Impact of Hermit Culture of the Wei and Jin Dynasties on Location Aesthetics of Villa

This paper introduced the origination of seclusion culture, analyzed historical background, causes, and aesthetic performances of hermit culture, took living style and life attitude of Tao Yuanming for example to summarize the location characteristics of villas under the impact of hermit culture in the Wei and Jin Dynasty. On this basis, site selection of Tianquan Julong International Eco-villa in Longquanyi District, Chengdu City was analyzed, and profound influence of hermit culture on the location aesthetics of modern villa explored.

An Analysis of the Shi Clan Connections in the Wei-Jin and North-South Dynasties Based on the Character Network of Shishuoxinyu

Shishuoxinyu is a collection of anecdotal stories about the words and deeds of Wei and Jin characters. In this paper, we build a complex network with characters in Shishuoxinyu to analyze the scholarly connections in the Wei-Jin and North-South dynasties. The ER random graph, WS small-world network, BA scale-free network, and experimental network are constructed for comparison. The network properties of the experimental network were analyzed using the average degree, average clustering coefficient, and average path length. Degree centrality, mesoscopic centrality, and proximity centrality were selected to understand the importance of the experimental network nodes, and it was found that the king guide had the highest importance in the whole experimental network. Then, through the observation of network degree distribution, this experimental network is considered as a scale-free network with robustness and vulnerability, which is in line with the political characteristics of the Wei-Jin and Northern Dynasties. Finally, ten larger-scale Shi clans are selected to construct a new network for inter-clan linkage analysis. This study helps to uncover the reasons for the rise and fall of the Shi clans during the Wei-Jin and North-South dynasties.

Analysis of Buddhist sculpture art in Wei, Jin, southern and Northern Dynasties

The emergence and development of Buddhist sculpture has completely changed the original Chinese ancient sculpture, rich China sculpture theme, greatly promote the development of the Chinese sculpture, in the Wei and Jin Dynasties, Buddhist sculpture received considerable development, the art form is abundant, representative of the ＂ slim but clear appearance＂ and＂ images of noble figures ＂two kinds of modeling features. From the perspective of historical background and aesthetic orientation, this paper analyzes and studies the overall features of the art of carving art in this historical period, as well as its profound influence on the development of Chinese Buddhist statues.

Political History of Books:A Case Study of Precedents of Ritual Protocol for Jin's Imperial Ministers and Annotations to the Report on Jin's Official Posts

This article takes Fu Chang's Precedents of Ritual Protocol for Jin's Imperial Ministers and Xun Chuo's Annotations to the Report on Jin's Official Posts as a means to observe the interactions between books and political processes during the Western and Eastern Jin dynasties. Both Fu Chang and Xun Chuo were employed as high-ranking officials, with a background of being from the Central Plain, by the regime of the Later Zhao founded by Shi Le. Their purpose for writing the two books was to provide guidance for the regime's institutional establishment. The collapse of Shi Le's regime led to the flow of people and their possessions to the south. During these movements, the two books along with other materials and records were brought to Jiankang and then contributed to the institutional and cultural development in the middle and late Eastern Jin Dynasty. As historical facts and references for political reformation, these books revealed the duality of institutional writings. The collection and dispersion of books after the Disaster of Yongjia, as well as the social and cultural changes, should be placed in a wider political process for further examination.

On the Creation Background and the Influence of Wei Zhuang’s Famous Poem:Lament of a Northwestern Woman

Lament of a Northwestern Woman(Qin Fu Yin),composed by Wei Zhuang after the Huangchao uprising,is a long poem that showcases the sufferings of the civilians and embodies the people’s character of the poem,which is the profound empathy and compassion of the poet towards the civilians’plight.The poem was written during the reign of Emperor Xizong of the Tang Dynasty in the year Gengmao(883 AD).2023 is also the year Gengmao,so this poem has existed for a remarkable 1140 years.For over a millennium,this long poem remained submerged in history until the opening of the Dunhuang Grottoes at the turn of the 20th century.The deep compassion and commiseration towards the underprivileged masses conveyed in this long poem are reminiscent of Du Fu’s renowned“Three Poems of Separation.”Moreover,it is widely believed that this poem foretells the decline of the Tang Dynasty.

Wei,Jin,and Northern and Southern Dynasties:The First Documented Painters

The paintings of the Wei and Jin periods retained the legacy of the Han Dynasty's emphasis on"promoting moral principles and edifying virtues,"while also emerging as independent works of art.During the Wei and Jin periods,"pure"philosophy and"pure"art were born,progressing in parallel and influencing each other.As the Confucianism of the Han Dynasty collapsed,it gave rise to the ideas and value pursuits of the aristocratic clans,along with the trend of venerating Laozi and Zhuangzi while exploring the true essence of the universe,known as"Wei-Jin metaphysics."

The Influence of Wu Zi Jin Si Lu by Wang You in Huizhou on Ly Dynasty in North Korea

Wang You’s thoughts on the compilation of Wu Zi Jin Si Lu reflect the thoughts of the scholars who took Zhu Xi as their mentor in the late Ming and early Qing Dynasties.Wang You combined four scholars in the Northern Song Dynasty(Zhou Dunyi,Zhang Zai,Cheng Yi,and Cheng Hao)and Zhu Xi into a whole,so that readers could grasp their thoughts as a whole.This also enabled the scholars of the time to access to the sages.His books were widely circulated in East Asia and were well received by Ly Dynasty,North Korea,with many copies printed.Inspired by Wang You’s compiling ideas,Ly Dynasty scholars in North Korea have compiled new documents reflecting the local Xing-li of learning,such as Li Duzhong’s Li Zi Jin Si Lu and Song Bingxuan’s Jin Si Xu Lu.The Huizhou scholars,represented by Wang You,spared no effort to construct the Jin Si Lu documents to adapt to the development of the times and to explain the essence of Jin Si Lu.It played a certain role in the dissemination of Neo-Confucianism in East Asia.

基于考古发现谈晋唐时期新疆饮食文化——以阿斯塔那古墓为例

新疆自古以来族群活动频繁,又因古丝绸之路成为东西方文化交流的中心,这促成当地文化的多样性。新疆阿斯塔那墓地出土了晋唐时期与饮食有关的诸多器物,展现了晋唐时期新疆民众的生活方式和饮食习惯,既是晋唐时期新疆地区社会发展与经济繁荣的直接体现,更呈现了晋唐时期丝绸之路文化交流的重要影响。研究基于历史文物的信息记载功能,为学界展示晋唐新疆的历史发展及丝绸之路的意义与价值。

The Personality Beauty Thought in New Accounts of Old Episodes

“New Accounts of Old Episodes”is a classic handed down in China,which reflects the personality image and charm of the scholars in the Wei and Jin dynasties with the original ecological narrative technique.The scholars of the Wei and Jin Dynasties were detached,facing the world with an aesthetic attitude beyond secular utilitarianism,etiquette,and real life,establish a graceful social stage of vulgarity,create a unique personality beauty,providing valuable ideological wealth for the cultivation of poetic spirit,poetic dwelling,aesthetic style,transcend personality,and wisdom.

Yungang Grottoes and Buddhist Restoration

IT was in the year 453 that the monk Tan Yao hurried to Pingcheng （present-day Datong in Shanxi Province） through the barren Loess Plateau of northern Shanxi. He had been summoned by the newly enthroned Emperor Wencheng of the Northern Wei Dynasty （386-534）. Seven years previously he had run for his life along the same route,

两晋“碑文似赋”说补证

碑文于两晋之时多为叙述性,近于赋之铺陈,故易受赋影响,常主动借鉴赋之写法。两晋碑文沿袭汉碑传统,在题材、句式、用韵上多与辞赋“同体异用”,且常以赋家笔法叙述碑主家族功勋、描绘历史背景、敷陈碑主德行事业,使得碑文辞采增华,赋化倾向更为明显。“碑文似赋”实与魏晋文学自觉相关,援赋笔破体为文,虽使碑文一改汉魏体制,篇幅增长,但在整体上增强了其文学性、可读性和感染力,强化了其文学张力,使得泛文学观念落到了实处。

Design and Mechanics Analysis of Prairie Stone People Shed in Tekes County,Ili Prefecture

On the Silk Road, the grassland mountains of Tekes County are scattered with ancient stone people and stone statues in the Han-Wei-Jin periods. There are diseases such as weathering and cracking. In combination with the characteristics of climate change over the past 35 years, a rain-proof shed has been designed. The appearance refers to ″Horse riding Huns″ in front of the Huoqubing tomb in the Han dynasty, and ″Yungang Grottoes″ in the Northern Wei dynasty, and combine the concept of contemporary Kazakh Boz yu. Different from the general wooden straw shed, it is light in weight, easy to install, resistant to rain and snow, strong in corrosion resistance, strong in structural strength and Readily available materials, and low in cost, which is beneficial to improving the status of cultural relic protection and delaying the speed of diseases damage.

从“水引,挼如箸大”看魏晋南北朝时期箸的形制与使用

《齐民要术》作为魏晋南北朝时期重要农书,不仅记载了重要的农业生产技术以及食物加工方式,而且记载了一些饮食器具的形制,其中“水引,挼如箸大”是对当时筷子的直接描述。本文通过这条文献记载来考证与勾勒魏晋南北朝时期箸的形态规制,并由此探讨当时箸的使用情况,进一步考证魏晋南北朝时期饮食生活的历史状况以及饮食文化特征。

山西大同金茂园遗址人群颅骨的形态学

本文对金茂园遗址人颅骨形态学的研究后发现,该墓地居民颅骨特征属于现代亚洲蒙古人种的范畴,并表现出不同程度与东亚和东北亚类型接近的特点。种系纯度检验显示,男女两性均有同种系倾向,但女性各项指标变异范围更大。金茂园组与华南组、华北组关系最近,与通古斯组关系最远。在与古代组比较中,金茂园与以东亚类型为主的新丰组、水泊寺组等古代人群接近,与以北亚类型为主的东大井组、叭沟组等古代人群距离较远。金茂园遗址代表的北魏平城时期人群应是继承了大同地区原住民的遗传学特征,同时也受到了来自北方人群交流与迁徙的影响,尤其在金茂园女性人群中的表现似乎更加强烈。北魏平城时期是我国历史上各民族融合的重要阶段,北魏孝文帝主动汉化的举措,极大程度地推进了拓跋鲜卑与汉族的融合,对大同地区考古遗址出土人骨的研究有助于我们认识鲜卑人群的汉化进程。

冯友兰和汤用彤魏晋玄学观比较研究

对于魏晋玄学,冯友兰和汤用彤都对之有着深入的研究和精辟的论断,其学术贡献也为学界所称道。冯友兰和汤用彤的魏晋玄学研究有共同之处,都认为玄学受到汉末名学的影响,主要问题和代表人物基本一致,也都强调竹林玄学是对正始玄学的补充。不过,冯友兰和汤用彤在研究方法以及对玄学的界定等方面也存在明显的不同。研究冯友兰和汤用彤的魏晋玄学观,不仅有助于我们从宏观角度对魏晋玄学有一个整体的认识,也会为我们了解近现代视域下的魏晋玄学研究提供一个新的维度。

魏晋公府从事中郎考述

魏晋时期,诸公及位从公的统兵幕府专设从事中郎一职。魏晋公府的从事中郎不再是以皇帝私属家臣身份督军的耳目,而是府君信赖的心腹僚属,与长官维持紧密的附庸关系。其地位介于长史、司马和参军、掾吏之间,作为高级行政助理,有权过问本府咨议、机要、人事、指挥、法宪等事务,并可全权代表府主办事,乃幕府纲纪显职。从事中郎的选任资格与乡品三品固定搭配,阀阅世资以高门士族为主,兼采优秀寒素。其仕宦履历不乏专属乡品二品的清要职位,晋升过程相互衔接司空见惯,反映当时门阀大幕虽已拉开,但对流孔道尚未完全封闭。从事中郎仕途的末段普遍跻身三品官,反证乡品对仕宦前景具有等位的预期功能。中正主观评议的乡品不同于单纯核算世资的门品,这是研究从事中郎及其他职官必须加以细致区分的。

中国少数民族首次建构炎黄共同体理论研究

北魏主导的炎黄共同体理论是中国历史上首次由少数民族主导建构的共同体理论。它将鲜卑、羌、氐等入主中原的少数民族全部纳入到炎黄后代的范畴,提出了以鲜卑为主的“华夷共祖”理论,认为共祖于炎黄的“夷”也有权利追求和实践大一统,并建立了多民族的中国观和王朝观。这展现了少数民族加入中华大家庭的主观愿望,打通了少数民族追求和实践大一统的通道,为古代大一统思想的发展增添了新的内容。

卫操与拓跋力微及其子孙——《桓帝功德颂碑》考释

卫操撰写的《桓帝功德颂碑》既是北魏早期有文字记载的信史资料,又是北魏拓跋氏集团早期文章的代表作,具有重要的史料价值和文学意义。以《桓帝功德颂碑》为研究对象,具体考察了卫操的生平事迹、碑文的真伪等问题,得出的结论是卫操与拓跋力微、拓跋禄官以及拓跋猗■、拓跋猗卢三代部落首领都有交往,他对北魏早期的历史比较熟悉。解读《桓帝功德颂碑》对北魏早期历史及文学史的深入研究有一定的推进作用。

现象学视域中的“人格美”

中西方思想对“人格”的使用方式有所不同:西方偏于“人格”的描述性意义,中国偏于“人格”的评价性意义。西方偏于“人格”的外在性,中国偏于“人格”的内在性。西方的“人格性”相当于“精神性”,中国的“人格性”侧重于“道德性”。“人格美”具有两个维度:在形而上学维度,它是一种美学观念;在现象学维度,它是一种审美对象。“人格美”的合法性受到怀疑,理由有二:一是“人格美”可能是道德判断,也可能是审美判断,更可能是二者的混同;二是人格是否可以诉诸感性直观,尚在未定之数。身体现象学表明,心灵和精神都是具身化并表现于外的。身体不是对立于心灵/精神的身体,而是融合了心灵/精神的身体。于是,人格也可以在身体上获得感性直观,成为审美对象。因此,“人格美”从属于“身体美”。人格美属于身体美,又超越身体美,与身体美有一种若即若离的关系。身体美与人格美的关系,可用胡塞尔人格现象学的体现和共现加以说明。