新见方苞佚文《石氏六修族谱序》,对考察方苞生平及交游颇具史料价值:其一,文中追述昔年赴宿松瞻拜明初武将石良墓一事,同方苞自述的赴宿松拜访朱书一事相合,为方苞康熙三十五年(1696)“宿松之游”增添了新的证据,进一步合勘康熙三十五年方苞、朱书二人行实,可以推知方苞“宿松之游”时间,有助于增订《方苞年谱》;其二,该文透露了方苞早年受李振裕、赵仑赏识提携的线索;其三,该文补充了被文学史“遗忘”的方苞与宿松石氏友人的交游;其四,丰富了方苞与朱书家族三代交往的细节;其五,该文阐述了方苞的家谱修撰思想,弥足珍贵。