An Analysis of the Value of Chinese Folk Traditional Culture in Art Design Education in Contemporary Colleges and Universities

With the development and expansion of China's economy, people's artistic and cultural forms have also been significantly improved and developed. At the same time, the educational development of art design in colleges and universities has also become a common trend, for the shaping of the Chinese women's top of the artistic design concept has laid a good cornerstone. At the same time, the Chinese nation after five thousand years of development, the formation of the vast treasures of art and culture, in the origins of circulation is still endless, to the later Chinese children to provide valuable artistic learning resources. The fusion of Chinese folk art culture in the art design education of colleges and universities has a crucial influence on broadening students 'artistic vision, cultivating students' artistic innovation thinking and inheriting Chinese traditional folk art culture. Through the combination of folk art and modern art, the art education of colleges and universities has very far-reaching foresight significance.

Performance and application of Chinese traditional culture in Folk Photography

Since the beginning of human civilization, the existence of a variety of production and life, etiquette and other social customs are obvious. The invention of photography is natural firstly used to the performance of various phenomena of human existence. Not until 1993 did Folk photography was formally proposed and was quickly accepted by the public. Folk photographer should have a certain amount of theoretical knowledge of folklore, ethnology, anthropology, and folklore should familiar with the laws of photography. Folk photographer should not only be able to skillfully use a variety of photographic techniques to create photographer, but also have the ability of folklore studies, which means a certain level of theory and master certain research methods. Folk photography creative process is a cultural experience and explores the process of discovery. Folk photography is methods and means to record, release and heritage attending profound traditional Chinese culture. Folk photography through a unique form of expression, with its visual image, embodies the academic value of folk history, the development of human history, cultural heritage and makes a positive contribution to the spread. In the 21st century, China＇ s social stable, economic development rapidly, which provide a good folk photography authoring environment. Folk photography range will also change with the development of folk and continuously expanding, concerns and reflections about the new folk themes have yet to be excavated, to meet the needs of social development.

Research on the Spatial Form of Folk Academy in Xiangxi Area—Taking Chongshi Academy as an Example

In the development process of the entire academy of Xiangxi(China),there are lots of difficulties but it has a unique charm.Both the architectural culture and the college culture collide with the regional culture,creating a spark of difference.This paper,taking Chongshi academy as an example,elaborated and analyzed cases from four aspects of historical evolution,architectural layout and site selection environment,architectural space composition and elements,and architectural decoration art for in-depth investigation of the case,and carried out field research mapping to provide a reliable basis for relevant research.

Reverberating Chinese Traditional Folk Art in a Contemporary Context

Envisioned as a practice-based research, this paper explored Chinese traditional folk arts and crafts with a focus on traditional decorative patterns, vivid colors, and symbolic motifs that enliven Foshan style paper-cuttings, New Year wood block prints, paper kites, festival lanterns, and Shiwan pottery figures from the areas of Foshan and Shiwan, near Guangzhou, China. The goal of this research was to create a series of original paintings by investigating Chinese traditional folk arts and handcrafts and integrating them physically or ichnographically on Ho＇s new body of paintings. Chinese traditional motifs including Chinese characters and Buddhist iconographies had already been important motifs in the contemporary Western paintings of Kong Ho for the past 10 years. This paper examined not only the artistic, cultural, and historical values but also the impacts of Chinese traditional folk arts and era~ on Ho＇s painting through a personal research travel and studies of a certain amount of Chinese paper-cuttings, folk prints, pottery, and handcrafts found in the famous Foshan Folk Art Studio and Foshan City Shiwan Ceramics Factory in Foshan, China. Furthermore, this paper investigated the symbolic meanings founded in Ho＇s spiritual paintings with strong Chinese heritage and how he reinterpreted those artifacts in a contemporary context.

A Glimpse of Hong Kong ＂Chineseness＂： Pre-existing Tunes as the Redemption of a Cultural Identity

When the umbrellas were held up against the tear gas attack in the protest on September 28, 2014, the hot issue raised by the marathon-like Yellow Umbrella Movement was not only the matter of politics but also a coincidence created for the Hong Kong locals to face, or to be faced with an already moot cliche： How the Hongkongese can redef＇me and redeem their almost lost socio-cultural identity, particularly under the increasingly hegemonic influences and the socio-cultural invasion of the mainland after the 1997 Handover. My present paper is not intended to discuss the topic of identity on the platform of politics, or the postcolonial studies such as transculturation or cultural hybridty. But instead, I am far more interested in locating such issue on the aesthetic dimension of collective memory, which is revealed in two local contemporary Hong Kong compositions. In the process of shaping and reshaping a form of＂HongKongeseness＂ in which the composers tend to create and the local listeners tend to experience, albeit transient, can appear in every nuance of the sonic metaphor embedded in the pre-existing indigenous tunes of a self-contained compositional work.

铸牢中华民族共同体意识视阈下剪纸课文化育人的价值思考

剪纸艺术作为重要的非物质文化遗产,是我国民间传统手工艺术形式之一,是中华优秀传统文化的重要组成部分,也是铸牢中华民族共同体意识的重要资源。将剪纸艺术引入教育教学不仅可以保护和传承非物质文化遗产,而且可以加强民间文化艺术教育、提升青少年学生人文素养,更有助于传承和弘扬中华优秀传统文化、讲好中华民族共同体故事,铸牢中华民族共同体意识。把铸牢中华民族共同体意识融入剪纸课文化育人全过程,不仅可以充实学校课程内容,而且可以充分展现剪纸艺术的魅力,拓展青少年学生感受中华优秀传统文化的途径,让其了解和体验中华文化的魅力,提高他们的审美能力和文化素养,促进各民族在理想、信念、情感、文化上的团结统一,让青少年学生在剪纸艺术的学习创作过程中铸牢中华民族共同体意识。

世界文化遗产中国大运河传说叙事与中华民族共同体意识凝铸

中国大运河是世界文化遗产,也是包涵丰富历史文化资源的中华文化符号。这个国家策略下的大规模航运工程,反映了中华民族协同发展的历史进程与政治理念,是中华民族团结统一的象征,也是中华民族文化交融的纽带和精神品格的载体。中国大运河的传说叙事承载着中华民族共同的历史记忆、共享的文化传统与共识的价值观念,表达了运河流域民众在长期交往和共同生活中生成的文化认同与民族情感,也提供了阐释大运河与中华民族共同体意识历史渊源与文化关系的民间视角。传说的传承,是民众唤醒历史记忆、巩固文化认同的过程。在挖掘传说资源的基础上,通过文化空间体系建构和文艺创作等途径,实现大运河民间传说的当代传承与活化利用,发挥其在遗产保护、文脉传承与记忆延续方面的文化功能,对于铸牢中华民族共同体意识具有重要的实践意义。

游戏人间:“荡秋千”构筑共有精神家园研究

荡秋千是中国传统民间游戏的重要类型,凝结中华民族的生活智慧与家园意识。荡秋千不是单纯的游艺娱乐或竞技运动,而与多民族人民生活实践和精神世界紧密联系在一起。多民族秋千文化寄托中华民族共创共享的生活传统、交往交流交融的历史记忆,对构筑中华民族共有精神家园和铸牢中华民族共同体意识具有重要意义。秋千超越传统体育、游艺与杂技,而与多民族传统节日生活相联系,构成中华民族秋千民俗生活谱系。中华各民族共享秋千游戏,传递共通的文化思想,凝聚共同的精神禀赋,构筑共有精神家园。

在民间文学中认知中华传统文化——兼论高有鹏教授《中国民间文艺思想史论》

中国民间文学是中华民族五千多年的文明史和中华传统文化的重要载体与见证。《中国民间文艺思想史论》系列著述系统阐释了民间文学的产生与发展,我们从中可以进一步认知中华传统文化的丰富性,多维度了解民间文学反映的人民生活、审美趣味与美好追求,以及鼓舞人民、化育民众的文化价值。传承发展中华优秀传统文化需要关注民间文学学术史的系统研究,努力发掘其中的文化内涵和文化特色,为中华民族现代文明建设提供有益滋养。

试论中国民族民间舞的文化特性——以“文化模式”理论为分析视角

《文化模式》是美国人类学家本尼迪克特在1934年写成的著作,书中强调了文化对于人格塑造的影响,突出了心理学分析的成分,提出了“文化整合”这一重要的人类学理论,旨在通过心理分析来对文化做整体性的研究,探讨文化和个体之间的互动关系。中国民族民间舞,作为一种文化形态在文化相对论、文化整合、文化整体观以及文化模式对人的形塑等方面呈现出一定的文化特性。故以“文化模式”理论为分析视角来解读这种发展和现状,从而能更深层次地去理解中国民族民间舞学科的发展规律及历史脉络。

基于中华文化共同体语境下的元代“双陆”考释

运用文献资料法,以元代“双陆”为考察对象,以呈现元代“双陆”历史原貌为目的,研究表明:元代“双陆”兴起于中华文化共同体形成的历史时期,是中华各族棋类文化相交、相融的结晶;元代“双陆”开展范围广、扎根社会程度深,既完整、规范地传承了“双陆”棋艺,也为明清“双陆”的可持续发展奠定了良好基础;元代“双陆”承前启后、继往开来,对中国古代“双陆”的进一步发展作出了重要历史贡献。

从江门到世界:华侨华人视域下的江门地区民谣文化

该文深入探讨了华侨华人视域下江门五邑地区的民谣文化,揭示了这一独特文化遗产的丰富内涵与深远影响。首先,界定了民谣、华侨及华人的概念,明确了研究范围。其次,通过分析江门地区华侨华人歌谣所蕴含的文化元素,如出洋、盼归、婚嫁、相思、哀怨及劳作等主题,展现了这些民谣如何生动记录华侨华人的历史变迁、情感世界及社会生活。该文指出,江门地区民谣不仅具有独特的韵律和深刻的文化内涵,还承载着丰富的历史见证价值和家族传承价值。它们既是华侨华人在异国他乡奋斗历程的见证,也是华侨华人与故土之间情感纽带的体现。这些民谣还反映了江门地区的社会风貌、价值观念及文化变迁,对于理解该地区乃至整个华侨华人社会的历史与文化具有重要意义。

中华民族共同体意识融入校园教育路径研究——以云南民族地区民间文学类国家级“非遗”为例

民间文学类非物质文化遗产与中华民族共同体意识教育分属文化和教育两大不同系统,但却有着内在的关联。其关联在于不同民族的民间文学类“非遗”项目中蕴含着丰富的中华民族共同体意识,为开展中华民族共同体意识教育提供了直接的资源。在云南各民族民间文学“非遗”项目的教育资源、媒介优势及其多渠道多层次进校园的教育路径,对云南边疆民族地区中华民族共同体意识教育极具意义。

青年群体传承民俗体育文化的行为逻辑——基于闽西灵地村舞龙的分析与讨论

青年是传承民俗体育文化的生力军,揭示其行为逻辑对于民俗体育文化的有序传承及现代化发展具有重要意义。采用参与式观察和深入访谈等研究方法考察闽西灵地村青年自觉传承舞龙文化的过程,从懵懂观众、学徒和帮手、主力队员以及组织成员4个连续的角色阶段呈现了该群体从一般个体向传承舞龙中坚力量转化的过程。研究认为:1)灵地村青年群体传承民俗体育文化的行为逻辑包括具身实践、反思认知、创新反哺和多维认同4个方面,其中具身实践是青年群体能否自觉传承民俗体育文化的前提要素,多维认同是影响青年群体能否自觉传承民俗体育文化的根本性因素,而反思认知和创新反哺则是青年群体传承民俗体育文化行为中的特有之义;2)灵地村青年积极传承民俗体育文化属于民俗体育文化再生产的一种主体实践方式,也代表了中国式民俗体育文化现代化的一种具体探索和内生型路径;3)应从丰富实践教育渠道以增加文化体认频率,营造有利实践空间并建立青年正面创新认知,加强优秀案例宣传以提高传承合法地位,配套相关文化政策并提高青年民俗体育文化的政策运用意识等方面培育更多有志于传承民俗体育文化的青年。

互动仪式链理论视角下民俗体育旅游铸牢中华民族共同体意识思考

运用文献资料、逻辑分析等方法,分析民俗体育旅游与互动仪式链理论的关联,在互动仪式链理论视角下探究铸牢中华民族共同体意识机制,并提出实践路径。关联:通过情境进行社会互动,短暂情绪转化为情感能量,通过情感能量刻画群体符号。机制:创设互动情境,促进各民族交往交流交融;实现情感能量聚积,维系族群关系和睦;筑牢群体符号,塑造各民族共有身份认同。实践路径:增强仪式性,创设原真性互动情境;增强体验性,积蓄强烈性情感能量;增强时代性,凝聚共同性认同符号。

北疆史诗文化的基本学理建构

北疆史诗文化是中华优秀传统文化的重要组成部分,它所蕴含的自强不息、坚韧不拔、和谐共生、求真务实精神是中华民族精神的呈现,是推进中华民族现代文明建设的重要因子。北疆史诗文化的神圣性、传承性、多元交融性、精神性、开放兼容性等基本特征体现了北疆各民族对中华优秀传统文化的价值认同。建构北疆史诗文化的基本学理体系是形塑中华民族精神、深化文明交流互鉴的重要途径,是向世界贡献中国智慧、展现中国形象的重要内容。

建设高质量民俗特色小镇推动中华优秀传统文化“两创”

民俗特色小镇建设是推动中华优秀传统文化创造性转化、创新性发展的现实路径之一。当下民俗特色小镇建设中还存在一些问题:与居民日常生活脱节,民俗文化特色缺少赖以存在的活水源头;民俗特色小镇文化内涵挖掘不充分,民俗文化品牌意识有待提高;文化协同发展能力欠缺,文化赋能特色小镇发展效能不足。因而需要充分挖掘民俗文化内涵,打造特色小镇独有的民俗文化名片,做好民俗特色小镇建设战略规划,促进民俗文化与特色小镇深度融合,以实现民俗特色小镇发展与民俗文化创造性转化、创新性发展双赢。

“文化走出去”背景下的舟山民俗文化翻译策略研究

在“文化走出去”战略背景下,党的十八大提出提升我国文化软实力的战略目标,民俗文化作为文化的基础核心,在这一进程中的传播和普及是成功实现走出去必不可少的一部分。文章结合舟山民俗文化的翻译现状,以莫里斯的意义理论为指导,探索有效的翻译策略和方法,并探寻舟山民俗文化对外传播与宣传的发展方向和有效途径,有助于向世界展示多姿多彩的中国文化,推动浙江地方文化产业的发展。

乡村民间体育赛事的发生逻辑探析——基于苏北“村界杯”农民足球赛的田野调查

乡村民间体育赛事是中国式现代化的生动实践和观察中国式现代化的重要窗口。该文以布迪厄提出的经济资本、文化资本、社会资本为分析视角,对苏北“村界杯”农民足球赛发生的历程进行田野调查,并对其发生的内在逻辑展开分析。研究发现,“村界杯”农民足球赛自20世纪70年代至今,先后经历了形成期、繁荣期、衰落期和复兴期,其发生的内在逻辑有三个方面:(1)以体育场地设施为代表的经济资本为赛事发生提供了必要的物质基础;(2)以足球文化和节庆闲暇为表征的文化资本是赛事发生的内在动力;(3)乡村精英作为正式制度和社会资本的纽带,是赛事发生不可或缺的重要力量。据此,该文从加强体育场地设施建设、培育乡村体育文化、推动乡贤精英助力乡村体育发展等方面提出启示。

铸牢中华民族共同体意识的民俗节庆实践——以黎平县尚重“记坚节”为个案的审美意蕴分析

民俗节庆活动是中华优秀传统文化的鲜活载体,具有独特的审美风貌,突出特征是以人与自然、社会的和谐美为根基,注重节庆仪式的庄重神圣性,唱、演及技艺艺术化,这是民俗节庆呈现的和谐、肃穆与艺术化三重美感。维护和发扬民族民俗活动,不仅有助于传承各民族优秀传统文化,也有助于增强中华文化认同,铸牢中华民族共同体意识。