Research on the Communication and Development of Heilongjiang Cultural and Creative Industry under the Background of“Belt and Road”

This paper focuses on the research on the dissemination and development of cultural and creative industries in Heilongjiang Province under the background of“Belt and Road.”Firstly,the paper analyzes the main characteristics of cultural and creative industries in Heilongjiang Province and then puts forward the leading advantages of the government to promote the development of cultural and creative industries.The government gives full play to its regional advantages and creates Longjiang cultural products,while also accelerating regional industrial cooperation and innovative cultural communication forms.In-depth discussion is made on integrating scientific and technological means of the times and strengthening the cultivation of innovative talents.The government optimizes the communication and development path of the Heilongjiang cultural entrepreneurship industry and brings positive influence to the stable development of the Heilongjiang region in the future.

Sustainable development of cultural and creative industry in the internet environment

As a recent-booming field, China's cultural and creative industry has a certain gap compared with developed countries, but there also exists a potential for its market prospect, together with the help of Chinese government policies. What's more, the fast-growing internet has still provided the industry with more possibilities of further development. Analysis suggests that the internet inevitably optimizes China's cultural and creative industry by re-integration of massive resources, promoting its sustainable innovation. Thus the new industrial chain is created, and more profits would flood into the companies in this field in the meantime. In other words, the ecosystem of China's cultural and creative industry is established in this way, which would enjoy a prosperous prospect for sure.

Development and Protection: Reshaping Cultural Policies——A Study of the UN's Advancement of Cultural and Creative Industry in Developing Countries

Cultural diversity originates from modern cultural industries. The UN's decade–long promotion of cultural diversity coincides with the advancement of China's cultural and creative industries; however, China's situation is different from the creative economy advocated by the UN in terms of developmental logic. The policy of cultural diversity provides a basis for the UN to push forward the development of cultural and creative industries in developing countries. It is derived from the developmental theories of developed countries, which regard creativity(innovation) as a "technique" and overlook its uniqueness. The digital revolution has never given fair play to developing countries which explains why the UN's promotion of cultural diversity has not yet helped developing countries to substantially increase their exports of cultural goods and services in the past ten years. Nevertheless, the development of the in ternet and digital technology may create an opportunity for developing countries to catch up with and surpass their developed neighbors. China's unique approach to cultural and creative development may serve as a model for the international community to pursue sustainable development in the future.

Research on the Development Path of Zigong Salt Culture and Creative Industry in the Era of Digital New Media

Salt culture is the main component of traditional culture in Zigong,Sichuan.With centuries of history,it has accumulated rich cultural connotations.At present,Zigong salt culture,as a precious traditional cultural wealth,has taken cultural and creative industries as a new carrier of communication in the rapid development of digital new media technology,giving full play to the resource advantages of its traditional culture.This article focuses on the study of the development path of Zigong salt cultural and creative industry in the new digital media era.Combining digital new media technology with cultural and creative industries,Zigong salt culture actively uses virtual technology to realize the innovative development of cultural and creative industries,promote the cultivation of cultural and creative brands based on digital new media technology.This article aims to give relevant strategies with reference value,so as to make corresponding contributions to the development path of Zigong salt culture in the future.

Investigation Report on the Development Status of Creative Industry Park in Pudong New Area, Shanghai

As the core of the Yangtze River Delta cultural and creative industrial cluster, Shanghai regards the development of cultural and creative industrial clusters as an important measure for promoting a new round of economic development and building advanced culture. With its long-standing cultural heritage and forward-looking development vision, Shanghai has created a lot of cultural and creative parks. At present, these industrial clusters have begun to take shape, forming a certain concentration of creative design. In this investigation, we focused on the investigation of the creative industrial park in the Pudong New Area. We found several typical cases of good development in Beijing, Hangzhou and other old districts in Pudong New Area. Through these successful and typical investigations, we will gain effective experience in property fights protection, institutional design, government supervision, service enhancement, etc., in addition to providing advice on intellectual property rights for the three-in-one bureaus that are exploring ways of working, and also related to The management department provided suggestions from other relevant parties and worked together to contribute to the creation of the Shanghai ＂International Creative Industry Center＂ program.

Creative Industrial Cluster： Three- Stage Development and the Case of Beijing＇s 798 Art District

This paper presents a three-stage hypothesis on the development of creative industrial clusters, which includes stages of agglomeration, interfacing, and network development. In the first stage, micro-entities concentrate geographically in a creative industrial cluster in search of resources. The second stage reflects the need for building identity. Finally, the third stage is the outcome of multi-dimensional expansion. As a creative industrial cluster develops, its focus moves from geographic concentration to division of labor and the creation of novel systems. Using this three-stage framework, this paper conducts an empirical study on Beijing＇s 798 District （＂798＂）. Our study finds that the ＂self-destruction ＂phenomenon （which appeared after 798 had reached the stage of network development in a low-level capacity） is essentially the product of a squeezing effect of commercial prosperity on art production. Our study further examines four models of art-commerce integration and explains the ways in which creative industrial clusters are different from conventional industrial clusters： a creative cluster is a platform of integration for culture, commerce, and technology. Its course of development is characterized by novelty, emergence of identity through interfacing, and network cooperation.

The Sports Culture Creative Industry in the UK and its Enlightenment on Sports Industry of China

This research is based on creative industry of sports culture of the U.K. Firstly, the literature research method is used to collect relevant authoritative economic data, and clarify and identify concepts of the sports culture creative industry with the ＂rule of thirds＂ of creative industry of the U.K.; secondly, empirical research is conducted to describe an active and drive function of the 3 kinds of expansion effects-forward effect, bystander effect and backward effect on peripheral industries on sports industry and even national economy development by rapid development of the sports culture creative industry in the U.K.; thirdly, this paper figures out that the sports culture creative industry will become new economic growth, ixew development route for the sports industry in the future and new power for industrial structure optimization and upgrading; finally, the research outcome gives reference and guide to scientific development, transformation and upgrading of the sports industry of China in the new round of worlds＇ economic restructuring.

Constructing ecological system of digital culture industries in the new era

Developing digital culture industries is one of the important social planning strategies in China in the new era.China’s digital culture industries has continued to grow in recent years,but there are still a series of problems such as imperfect industrial ecological chain structure,lack of development and innovation content,and small scale of ecological platform.At this stage,in order to build a sustainable ecological system for the development of digital culture industries in the new era,we should focus on the development of key areas related to digital culture industries,guide the development of industrial agglomeration,cultivate large-scale leading enterprises,strengthen the support of industry chain,build an innovative ecological model,and increase policy support.Only in this way can the digital culture industries be pushed into a benign ecological system as soon as possible and cultivated into a new momentum for the development of China’s culture industries in the new era.

Reflections on Economic and Cultural Driving Factors for the Development of Creative Industry:A Book Review on Creative Cities in Practice:European and Asian Perspectives

Creative Cities in Practice:European and Asian Perspectives Authors:Yan TANG,Klaus R.Kunzmann Year:2013Publisher:Tsinghua University Press ISBN:9787302325192(281 pages,in Chinese)The book,titled Creative Cities in Practice:European and Asian Perspectives,by Dr.Yan TANG and Prof.Klaus R.Kunzmann,is an outstanding piece of work introducing creative industry and creative cities in a fairly comprehensive and

产业数字化驱动民俗文化创造力传承发展的内在机理与实现路径

产业数字化是中国经济社会步入高质量发展新阶段的标志,也是推动民俗文化创造力传承发展的重要机遇。通过分析现阶段中国民俗文化创造力发展现状,深入挖掘、构建、留存民俗文化样态演变过程中的母本、母题以及文化符号、图式、形态的基因数据库,研究当下中国民俗文化创造力健康、和谐、高效传承发展所遇到的产品创新及新媒体内容服务建设出现的问题。未来通过产业数字化技术平台驱动技术路径、内容路径和跨界路径三个方面,促进新媒体环境下中国民俗文化创造力传承发展,并搭建民俗文化意象和工艺的资源谱系,弘扬大国工匠精神。中国民俗文化创造力传承发展的实现路径,首先要突出文化内涵,弘扬中华优秀传统文化的与时俱进精神,深化民俗文化的产业数字化支撑。其次要倡导民俗文化生产企业秉持中华造物精神、工匠境界、匠人态度的文化理念。最后在国家层面要引导全社会参与民俗文化传承与创新发展,让人民群众了解和喜爱民俗文化,增强民族自豪感和文化自信心。

“体验”视角下红色文创产品设计

在红色旅游市场趋于“年轻化”的时代背景下,富有创意的文创产品正受到年轻人的追捧,让游客从“旁观者”转变为“体验者”,在体验中与红色文化深入对话交流。文章从“体验”的视角出发,提出红色旅游“文创+”的新策略模式,将“个性化”“数字化”“沉浸式”三者融入到文创产品设计中,以期为产品设计研究提供新的思路,也在潜移默化中强化新时代红色教育,传承红色精神。

创造与创新的融合:新基建对文化创意产业的涌现作用

新基建为文化创意产业的蓬勃发展创造了扎实的物质平台,而文化创意产业同样以其新颖的思维创新反哺前者成长。然而,除却浮于表面的直接干预,隐匿于新基建和文化创意产业系统内部的作用规律才是促进其二者可持续发展的源动力。基于此,本研究以系统动力学技术为依托,以理清创造与创新辩证逻辑关系为引领,通过数值仿真模拟论证了新基建对文化创意产业之显著涌现作用的存在。在理论启示层面,提出了存在于新基建与文化创意产业间以涌现作用与闭环反馈为基础的增效发展规律。在实践启示层面,研究认为文化创意产业发展须稳抓新基建平台跳板,发挥涌现作用的促动价值,充分释放全要素生产率,以系统观念指导产业高质量发展。

“互联网+”背景下贵州非遗文创产业发展路径研究

非物质文化遗产是人类历史长河和在人们日常生活中凝聚而成的文化精粹,非遗文化的艺术价值、工艺价值、文化价值以及商业价值等都将在文创设计时焕发新机,而形成产业将会激发出最大的发展潜能。目前,随着信息技术和互联网的飞速发展,贵州非遗的保护、传承以及发展迎来了新契机,而非遗文创产业是对其传承与保护的重要途径,也是推动经济增长的有效方式。本文在“互联网+”背景下分析贵州非遗基本现状及存在的问题,并为贵州非遗文创产业提出发展路径建议,以期促进贵州非遗产业的可持续发展,进而助力贵州经济发展。

新质生产力驱动文化产业高质量发展:理论逻辑、驱动路线与行动框架

新质生产力驱动文化产业高质量发展的过程,也是新质生产力向文化新质生产力的质态具化过程。新质生产力沿着技术逻辑、业态逻辑与模式逻辑重塑文化产业的技术链、产业链和价值链,以智能创意工具提升生产效率,以新型文化业态优化产业结构,以价值共创模式改善创新生态。驱动路线应加强文化新基建与数字新基建的动力协同、聚焦文化共性关键技术研发、提升文化产业全要素生产率、强化数字文化产业集聚区建设、推动文化产业工业互联网建设。行动框架以文化劳动者、文化生产工具与文化生产劳动对象为行动领域,以劳动者复合型发展、劳动资料智能化转型与劳动对象数字化演变为行动目标,细化相应行动举措,发动高校、科研机构、企业与政府部门等行动主体参与,实现文化产业高质量发展。

新质生产力视域下“三茶”统筹发展的历史脉络与创新进路

新质生产力对“三茶”统筹发展提出了新要求。茶文化的发展与壮大得益于产业生产力的发展促进,茶产业的历史发展蕴含了生产力的跃升与新生产关系的演绎,茶科技的进步则是人类生产力发展到一定阶段的质的飞跃。同时“三茶”统筹发展凝成的茶生产力也是社会经济进步与文化文明进化的重要力量。进入新时代,“三茶”领域需要培育发展新质生产力,新质生产力推动“三茶”质素的升华与形态的变革。新时代发展新质生产力,“三茶”应主动作为,开展全面创新,系统化变革,致力于高质量发展,进而实现茶文化与茶产业的中国式现代化。

基于古籍传承创新的文创开发人才培养思考

古籍作为中华民族的文化瑰宝,具有极高的文物价值和文献价值,它们不仅是历史的见证,更是文化传承的重要载体。古籍保护与文创开发相结合不仅是中华优秀传统文化传承的重要手段,更是传统文化创新性发展的关键路径,对于推动古籍文化的保护、传承和创新具有非常重要的意义。在新文科背景下,古籍文创开发人才的培养需要政府、高校、图书馆、文化企业等多方面的共同努力,通过优化学科交叉融合课程设置、构建产学研用人才培养体系、强化实践教学和创新能力培养、建立科学合理的人才培养评价体系等措施,培养更多具备综合素质和创新能力的古籍文创开发人才,为古籍文化的传承与创新提供有力的人才支撑。

新媒体环境下广州市音乐文化产业发展现状

新媒体环境下,广州市音乐文化产业呈现出自媒体营销模式和高科技应用模式的特点。自媒体营销模式包括宣传模式、销售模式和内容制作模式,具有交互性强、传播迅速、突破时空限制等特点。高科技应用模式包括流媒体模式、虚拟影像模式和人工智能模式。人工智能模式的“AI算法”使音乐作品的创作效率提高,并符合市场需求。虚拟影像技术丰富了舞台美学设计,创新了线上音乐演出活动的形式和内容。流媒体应用工具功能更具综合性,使用更方便更人性化。该文通过对新媒体环境下广州市音乐文化产业发展现状进行分析,以期保障广州音乐文化产业的多元和创新发展。

新质生产力赋能文化旅游业高质量发展的理论逻辑与发展路径

新质生产力作为先进生产力的跃升方向,符合新发展阶段我国文化旅游业高质量发展的内在要求,是驱动文化旅游业高质量发展的新动能。从文化旅游业新质生产力的内涵与基本特质着手,综合性分析了新质生产力促进文化旅游业高质量发展的理论逻辑,表现为以新技术加速文化旅游业的生产方式变革、以新型要素重构文化旅游业的生产关系、以结构创新提高文化旅游业的经济发展质量。新质生产力对生产要素质量的提升和新型生产组织形态的生成具有显著促进作用,可充分实现主导产业、融合产业以及潜在关联产业间的相互联动,并赋予文化旅游业创新生态系统的能力。为此,应提升技术创新能力,提高文化旅游业的效率与质量;不断丰富模式创新,提升文旅消费体验与产品供给;持续实现结构创新,提升文化旅游行业的整体竞争力;积极培养创新型人才,增强文化旅游产业的人力资本价值,以实现文化旅游业高质量发展与新质生产力培育的良性互促。

湖南文化产业新业态的生成机制与发展模式

新业态发展是当今文化产业的一大趋势和重要选择,近年来湖南优势媒体新业态和旅游产业新业态飞速发展,许多传统行业也在积极寻求数字化转型,这些新业态具有“新创—传播—生产”三个层次的内涵。文化产业新业态是不断变化与发展的经济活动,科技进步、内容创新与模式创新、文化消费升级与用户需求拓展是其生成与发展的主要条件。基于聚集型、特色型、生态型三种实践逻辑,湖南文化产业有能力、有条件构建文化产业新业态多元层级结构的“湖南模式”。

论新质生产力推动文旅产业高质量发展

发展新质生产力是推动高质量发展的内在要求和重要着力点。从理论渊源看,新质生产力的提出是对马克思主义生产力理论的丰富和发展。从发展实践看,新质生产力推动文旅产业提质增效,与文旅消费新需求相得益彰。加快发展文旅产业新质生产力,应推动劳动者、劳动资料和劳动对象的优化组合,以数据、大模型、算力等新型生产要素重塑文旅产业的生产方式,培育面向未来的现代文旅产业体系。同时,为适应新质生产力发展,文旅产业要创新治理理念和治理方式,不断加强治理的灵活性、适应性和及时性,善于运用数据提升治理的精细化、智能化水平,对出现的新业态、新模式、新现象实施包容审慎监管,构建政府、企业和社会等多主体协同的治理模式,推动从分业管理向综合治理转型。