A Case Study of Periodical Terminologies’Mis-translations in History of Chinese Journalism by Ko Kung-chen under Analysis-Synthesis Translation Mode

From the perspective of analysis-synthesis translation mode,this paper discusses the translator’s responsibility and the translator’s role in the translation of historiography,based on the case of Ko Kung-chen’s History of Chinese Journalism.Missionary J.S.Roberts believed that translation is the logical combination of two processes of analysis and synthesis.The analysis process is characterized by understanding,emphasizing accurate understanding and professional analysis of the source text,while the synthesis process focuses on the transformation of language and culture.The two processes are dependent,forming the whole process of translation altogether.As the indisputable subject of translation,the translator should assume his own subjective responsibility in the two processes.The translator should be responsible for the fact and professional academics in the analysis process,and language and culture and translation itself in the synthesis process,playing the role of a reviewer,disseminator and translator to ensure that the translation text would be correct,accurate and professional so as to realize the value of himself and translation.

The Translation and Introduction of Chinese Myth in English World

Different from Greek myth,Chinese myth is scattered among many kinds of ancient books such as The Classic of Mountains and Seas,Chuci,Huainanzi,etc.There is no Chinese classic that records mythology like the Odyssey and Iliad.After the 20th century,Chinese scholars began to collect and study myths.In the English world,missionaries began to translate and introduce Chinese myths from the middle and late 19th century,and then Chinese scholars and sinologists have been translating and introducing Chinese myths.At present,the English translation of Chinese mythology has made a lot of achievements,but there are also many misunderstandings.This paper explores the current situation of the English translation of Chinese mythology by analyzing several well-known translations.

The Translation of Chinese Literature under the Theory of Translation Compensation

In order to promote the exchange of Chinese culture with foreign countries,translators bear an important mission in the process of cross-cultural communication.Although there are cultural differences,we can achieve cultural dissemination and exchange through continuous cultural dialogue.As an important way for foreign scholars to understand the history of the Shang and Zhou Dynasties in China,the translation of historical texts is crucial.Multiple typical cases are selected under the guidance of the translation theory of compensation to use relevant methods or techniques from the three levels of language,culture,and aesthetics to compensate for the loss of Li Xueqin’s The Origin of Ancient Chinese Civilization in English translation proofreading.

The Application of Newmark’s Metaphor Theory in Novel Translation--A Case Study of“the Jade King:History of a Chinese Muslim Family”

This paper examines the metaphorical part of“The Jade King:History of a Chinese Muslim Family”,Hoda’s novel,under the guidance of Newmark’s theory of metaphor.Newmark proposes six categories of metaphors,namely Dead Metaphor,ClichéMetaphor,Stock or Standard Metaphor,Adapted Metaphor,Recent Metaphor,Original Metaphor;and seven strategies of metaphor translation,including reproducing the same image in the target language,replacing the image in the source language with a standard target language image,translation of metaphor by simile,translation of metaphor(or simile)by simile plus sense,conversion of metaphor to sense,deletion and same metaphor combined with sense.They can provide a strong theoretical support for analyzing the expressions of metaphors in novels and their translation methods.By deeply analyzing the expressions of metaphor and its translation methods in novels,it not only helps to understand the metaphorical meaning and cultural connotation of the original works,but also helps to explore the cultural differences and challenges faced by English and Chinese bilingualism in the process of metaphor translation,thereby significantly improving the translation level and promoting the development of translation research.

Review of Research on English Translation of Chinese Running Sentences

In order to convey complete meanings,there is a phenomenon in Chinese of using multiple running sentences.Xu Jingning(2023,p.66)states,“In communication,a complete expression of meaning often requires more than one clause,which is common in human languages.”Domestic research on running sentences includes discussions on defining the concept and structural features of running sentences,sentence properties,sentence pattern classifications and their criteria,as well as issues related to translating running sentences into English.This article primarily focuses on scholarly research into the English translation of running sentences in China,highlighting recent achievements and identifying existing issues in the study of running sentence translation.However,by reviewing literature on the translation of running sentences,it is found that current research in the academic community on non-core running sentences is limited.Therefore,this paper proposes relevant strategies to address this issue.

A Descriptive Translation Study of Chinese Translation of French Musical Roméo et Juliette

This paper presents a Descriptive Translation Study(DTS)analysis of the Chinese translation of the French musical adaptation of Romeo and Juliet,titled Roméo et Juliette:de la Haineàl’Amour.Romeo and Juliet,a timeless play by Shakespeare,has captivated audiences since its premiere in 1597 and has been adapted into various forms,including stage productions,films,musicals,and operas.The focus of this study is to analyze the Chinese translation of the French musical adaptation from a DTS perspective.DTS is an approach that aims to understand the translation process and its reception in the target culture.By examining language choices,cultural references,and adaptation strategies,this study seeks to shed light on how the Chinese translation of the French musical functions within the target culture and influences the reception and interpretation of the source text.This analysis is expected to gain insights into the challenges and strategies employed in translating a musical adaptation of Romeo and Juliet into Chinese.The findings of this study will contribute to the field of translation studies and provide a deeper understanding of the complexities involved in the translation of musical works.

Study on the Textual Coherence Function of Conjunctions in Political Texts and Their Translation Reconstruction

The assessment of translation quality in political texts is primarily based on achieving effective communication.Throughout the translation process,it is essential to not only accurately convey the original content but also effectively transform the structural mechanisms of the source language.In the translation reconstruction of political texts,various textual cohesion methods are often employed,with conjunctions serving as a primary means for semantic coherence within text units.

Culturally-loaded Chinese Discourse of Gu-qin and Its Inspiration to Translation——Based on a Maxim from a Chinese Classics The Roots of Wisdom

Inspired by one of the maxims in a Chinese classics entitled The Roots of Wisdom,the present paper borrows the typical culturally-loaded Chinese discourses of Gu-qin — "stringed lute" and "non-stringed lute"—to add to the literary translation terminology and to enrich some Chinese literary translation theories.On the basis of analyzing some related theories in linguistics,pragmatics,aesthetics and communication which show different perspectives relevant with the study of translation,the present paper offers a new angle to illustrate how the Chinese discourses of Gu-qin,rich in cultural implications,can best describe translation and bring new vigor and vitality into the diversity and further expansion of the field of translation research.

Discourse Analysis in Translation of Chinese Literature: The Case Study of Yang Xianyi and Gladys Yang’s Translation of Kong Yiji

Since the early 1970s,discourse analysis has garnered significant attention across various academic disciplines,marked by the proliferation of numerous theoretical frameworks.Then the profound impact of discourse analysis on the field of translation research has become increasingly apparent,with a substantial body of translation studies embracing the discourse analysis approach.The disciplinary significance of discourse analysis has become undeniable.Contemporary China is in a relatively weak position in global cultural communication.To advance Chinese culture on the global stage,Chinese literary works serve as a precious channel.To effectively showcase the unique qualities of Chinese literature,translators must consider a multitude of influencing factors and address them judiciously to enable target language readers to fully immerse themselves in the essence of Chinese literary artistry.This paper takes Yang Xianyi and Gladys Yang’s translation of Kong Yiji as an example to elucidate the function of discourse analysis in translation of Chinese literature.

A Study on the Reproduction of Artistic Conception in Translation of Chinese Classical Poetry from the Perspective of Reception Aesthetics Theory

Chinese classical poetry has long been known for its unique artistic conception of mixture of sentiments andscenery, the conception beyond image and the refinement out of rhyme. From the perspective of receptionaesthetics theory, this paper analyzes translation strategies of the classical poetry, probes into the problems thatretaining “indeterminacy” and satisfying the readers “horizon of expectations” when translate Chinese classicalpoetry. It is necessary to keep enough aesthetic space, and to give full play to the translator’s aesthetic creativitywhen translate Chinese classical poetry, so as to reproduce the artistic conception of Chinese classical poetry.

Comparative Study of Chinese Bible Translations from the Perspective of Skopos Theory

It is universally acknowledged that the holy Bible has played a significant role in both Christianity and literature field. In China, translating Bible also enjoyed a long history and so far over 30 Chinese Bible translations have been produced. Along with age-old Bible translating practices in China come with varied Chinese Bible versions, due to the fact that different translators adopt different translational skopos. Skpos theory, mainly coined by Vermeer, has been quite popular in recent years. This purpose-based translation theory has ignited paradigm shift in translation study from the source text to target text. This paper will be attempting to conduct a comparative study of two most popular modern Chinese Bible versions, CUV (Chinese Union Version) and TCV (Today's Chinese Version). By comparing two versions of the same extract, this article aims to apply Skopos theory into analyzing each translator's decisions and strategies from domestication and foreignization.

A Brief Analysis of the Chinese- English Translation for Movie Titles from the Perspective of Eco-translatology

Via analyzing the adoption of Eco-translatology from the linguistic,cultural and communicative dimensions, this paper intends to tentatively explore the micro strategy of Chinese-English movie titles translation.

The Construction of a New Translation Ethics from the Perspective of Chinese Philosophy

As a cross-linguistic,cross-cultural,and cross-social activity,translation is affected by cultural moralities.Since the ethical standard of faithfulness has been abandoned by theories of cultural criticism and the power of translators’manipulation has been constantly exaggerated,the study of translation ethics is an effective remedy for a current dilemma in translation studies.It is a common phenomenon for some translators to erase the linguistic and cultural differences of Chinese literature by catering to target readers’reception.Social ethics is the foundation of a nation’s translation ethics,which means that thoughts from the Western world may not be suitable for the current situation in China.Learning from concepts of Chinese philosophy including harmony in diversity,seeking common ground while reserving differences,and honesty to formulate a new translation ethics will surely restrain translators’subjectivity within appropriate limits and develop world culture in more harmonious fashion.

For Foreign-Oriented Chinese Literature Translation,What Inspirations Can Be Derived from the Carrying out of the Translation Project of the King James Version of The Bible?

Inspired by the“One Belt,One Road”initiative and the“Going Global”strategy,China has become more deeply involved in foreign exchange.The introduction of Chinese literature to the outside world has been part of China’s soft-power strategy.However,it must be acknowledged that the quality of Chinese literature translation is not satisfactory for several reasons:essentially,issues relating to project management,translators’qualifications,and translation quality control.This essay reviews the translation practice that gave rise to the King James Bible(KJB),with a focus on its project management,translators’qualifications and quality control.It is hoped that this will serve to enlighten professionals in the field of Chinese literature translation.

Unfaithfulness or Expressiveness？ On KU Hung-ming＇s Translation of Chinese Classics From the Perspective of Translation Norms

As a beak with the traditional ＂prescriptive＂ approach and an important complement to translation theories, translation norms thus open up a descriptive and target-oriented perspective for the translation practice and study. For the successful access of the translation text into the target culture, the translator has to make choices between two languages, texts and cultures, etc.. Thus the translation norms are revealed. This paper shows the operation of translation norms as seen from the English version of Chinese classics by KU Hung-ming and analyzes why KU Hung-ming＇s translation of Confucian classics such as Lun Yu and Zhong Yong enjoyed greater popularity among Western readers than the translation of Western missionaries. The paper also holds that the unfaithful translations regarded by a source text-oriented approach were actually where KU was most successful in implementing his translation strategies to achieve expressiveness.

The Image of Jews Reconstructed in A Chinese Translation of Oliver Twist from the Perspective of Imagology

The image of Jews,as the“other”,constructed in Oliver Twist by Dickens and reconstructed in its Chinese translation by Wen’an He(1977/1997)1 is studied at the level of lexical items from the perspective of imagology in this paper.Lexical items involving the image of Fagin,the representative of Jews,are negative in the source work.In translating the lexical items to reconstruct Fagin’s image,the translator retains the features of irony and vulgarity carried with them.So,the image of Fagin is generally transported into the target culture basically unchanged.However,due to the translator’s individual reason or the social background of China at that time,those lexical items with religious connotation in the source text are translated without explanation,and as a result,the image of Jews constructed by this kind of lexical items fails to be conveyed to the target readers.

A brief analysis of the classical poetry Chinese-English translation： From the perspective of ＂Beauty in three aspects＂

With the growing of mutual communication between different cultures, the translation of classical Chinese poetry becomes quite significant in the contemporary times. This paper first briefly introduces classical Chinese poetry, major classical Chinese poetry translation schools and their representatives, and professor XU Yuan-zhong＇s famous principle of ＂Beauty in three aspects＂. In order to help disseminate this part of Chinese culture through discussing how the reader of the translation may be inspired, moved and aesthetically entertained in the same way as one reads the original, this paper will analyze the classical poetry Chinese-English translation from the perspective of ＂Beauty in three aspects＂, namely, in three parts--beauty in meaning, beauty in sound and beauty in form. Thus, it serves the purpose to offer a relatively comprehensive view of the classical poetry Chinese-English translation.

On the Translation of Chinese Film Title From the Functional Perspective

This thesis aims to analyze the translation of Chinese film titles from the functional perspective in the hope of elaborating the application area of Skopostheorie and finding a guiding theory for film title translation from Chinese to English ,and Trying to work descriptively to discover the Principles underlying Chinese film title translation,which is a purposefulactivity.

Study on Translation Strategies of Metaphor in Zhang Peiji’s Elected Modern Chinese Essays From the Cultural Perspective

Many literary essays contain a large number of metaphor examples.Due to the differences between language and culture,metaphor,as a carrier of culture,makes many translators rack their brains and make great efforts in translation.In recent years,scholars’research on metaphor also emerges many new ideas.On the basis of previous metaphor studies,this paper discusses the cultural factors in conceptual metaphor,selects the translation of some metaphors in Zhang Peiji’s Selected Modern Chinese Essays as examples,and focuses on three strategies of metaphor translation:Literal translation retains the metaphor in the original language;free translation refers to the transformation of metaphor guided by the target language culture;literal translation of cultural metaphor and increase connotation interpretation.

Brief Studyon the Translation of Chinese Vulgarism Language into English

Vulgarism language,also named four-letter words in English,is words or phrases of roughness and pushiness used in people's daily life.Though crude and ungrateful,it is an indispensable part of any language.It is a common way for people to express their emotions with such words.Any language in the world has vulgarism language and Chinese has no exception.Chinese vulgarism language not only exists in daily life,but in literary works as well.In English and Chinese their expressions of vulgarism language differ because of the different categories.In this article,the author would like to come up with a preliminary study on the translation of Chinese vulgarism language into English.