The “Panchatantra” Narrative Structure and the Writing of Indian Women’s Dilemma in Suraj Ka Satvan Ghoda

Dharamvir Bharati’s Suraj Ka Satvan Ghoda connects the text with the social reality,through the multiple narrative perspectives of the“Panchatantra”Narrative Structure and the love stories,and narrates the survival and spiritual dilemma of Indian women in the transformation of India’s modernization.The novel depicts in both content and form the plight of Indian women’s physical and spiritual dependence under the traditional concepts of arranged marriages,caste marriages,dowry system and patriarchal will,and shows the process of women’s body and self-consciousness gradually moving from vitality to extinction.

Analysis of Narrative Strategies in Colum McCann’s Short Story“Sisters”

As the opening work of“Fishing the Sloe-Black River Stories,”Irish-American writer Colum McCann’s short story“Sisters”has attracted scholars’interest with its profuse historical background and themes of the times.From the perspective of narratology,this paper considers that the writer uses narrative techniques such as non-linear narration and embedded structure to express multi-level narrative voices through a first-person narrator,Sheona.These narrative techniques help to fully reflect the theme of the work and endow the work with great aesthetic and ideological value.

Musicality of Le Clezio’s Novels

Le Clezio takes his novels as art and imbues his novels with elements of music,which abound in his novels.He strikes to present his novels in an artistic way by combining words and the music,thus showing his great concern for the soul and well-being of human kind.This thesis probes into how musical elements are used in his novel to construct identity,make language of the novels musical,and offer a narrative structure.

Aristotle and Hollywood： Dramatic Structure From Ancient Greece to Avatar ＆ Beyond

It is fascinating to realize that even while Hollywood continually comes up with incredible special effects in films such as Avatar （2009）, the basic structure and development closely ＂follows＂ the guidelines for drama and storytelling laid out by Aristotle in his The Poetics, written several thousand years ago. We are specifically speaking of three act （beginning, middle, and ending） structure, focusing more on plot than character, and the need for a final resolution （catharsis）. But throughout literary and cinematic history, not everyone has followed these rules. Ironically, we take a close look at the award-winning Greek director Theo Angelopoulos＇ Ulysse＇s Gaze （1995） staring Harvey Keitel, as an example of a very non-Aristotelian approach to filmmaking and storytelling. Angelopoulos＇ film is character rather than plot centered on the Harvey Keitel figure and the journey of the narrative can be broken down to between 8-10 acts, depending how you describe them. We discuss many of the standard American ＂how to write screenplay book＂ authors such as Syd Field, while bringing a variety of authors such as Lajos Egri （The Art of Dramatic Writing） who criticize both Aristotle＇s Poetics and the way it has been interpreted for centuries especially in Hollywood. We conclude that there is a middle ground as well, for while Casablanca （1942） has a clear three act structure, it does not give us a happy romantic ＂Hollywood＂ ending/resolution as Rick insists that Lisa leave with her husband.

Analysis the Australian Children's Literature “Lennie Lighthouse” on Labov's Narrative Model

Lennie Lighthouse is written by Paul Jennings, who is an English-born Australian childrenbook writer. His books mainly focus on short stories whichcould lead the reader into an unusual series of events that ended with a twist. Now Paul Jennings has achieved a great success and has became a well-known children's book writer. In this paper, the stylistic features and the narrative structurein"Lennie Lighthouse"would be analyzed based on Labov's narrative model, especially the external evaluations and internal evaluationsin the story.Finally it intended to explore that how the children story could attract such a diverse group of readers and the structure of this legendary story would be deduced and writing stylewould be analyzed in this paper.

＂All Happy Families＇： The Sopranos and Television Culture in the Twenty-First Century

Since the 1980s, Cultural Studies have analyzed television in the context of the present. They have asked how soap operas and TV series contribute to the circulation of meanings and pleasures in everyday contexts. John Fiskes coined the concept television culturein his very successful book with the same title Taking The Sopranos as an example, this article shows that quality TV is an outstanding contribution to television culture. The show is more complex, more layered and more intertextual than the shows of the 1980s that Fiske interpreted. The Sopranos is a postmodern cultural phenomenon that appeals to different groups of viewers. It is no longer only about the addicted fans, but also about critical viewers who want to better understand themselves and their lives, and also about connoisseurs and art enthusiasts to whom serial reception becomes a distinctive feature. This article comes to the conclusion that popular culture in the sense of Cultural Studies is still of important political significance in the twenty-first century.