Indoor Formaldehyde Removal Techniques through Paints: Review

Due to its ability to cause illnesses and discomfort even at low concentrations, formaldehyde pollution of indoor air poses a significant risk to human health. Sources of formaldehyde in indoor environments include textiles, paints, wallpapers, glues, adhesives, varnishes, and lacquers;furniture and wooden products like particleboard, plywood, and medium-density fiberboard that contain formaldehyde-based resins;shoe products;cosmetics;electronic devices;and other consumer goods like paper products and insecticides. According to the World Health Organisation, indoor formaldehyde concentrations shouldn’t exceed 0.1 mg/m3. The methods include membrane separation, plasma, photocatalytic decomposition, physisorption, chemisorption, biological and botanical filtration, and catalytic oxidation. Materials based on metal oxides and supported noble metals work as oxidation catalysts. Consequently, a paint that passively eliminates aldehydes from buildings can be developed by adding absorbents and formaldehyde scavengers to the latex composition. It will be crucial to develop techniques for the careful detection and removal of formaldehyde in the future. Additionally, microbial decomposition is less expensive and produces fewer pollutants. The main goal of future research will be to develop a biological air quality control system that will boost the effectiveness of formaldehyde elimination. The various methods of removing formaldehyde through paints have been reviewed here, including the use of mixed metal oxides, formaldehyde-absorbing emulsions, nano titanium dioxide, catalytic oxidation, and aromatic formaldehyde abating materials that can improve indoor air quality.

Co-pyrolysis of Sewage Sludge with Paint Sludge: Kinetics and Thermodynamic Analysis via Iso-conversional Methods

This study explored the synergistic interaction of sewage sludge(SS)and automotive paint sludge(PS)during co-pyrolysis for the optimized treatment of sewage sludge in cement kiln systems,utilizing thermogravimetric analysis(TGA)and thermogravimetric-mass spectrometry(TGA-MS).The result reveals the coexisting synergistic and antagonistic effects in the co-pyrolysis of SS/PS.The synergistic effect arises from hydrogen free radicals in SS and catalytic components in PS,while the main source of the antagonistic effect is that,during the mechanical mixing process,the SS/PS is converted from the particulate form into a dough-like rubbery which contributes to the film-forming effect,hindering the volatilization of volatile components.SS/PS co-pyrolysis reduces the yielding of tar production while increasing coke and gas.This study will provide some in-depth insights into the co-pyrolysis of SS/PS,and offer theoretical support for the subsequent research on the collaborative disposal processes in cement kilns.

Improved Scatter Search Algorithm for Multi-skilled Personnel Scheduling of Ship Block Painting

This paper focuses on the optimization method for multi-skilled painting personnel scheduling.The budget working time analysis is carried out considering the influence of operating area,difficulty of spraying area,multi-skilled workers,and worker’s efficiency,then a mathematical model is established to minimize the completion time. The constraints of task priority,paint preparation,pump management,and neighbor avoidance in the ship block painting production are considered. Based on this model,an improved scatter search(ISS)algorithm is designed,and the hybrid approximate dynamic programming(ADP)algorithm is used to improve search efficiency. In addition,the two solution combination methods of path-relinking and task sequence combination are used to enhance the search breadth and depth. The numerical experimental results show that ISS has a significant advantage in solving efficiency compared with the solver in small scale instances;Compared with the scatter search algorithm and genetic algorithm,ISS can stably improve the solution quality. Verified by the production example,ISS effectively shortens the total completion time of the production,which is suitable for scheduling problems in the actual painting production of the shipyard.

The Study of “Imitation” Aesthetics in Ancient Painting Theory-Taking the Chinese and Western Sources as an Example

The theory of“imitation”in painting occupies a leading position in western art,which originated from the theory of“imitation”in ancient Greece,and has become one of the art theories affecting the world through the continuous development of later generations.Through the exploration of the source of“imitation”in China and the West,there are some comments on the meaning of“imitation”in Chinese classical painting theory,such as“transfer model writing”and“image form”,which is obvious differences from the west.Traditional Chinese painting is a combination of careful observation of natural things and subjective emotions to express their own aesthetic feelings,and ultimately form a vivid artistic conception.Modern imitation is borrowed from Western imitation.In fact,imitation in traditional painting has its own meaning,which contains Chinese aesthetic thought.“Imitation”aesthetics is unique in traditional Chinese painting and is the most important form of painting art.

Analysis of Viewing Paintings from the Perspective of Iconography

Distinguished from purely formalistic research methods,iconography pursues the interpretation of the hidden historical and humanistic connotations behind artworks,and is a discipline that combines visual text and content analysis methods.Combining the three stages of iconography proposed by Panofsky,the paper studies Shizeng Chen’s Viewing Paintings from the perspective of iconography,summarizing the formation and change of the images and contents of the artworks in the cultural system and civilization at that time,as well as their implied ideology,and analyzing the hidden spirit of the times and the historical significance behind them,so as to expound their iconographic significance.Through an in-depth discussion at three levels:pre-pictorial iconographic description,iconographic analysis,and iconographic interpretation,the facts and surface contents reproduced in the images,the traditional level of literary,artistic,and cultural knowledge,as well as the interpretation of the potential meanings are revealed.

Color Expression and Mood Creation in Imagery Oil Painting

Oil painting is a traditional Western painting form.With the introduction of China and the influence of China’s traditional painting and aesthetics,the painting style became more distinctive,expanding a new development direction of oil painting,and thus imagery oil painting came into being.Color,as the most important element in imagery oil painting,mainly plays the role of mood creation and emotional expression.Many creators are good at injecting their thoughts and emotions into the paintings through color matching,so as to enhance the artistic expression of the paintings.This paper analyzes the color expression characteristics of imagery oil painting and explores the color expression techniques in imagery oil painting and mood creation of imagery oil painting from several aspects.

Measurements of Formaldehyde and TVOC Emission from Paints and Coating Materials using Small Chamber Method for Building Composites

An optimal test method for paint is proposed; additionally, the Field and Laboratory Emission Cell （FLEC） method used in Europe is applied as a substitute for the 20 L small chamber method. The emission factors of total volatile organic compounds （TVOC） and formaldehyde from oil-based paint, emulsion paint, and water-dispersion paint with a coating weight of 300 g/m2, cured for 24/48 hours, were measured using the 20 L small chamber method. The emission rate of TVOC and formaldehyde from all paints began to stabilize after approximately 7 days after 24/48 hours of curing even though Korean standards stipulate that paint should be measured and analyzed after the third day of application. The emission factor of TVOC and formaldehyde from oil-based, emulsion, and water-dispersion paints were also measured using the FLEC method. There was good correlation between the 20 L small chamber method and the FLEC method for oil-based, emulsion, and water-dispersion paint emissions. With the FLEC method, using paints prepared under identical conditions, the emission rate was stable 24 hours after installation of samples because the air flow rate of FLEC is much higher than that of a 20 L small chamber, and the relative cell volume of FLEC is much smaller than that of a 20 L small chamber.

Performance of Local Clay-Titanium Dioxide Core-Shell Extender Pigments in Alkyd Paints

The performance of local clay-titanium dioxide core-shell extender pigments in alkyd paints has been studied. The physico-mechanical properties of the prepared alkyd paints were evaluated according to ASTM measurements. The effects of various environmental and corrosive factors on the paints were also studied. The study showed that the alkyd paint samples formulated using the core-shell pigments generally had low specific gravity (1.30 – 1.38), an indication that more of the core-shell pigments can be incorporated into the alkyd paints with considerable cost savings. The dry film thicknesses of the paint samples falls within 0.24 - 0.39 mm, suggesting that the samples will perform well as anticorrosive coatings and their adhesion properties are generally good, showing that they can withstand abrasive and corrosive agents. The core-shell extender pigments formulated paint samples were observed to exhibit the best dust-free, tack-free, and through dry times compared to TiO2 paint formulation. The formulated paint samples generally performed well on exposure to rain and sunlight as well as in distilled water, 2% Na2CO3, and 2% H2SO4 with only TiO2 paint formulation exhibiting rust. The good paint performance characteristics obtainable with the core-shell extender pigments are enough evidence to justify their utilization in the surface coatings industry. The performances of these core-shell extender pigments in alkyd paints have shown that they combine the properties of both the clays and titanium dioxide, and have the potential to overcome their disadvantages.

Comparative Toxicity of “Tin Free” Self-Polishing Copolymer Antifouling Paints and Their Inhibitory Effects on Larval Development of a Non-Target Organism

Toxic substances released as a result of leaching from painted surfaces to the aquatic environment affect both fouling organisms and “non-target” biota. Artemia fransiscana nauplii have been considered a useful test system for the examination of toxicity for antifouling paints. In this study, we examined the effect of four “tin free” self-polishing copolymer (SPC) antifouling paints on the larval development of Artemia nauplii. Based on the L(S/V)50 values the order of toxicity of the antifouling paints was: ANTI F > SHARKSKIN > OCEAN T/F > MICRON. Furthermore, the body size of Artemia nauplii was significantly affected at lethal and above lethal L(S/V)5024h values. The body size of 48 h-aged nauplii exposed for the last 24 hours to each of the four SPC antifouling paints was significantly lower than that of the 48 h-aged controls (0.88 ± 0.030 mm). In addition, the body size of 72 h-aged nauplii maintained for the last 24 hours to pure synthetic seawater after exposure for 24 hours to each of the four SPC antifouling paints was significantly lower than that of the 72 h-aged controls (0.96 ±0.027 mm). Overall, the SPCs examined here were substantially toxic to Artemia nauplii, but with different toxicities and modes of action, as a result of the synergistic action of distinct components of the antifouling paints.

Respiratory Sensitization &Sickness from Welding/Burning Isocyanate Containing Paints

The purpose of this paper is to make the environmental and occupational health community aware of a serious health risk associated with the common practice of burning industrial paint off of metal surfaces during or prior to welding. On four occasions bystanders and welder/burner personnel have experienced illness as a result of being exposed to the combustion products of isocyanate paints that were being burned off metal surfaces. In each case, the burning and the exposed people were outside in an open environment where the health risk was thought to be minimal due to the open environment with nominal wind movement through the work area. In one case, the person (a burner) developed permanent sensitization to phthalic anhydride as a result of the exposure. Phthalic anhydride was determined to be decomposition product of burned isocyanate paint. In the other three cases (which involved very short exposures), between two and six people became ill but did not develop sensitization. Their symptoms included dizziness, nausea, headache, and breathing difficulty the severity of which varied from very uncomfortable to temporarily incapacitating. This paper discusses the circumstances associated with each event, the approach used to determine that phthalic anhydride was a decomposition product, and some practical things that can be done to avoid having employees become victims of exposure.

Investigation of paint removal by atmospheric pressure plasma jet

Acrylic polyurethane paint on the surface of 2A12 Al alloy was cleaned utilizing an atmospheric pressure plasma jet in this work.The dynamic evolution of the paint removal process during plasma treatment with time was explored through analysis of morphology and chemical states.The results showed that although the thickness of paint could be reduced effectively with an increase in cleaning time,the removal rate of paint gradually decreased with time.During the initial cleaning process range,its original smooth morphology of paint turned rugged quickly and was almost unchanged with further plasma treatment.Element and chemical state analysis showed that the content of C in the paint layer decreased obviously after plasma treatment.In contrast,the O content increased remarkably.The cleaning mechanism could be mainly attributed to the reaction between active O-containing species in air plasma and organic components in the paint.After removal of superficial organic matter,residue inorganic metal oxide substances aggregated on the base.The exposed metal oxides on the one hand elevated the superficial O content,but on the other hand hindered further plasma penetration,resulting in a gradual decrease in cleaning rate with cleaning time.Therefore,physical wiping was proposed to be incorporated with the plasma method and effective removal of paint was realized.

Hard Work Paints Bright Backdrop for a Young Life-Moments of President Xi Jinping with Young Chinese

COMPARING the realization of the national rejuvenation to a relay race, Chinese Presi-dent Xi Jinping called on China’s young generation to strive their best to help realize the Chinese Dream at a ceremony marking the centenary of the Communist Youth League of China(CYLC) in Beijing on May 10. Xi, also general secretary of the Communist Party of China (CPC) Central Committee and chairman of the Central Military Commission, remarked that a nation that places high hopes on its youth and maintains its youthful vigor can prosper.

TV DirectorWho Paints Chinese History with Cameras

THE large-scale TV program, Gems of the Country, has had several airings on prime time CCTV, and has been warmly received each time, winning the unanimous praise of viewers. The program actively promotes Chinese national culture, boosting national morale, and bringing the splendid culture of China to the world.The initiator, chief planner and chief director of this program is Li Dongge, a graduate of the Xi’an University of

Determination of Water Content of Water-soluble Paints by Gas Chromatography

This paper describes the determination of water content of water-soluble paints by gas chromatography. The water in paints is extracted by dimethyl formamide (DMF) as a solvent.Isopropanol is used as an internal standard. The mixture is separated by low-speed centrifugation.Then a 1-uL sample of the supernatant from the prepared solution is injected into the gas chromatograph. The water content is determined by internal standard calibration curve. The rate of recovery of added standard of this method is more than 98%. Relative mean deviation is less than 3‰.The linearity of calibration curve is good and relativity coefficient is higher than 0.998.

Chinese Sources for AfterWards:From Premodern Poetry,Paintings,and Medical Texts to Modern Novels,Film,and Documentaries

This paper focuses on Chinese sources suggested for a narrative medicine(NM)program,called AfterWards.Dr Lauren Small established AfterWards in 2014 and has been coordinating it since out of the Pediatrics Department at Johns Hopkins Medicine.In early 2019,she started giving a series of lectures and workshops about AfterWards to Chinese medical educators and clinicians in Beijing and Shanghai.She created an AfterWards Facilitator’s Guide based on Western-language sources for workshop participants.She also started to organize with Jiang Yuhong(Peking Union Medical College)a workshop for Chinese colleagues to be held at Johns Hopkins Medicine in October 2019.They invited the author to participate.The idea was hatched then to develop Chinese source materials following the AfterWards structure for an updated Facilitator’s Guide that Dr Small had initially written.A typical one-hour AfterWards session consists of a specific five-part structure:a literary text or artwork,an associated theme,discussion topics,a writing exercise,and shared reflection.While the content of the program always changes from session to session,the basic structure remains the same.This paper summarizes the types of Chinese sources and their related narrative-medicine themes that were originally selected for inclusion in the updated AfterWards Facilitator’s Guide intended for Chinese colleagues.These sources about coping with sick family members,aging,and illness ranged from the textual(classical Chinese poems on aging and diagnostic forms for training students)and visual(premodern Chinese paintings and murals of medical encounters)to the fictive(novels)and performative(contemporary Asian-American film in English and Chinese-language film and documentaries).

APST-Flow: A Reversible Network-Based Artistic Painting Style Transfer Method

In recent years,deep generative models have been successfully applied to perform artistic painting style transfer(APST).The difficulties might lie in the loss of reconstructing spatial details and the inefficiency of model convergence caused by the irreversible en-decoder methodology of the existing models.Aiming to this,this paper proposes a Flow-based architecture with both the en-decoder sharing a reversible network configuration.The proposed APST-Flow can efficiently reduce model uncertainty via a compact analysis-synthesis methodology,thereby the generalization performance and the convergence stability are improved.For the generator,a Flow-based network using Wavelet additive coupling(WAC)layers is implemented to extract multi-scale content features.Also,a style checker is used to enhance the global style consistency by minimizing the error between the reconstructed and the input images.To enhance the generated salient details,a loss of adaptive stroke edge is applied in both the global and local model training.The experimental results show that the proposed method improves PSNR by 5%,SSIM by 6.2%,and decreases Style Error by 29.4%over the existing models on the ChipPhi set.The competitive results verify that APST-Flow achieves high-quality generation with less content deviation and enhanced generalization,thereby can be further applied to more APST scenes.

海虹老人收购阿曼涂料企业Khimji Paints LLC,以扩大在关键市场的业务足迹

海虹老人于2022年2月10日完成了对Khimji Paints LLC的收购。这是海虹老人在中东地区装饰漆领域的首次收购,这有助于海虹老人到2025年翻番的战略。海虹老人Double Impact战略将通过收购和有机增长以及在可持续发展、创新和数字化方面的宏伟投资来实现。Khimji Paintts是阿曼知名油漆和涂料品牌,拥有由50多家自有和独立零售商组成的强大分销网络。Khimji Paint以高品质、真正的价值和优异的客户服务为坚实基础,这与海虹老人的宗旨和价值观完全吻合。

Beijing People's Association for Friendship with Foreign Countries Held 2022"Colourful World"International Youth Painting Invitational Exhibition——Mauritian Exhibition and Award Ceremony

On January 7,the 2022"Colourful World"International Youth Painting Invitational Exhibition——Mauritian Exhibition and"Chinatown Light"Award Ceremony was held at the Chinatown Art Centre in Mauritius.The exhibition was co-organised by Beijing People’s Association for Friendship with Foreign Countries and other organisations.

An Exploration of the Water Painting Method in Ancient China

In traditional landscape painting in China,water has always occupied an important artistic position and space,and painters in different ages had different ways to express water.Systematically sorting out the methods of water painting in Chinese painting is of great significance for us to gain a comprehensive understanding of the artistic styles,cultures and artistic languages of different times.It is also of great reference value for those learning Chinese painting.