A slew of scandals involving the Palace Museum has drawn attention to the plight of China’s public museums The curator of Beijing’s Palace Museum,Zheng Xinmiao,has been a largely low-profile figure,and his name only...A slew of scandals involving the Palace Museum has drawn attention to the plight of China’s public museums The curator of Beijing’s Palace Museum,Zheng Xinmiao,has been a largely low-profile figure,and his name only became known to most average Chinese citizens after the Xinhua News Agency released an interview with him in August,in which Zheng apologized for a string of mishaps in the institution that houses the largest collection of China’s national treasures.展开更多
By introducing two famous works of Mr.Zhang Kaiji in his later years,the reconstruction plan of Beijing Planetarium and the Museum of Chinese Revolution and the Museum of Chinese History,the paper analyzes the "c...By introducing two famous works of Mr.Zhang Kaiji in his later years,the reconstruction plan of Beijing Planetarium and the Museum of Chinese Revolution and the Museum of Chinese History,the paper analyzes the "courtyard·yard" space he once imagined in the modern city and large public buildings,and expounds the value and significance of his conception.The author believes that the expansion and transformation of important works should be based on historical research and centered on the spirit of space,and the intangible space outside of tangible entities should be carefully treated,so as to better complete the transmission of modern Chinese space experience.展开更多
文摘A slew of scandals involving the Palace Museum has drawn attention to the plight of China’s public museums The curator of Beijing’s Palace Museum,Zheng Xinmiao,has been a largely low-profile figure,and his name only became known to most average Chinese citizens after the Xinhua News Agency released an interview with him in August,in which Zheng apologized for a string of mishaps in the institution that houses the largest collection of China’s national treasures.
文摘By introducing two famous works of Mr.Zhang Kaiji in his later years,the reconstruction plan of Beijing Planetarium and the Museum of Chinese Revolution and the Museum of Chinese History,the paper analyzes the "courtyard·yard" space he once imagined in the modern city and large public buildings,and expounds the value and significance of his conception.The author believes that the expansion and transformation of important works should be based on historical research and centered on the spirit of space,and the intangible space outside of tangible entities should be carefully treated,so as to better complete the transmission of modern Chinese space experience.
