This work investigates De Sica＇s depiction of compassion proposing new ways of examining the film. Remaining faithful to his neorealist responsibility to denounce the plight of others and the experience associated to...This work investigates De Sica＇s depiction of compassion proposing new ways of examining the film. Remaining faithful to his neorealist responsibility to denounce the plight of others and the experience associated to World War Two, the director offers models of compassion associated with past circumstances and the subsequent recollection of them. In other instance, compassion becomes the result of imaginative and elaborated descriptions that contrast with the neorealist aesthetic. These creative depictions suggest compassion through technical elements. For instance, the usage of flashbacks, the long shots of the garden, the close-ups and tracking shots on specific components of the environment, the soft focus on certain characters are ways to reflect on past circumstances to outline a new awareness and perspective.展开更多
Taking the notions of homelessness, exile, and search for identity as reference points, this paper explores the ways in which two Romanian exiled writers, Norman Manea and Andrei Codrescu, through their autobiographic...Taking the notions of homelessness, exile, and search for identity as reference points, this paper explores the ways in which two Romanian exiled writers, Norman Manea and Andrei Codrescu, through their autobiographical writings, engage in creating and representing the concept of Jewishness, this fact adding new layers to their portrayals of rootless identities, at the same time supplying an insight into their own investigations and dentifications of the self. In addition to creating different images and ethnic representations, Manea and Codrescu＇s memoirs focus on portraying the image of the Jew, this being actually the very representation of otherness. The term ＂stranger＂ or ＂foreigner＂ is a generic one, including, irrespective of its ethnic component, all those individuals who guide their life according to a system of values which is different from the one accepted by or imposed on all the people of a country. According to this very pattern the writers taken into discussion in this paper might be considered to be the subject of a double banishment, their state of alienation being the direct result of them belonging not only to the Jewish ethic minority, but also to the very category of exiles. The texts placed under close scrutiny in this research, namely The Hooligan＇s Return （2003）, belonging to Norman Mane, and An lnvohmtary Genius in America＇s Shoes （And What HappenedAfierwards） （200 l）, written by Andrei Codrescu map the mobility of these two writers traversing vast geographical and cultural territories, as testimonies of their nomadic existence, having the express purpose of registering the polymorphous development of their identity and their very capacity of projecting two multi-faceted personalities展开更多
文摘This work investigates De Sica＇s depiction of compassion proposing new ways of examining the film. Remaining faithful to his neorealist responsibility to denounce the plight of others and the experience associated to World War Two, the director offers models of compassion associated with past circumstances and the subsequent recollection of them. In other instance, compassion becomes the result of imaginative and elaborated descriptions that contrast with the neorealist aesthetic. These creative depictions suggest compassion through technical elements. For instance, the usage of flashbacks, the long shots of the garden, the close-ups and tracking shots on specific components of the environment, the soft focus on certain characters are ways to reflect on past circumstances to outline a new awareness and perspective.
文摘Taking the notions of homelessness, exile, and search for identity as reference points, this paper explores the ways in which two Romanian exiled writers, Norman Manea and Andrei Codrescu, through their autobiographical writings, engage in creating and representing the concept of Jewishness, this fact adding new layers to their portrayals of rootless identities, at the same time supplying an insight into their own investigations and dentifications of the self. In addition to creating different images and ethnic representations, Manea and Codrescu＇s memoirs focus on portraying the image of the Jew, this being actually the very representation of otherness. The term ＂stranger＂ or ＂foreigner＂ is a generic one, including, irrespective of its ethnic component, all those individuals who guide their life according to a system of values which is different from the one accepted by or imposed on all the people of a country. According to this very pattern the writers taken into discussion in this paper might be considered to be the subject of a double banishment, their state of alienation being the direct result of them belonging not only to the Jewish ethic minority, but also to the very category of exiles. The texts placed under close scrutiny in this research, namely The Hooligan＇s Return （2003）, belonging to Norman Mane, and An lnvohmtary Genius in America＇s Shoes （And What HappenedAfierwards） （200 l）, written by Andrei Codrescu map the mobility of these two writers traversing vast geographical and cultural territories, as testimonies of their nomadic existence, having the express purpose of registering the polymorphous development of their identity and their very capacity of projecting two multi-faceted personalities
