Tibetan Folk Songs and Dances in Diebu-The Musical Characteristics of Gerba(Gar Pa)

Folk songs and dances originated from people's sacrificial activities in the struggle against nature in the primitive society.Their origins are related to the ideology and living environment of the people at that period of time.These activities were expressed in the form of primitive songs and dances,and gradually evolved into folk songs and dances.The gar pa song and dance from Diebu,in Gannan region,is a unique song and dance of a Tibetan region on the eastern edge of Qinghai-Tibet Plateau.Its content and form are unique.It still retains the original trinity feature which includes poem,music,and dance.The production of songs and dances contains rich cultural connotations and unique local characteristics.This article elaborates the characteristics of Diebu's gar pa song and dance in terms of its music and performance form.

Beyond the Playboy and the Hero: The (Re)constructions of Roberto Carlos’s work in “The Songs You Danced for Me”

The aim is to examine how the musical work of Roberto Carlos was mobilized in the danceshow“The songs you danced for me”.The contact between the songs and the contemporary dance defined different meanings.The results indicate that such contact reaffirms romantic love and the heroism of the protagonist,but also opens possibilities for relationships that escape from the heteronormative romantic ideal.

Design and Implementation of the Dance Teaching Live Broadcasting System Based on the Distance Education Platform

With the rapid development of the modem information technologies,to promote the education informatization and share the educational and teaching resources,the live classroom in the distance education emerges as the times require.The live classroom expands the space-time boundaries in our education and teaching,and changes the traditional teaching methods.It is a new model of the distance education.In order to recognize and understand the impact of the live teaching on the dance teaching and promote the development of the live teaching in the dance education,this paper,from the perspective of the distance education,uses the theories and methods of the distance education to analyze the characteristics of the live teaching,which is a feasible way.

Performers of the Tibet Song and Dance Ensemble

Singer Tseten DronmaIn October 1959,at the grand per-formance celebrating the tenth anniv-ersary of the founding of the People’s Republic in Beijing,a young Tibetan singer surprised the audience with her singing of The Emancipated Serfs Sing Joyfully.In 1964,at the large-scale song and dance epic The East Is Red,her solo Singing a Mountain Song for the Communist Party again overwhelmed the audience.Her singing is pure,simple,emotional and sweet.and the tunes flow cheerfully like the Yarlung Zangbo River.From that time on,the serf-

A Study on the Music Characteristics of the Ceremony of “July Official God”

July Official God is the second batch of intangible cultural heritage list published by Gansu Provincial People’s government.The project is located in Yuzhong County,Lanzhou city.The ritual process and ritual music of“July Official God”are the main contents of this folk cultural space activity,which are closely connected and indispensable.Therefore,the study of ritual music is also one of the work of intangible cultural heritage protection.The combination of ritual music research and intangible cultural heritage protection will be one of the important orientations of future ritual music research.