Musical rhythms are represented as sequences of symbols. The sequences may be composed of binary symbols denoting either silent or monophonic sounded pulses, or ternary symbols denoting silent pulses and two types of ...Musical rhythms are represented as sequences of symbols. The sequences may be composed of binary symbols denoting either silent or monophonic sounded pulses, or ternary symbols denoting silent pulses and two types of sounded pulses made up of low-pitched (dum) and high-pitched (tak) sounds. Experiments are described that compare the effectiveness of the many-to-many minimum-weight matching between two sequences to serve as a measure of similarity that correlates well with human judgements of rhythm similarity. This measure is also compared to the often used edit distance and to the one-to-one minimum-weight matching. New results are reported from experiments performed with three widely different datasets of real- world and artificially generated musical rhythms (including Afro-Cuban rhythms), and compared with results previously reported with a dataset of Middle Eastern dum-tak rhythms.展开更多
In anurans, calling behaviour is strongly seasonal and circadian. Previous studies have revealed that a uditory sensitivity in frogs exhibits seasonal plasticity, and electroencephalographic signals exhibit highly cor...In anurans, calling behaviour is strongly seasonal and circadian. Previous studies have revealed that a uditory sensitivity in frogs exhibits seasonal plasticity, and electroencephalographic signals exhibit highly correlated circadian patterns;of which, the circadian rhythm remains unknown. In this study,the circadian rhythm and intersexual differences of auditory sensitivity were tested in the Emei music frog(Nidirana daunchina). This was achieved by comparing thresholds and latencies of auditory brainstem responses(ABRs) evoked by tones and clicks stimuli between male and female frogs during the day and at night,respectively. Our results revealed that both auditory thresholds and latencies had no differences between day and night except the la tencies in 3.5–4.0 kHz frequencies. However, the thresholds of tone pip evoked ABRs differed significantly between male and female frogs from 2.5 to 5.0 kHz. This demonstrated that the auditory sensitivity of Emei music frogs exhibits sexual dimorphism at high frequencies, with female frogs exhibiting greater auditory sensitivity than that of male frogs. Simultaneously, the power spectra of male advertisement calls are matched well with the frequency range of auditory sensitivity in male and female frogs,which supports the matched filter hypothesis. Our study enhances the understanding of circadian plasticity and sexual dimorphism of auditory sensitivity in frogs.展开更多
The present study used electroencephalography to examine mu rhythm suppression （a putative index of human mirror neuron system activation） at frontal sites （F3, Fz and F4）, central sites （C3, Cz and C4）, parieta...The present study used electroencephalography to examine mu rhythm suppression （a putative index of human mirror neuron system activation） at frontal sites （F3, Fz and F4）, central sites （C3, Cz and C4）, parietal sites （P3, Pz and P4） and occipital sites （O1 and O2）, while subjects observed real hand motion （real hand motion condition） and illustrative depictions of hand motion （drawn hand motion condition）. Experimental data revealed that mu rhythm suppression was exhibited in the mirror neuron system when subjects observed both real and drawn hand motion. Moreover, the mu rhythm recorded at the F3, Fz, F4, and Pz poles was significantly suppressed while observing both stimulus types, but no obvious mu suppression occurred at the O1, 02 and 03 poles. These results suggest that the observation of drawings of human hand actions can activate the human mirror neuron system. This evidence supports the hypothesis that the mirror neuron system may be involved in intransitively abstract action understanding.展开更多
文摘Musical rhythms are represented as sequences of symbols. The sequences may be composed of binary symbols denoting either silent or monophonic sounded pulses, or ternary symbols denoting silent pulses and two types of sounded pulses made up of low-pitched (dum) and high-pitched (tak) sounds. Experiments are described that compare the effectiveness of the many-to-many minimum-weight matching between two sequences to serve as a measure of similarity that correlates well with human judgements of rhythm similarity. This measure is also compared to the often used edit distance and to the one-to-one minimum-weight matching. New results are reported from experiments performed with three widely different datasets of real- world and artificially generated musical rhythms (including Afro-Cuban rhythms), and compared with results previously reported with a dataset of Middle Eastern dum-tak rhythms.
基金supported by National Natural Science Foundation of China (31772464)Youth Innovation Promotion Association CAS (2012274)。
文摘In anurans, calling behaviour is strongly seasonal and circadian. Previous studies have revealed that a uditory sensitivity in frogs exhibits seasonal plasticity, and electroencephalographic signals exhibit highly correlated circadian patterns;of which, the circadian rhythm remains unknown. In this study,the circadian rhythm and intersexual differences of auditory sensitivity were tested in the Emei music frog(Nidirana daunchina). This was achieved by comparing thresholds and latencies of auditory brainstem responses(ABRs) evoked by tones and clicks stimuli between male and female frogs during the day and at night,respectively. Our results revealed that both auditory thresholds and latencies had no differences between day and night except the la tencies in 3.5–4.0 kHz frequencies. However, the thresholds of tone pip evoked ABRs differed significantly between male and female frogs from 2.5 to 5.0 kHz. This demonstrated that the auditory sensitivity of Emei music frogs exhibits sexual dimorphism at high frequencies, with female frogs exhibiting greater auditory sensitivity than that of male frogs. Simultaneously, the power spectra of male advertisement calls are matched well with the frequency range of auditory sensitivity in male and female frogs,which supports the matched filter hypothesis. Our study enhances the understanding of circadian plasticity and sexual dimorphism of auditory sensitivity in frogs.
基金the Grants from the National Natural Science Foundation of China, No. 60775019, 60970062the Shanghai Pujiang Program, No. 09PJ1410200the Project-sponsored by SRF for ROCS, SEM
文摘The present study used electroencephalography to examine mu rhythm suppression （a putative index of human mirror neuron system activation） at frontal sites （F3, Fz and F4）, central sites （C3, Cz and C4）, parietal sites （P3, Pz and P4） and occipital sites （O1 and O2）, while subjects observed real hand motion （real hand motion condition） and illustrative depictions of hand motion （drawn hand motion condition）. Experimental data revealed that mu rhythm suppression was exhibited in the mirror neuron system when subjects observed both real and drawn hand motion. Moreover, the mu rhythm recorded at the F3, Fz, F4, and Pz poles was significantly suppressed while observing both stimulus types, but no obvious mu suppression occurred at the O1, 02 and 03 poles. These results suggest that the observation of drawings of human hand actions can activate the human mirror neuron system. This evidence supports the hypothesis that the mirror neuron system may be involved in intransitively abstract action understanding.
