This paper discusses the worldview of classical Chinese Tai Chi philosophy:the holistic view,the view of Yin and Yang,view of change,view of no change,and view of harmony and their enlightenment to human peace.The hol...This paper discusses the worldview of classical Chinese Tai Chi philosophy:the holistic view,the view of Yin and Yang,view of change,view of no change,and view of harmony and their enlightenment to human peace.The holistic view inspires people to look at human society from the height of the whole earth,and consider not only national interests,but also the interests of all mankind.The view of yin-yang tells people that when analyzing problems,they should look at the two aspects of yin-yang integration,not only to consider their own national interests,but also the interests of other countries,not only to see the contradictions and conflicts between countries,but also to see mutual benefits,to develop positive factors and to overcome negative factors;The view of change tells people that national leaders should adjust their foreign relations according to the changes of the times and the situation on the premise of abiding by objective laws;The view of no change tells us to act in accordance with the laws of nature and society,and that countries should respect each other,benefit each other,and cooperate for win-win results.The view of harmony enlightens us that in international relations,we should advocate the idea of living in harmony,harmony in diversity and harmonious coexistence,and oppose hegemonism and power politics.展开更多
The Russian theatre has not been neglected in the studies on theatre history, literary criticism and dramatic arts. The paper attempts to have a look at the 1787 Drama Dictionary, the first theatre reference book publ...The Russian theatre has not been neglected in the studies on theatre history, literary criticism and dramatic arts. The paper attempts to have a look at the 1787 Drama Dictionary, the first theatre reference book published in the country （with a very long Russian title containing 35 words） as a cultural product of the Enlightenment Age produced by its representative. In the introduction to the dictionary the compiler says that the publication would help young people develop a taste for refined entertainment and reject violent leisure activities of the past, enjoy theatre and learn life moral lessons from it. He considers theatre as a powerful means of changing Russian society as has been demanded by the Enlightenment Age. The structural and sociocultural analyses of 1787 Drama Dictionary materials give us an insight into some ways of westernising Russian society through theatre and how this westernisation was reflected in the theatre terminology of the time. I have argued that Russian-European Relationships resulting in the westernisation of Russian theatre theory and practices went hand in hand with the Russian translation-adaptation of Western plays and adaptation of some Western cultural patterns of social thinking and behaviour without rejecting completely the national identity in newly-born Russian dramatic literature.展开更多
文摘This paper discusses the worldview of classical Chinese Tai Chi philosophy:the holistic view,the view of Yin and Yang,view of change,view of no change,and view of harmony and their enlightenment to human peace.The holistic view inspires people to look at human society from the height of the whole earth,and consider not only national interests,but also the interests of all mankind.The view of yin-yang tells people that when analyzing problems,they should look at the two aspects of yin-yang integration,not only to consider their own national interests,but also the interests of other countries,not only to see the contradictions and conflicts between countries,but also to see mutual benefits,to develop positive factors and to overcome negative factors;The view of change tells people that national leaders should adjust their foreign relations according to the changes of the times and the situation on the premise of abiding by objective laws;The view of no change tells us to act in accordance with the laws of nature and society,and that countries should respect each other,benefit each other,and cooperate for win-win results.The view of harmony enlightens us that in international relations,we should advocate the idea of living in harmony,harmony in diversity and harmonious coexistence,and oppose hegemonism and power politics.
文摘The Russian theatre has not been neglected in the studies on theatre history, literary criticism and dramatic arts. The paper attempts to have a look at the 1787 Drama Dictionary, the first theatre reference book published in the country （with a very long Russian title containing 35 words） as a cultural product of the Enlightenment Age produced by its representative. In the introduction to the dictionary the compiler says that the publication would help young people develop a taste for refined entertainment and reject violent leisure activities of the past, enjoy theatre and learn life moral lessons from it. He considers theatre as a powerful means of changing Russian society as has been demanded by the Enlightenment Age. The structural and sociocultural analyses of 1787 Drama Dictionary materials give us an insight into some ways of westernising Russian society through theatre and how this westernisation was reflected in the theatre terminology of the time. I have argued that Russian-European Relationships resulting in the westernisation of Russian theatre theory and practices went hand in hand with the Russian translation-adaptation of Western plays and adaptation of some Western cultural patterns of social thinking and behaviour without rejecting completely the national identity in newly-born Russian dramatic literature.
