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The Criticism of Social Realities in the Three Worlds after the Human World of The Journey to the West
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作者 林雅琴 《海外英语》 2012年第3X期202-203,共2页
The three worlds after the human world in The Journey to the West, in spite of their religious elements, their implicit moralizing, and their involved allegory, hold up a mirror to the social vices of the author's... The three worlds after the human world in The Journey to the West, in spite of their religious elements, their implicit moralizing, and their involved allegory, hold up a mirror to the social vices of the author's day, showing on the one hand the corruption, injustice, ava rice, lust, faction, perfidiousness and cruelty among the ruling classes, and on the other hand the miseries of the oppressed. 展开更多
关键词 the journey to the west the THREE WORLDS after the
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The Criticism of Social Realities in the Human World of The Journey to the West
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作者 林雅琴 《海外英语》 2012年第1X期209-210,共2页
Given the descriptions of all those unworthy kings in the human world,The Journey to the West is more of a realistic work of fiction than a fantasy.Though the story comprises many superstitious elements,it is told in ... Given the descriptions of all those unworthy kings in the human world,The Journey to the West is more of a realistic work of fiction than a fantasy.Though the story comprises many superstitious elements,it is told in a very vivid and convincing way and it holds numerous indirect references to the conditions of the author's own day.The book is the author's most forceful means of criticizing the ugly appearances of the ruling classes of his time. 展开更多
关键词 the journey to the west the HUMAN world CRITICISM
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A Brief Analysis of the Themes of The Journey to the West
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作者 林雅琴 《海外英语》 2011年第11X期280-281,共2页
The Journey to the West has adopted a conventional theme--life is a journey;in order to deliver one's soul,one has to go on the path of salvation.The purpose of this paper is to examine what steps the author has t... The Journey to the West has adopted a conventional theme--life is a journey;in order to deliver one's soul,one has to go on the path of salvation.The purpose of this paper is to examine what steps the author has taken to enlighten the readers as to the progress of spiritual salvation.In view of this purpose,the analysis will be focused on the preaching of religious doctrines and the criticism of social realities in the novel. 展开更多
关键词 the journey to the west themes SALVATION RELIGIOUS doctrines SOCIAL realities
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Cultural Transfer of Specific Terms Translation in The Journey to the West(C-E)
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作者 杨岑 《海外英语》 2015年第24期162-163,166,共3页
Translation study has long been focused on the linguistic difference between the ST and TT, to achieve"faithfulness"of the original. Translation is regarded as a second-hand copy the source text. Since Susan... Translation study has long been focused on the linguistic difference between the ST and TT, to achieve"faithfulness"of the original. Translation is regarded as a second-hand copy the source text. Since Susan Bassnett puts forward cultural transfer as an approach in translation study, it begins to shift from linguistic study to comparative literary study. The process of translation involved in making another culture comprehensible entails varying degrees of violence, especially when culture being translated is constituted as that of the"other". The Journey to the West, a traditional Chinese classic contains numerous cultural-specific terms. Translators with different cultural identity mainly adopt domestication to provide easy access to the target readers, revealing the subjectivity and ideology of the translators and their cultures. 展开更多
关键词 TRANSLATION studies CULTURAL transfer SPECIFIC TERMS the journey to the west DOMESTICATION
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Research on the Derivative Development of Super IP in Journey to the West (西游记)
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作者 LIANG Chen ZHANG Pei 《Cultural and Religious Studies》 2021年第9期443-449,共7页
This paper is devoted to excavating the mode of production of the culture of Journey to the West-taking the creators of derivative works of Journey to the West as the main body,and from their free and conscious expres... This paper is devoted to excavating the mode of production of the culture of Journey to the West-taking the creators of derivative works of Journey to the West as the main body,and from their free and conscious expression in the process of creation,to find out the path of works’development that conforms to the law of social aesthetics and creation.In the aspect of spiritual expression of the works,the freedom of the artist is reflected in the art producers’emotions,concepts,tastes,and accomplishment in the works,which is related to the artist’s life background,experience,and aesthetics:Wan Laiming(万籁鸣)’s classic national animation,Princess Iron Fan(铁扇公主),is adapted from the version of hundred times of Journey to the West.In addition to the necessary secondary creation in the text and presentation,the theme expression has also been updated and adjusted according to the social background and the author’s emotion;in the text expression of the works,the freedom of the artist is shown in the uniqueness of the work-the form and content of the works come from experience and are different from experience.The idea of building Marvel Cinematic Universe(MCU,漫威电影宇宙)is similar to the framework of“Core Task+Unit Stories”in Journey to the West;A lot of high-quality films and animations such as The Forbidden Kingdom(功夫之王),Panda do Kung Fu(功夫熊猫)and Jackie Chan Adventures(成龙历险记)used western context and culture to create cross-cultural works,but retained unique oriental corpus and images,forming the works’unique style and label.Artists’ability and experience enable them to be acutely aware of the law of artistic creation;they compare and think about different cultural works,and then apply the law to the secondary creation.The artist’s self-consciousness comes from the appreciator’s degree of acceptance of the works;it is reflected in the creator’s reasonable adjustment to the works due to the market,policy,and appreciator’s habits and tastes.The image of Sun Wukong(孙悟空)in the anime film Monkey Kin:Hero Is Back(大圣归来)-a hero of rebirth-has refreshed the audience.From the perspective of cultural studies,this is a negotiated secondary creation of Sun Wukong’s image in Journey to the West based on the interpretation psychology of the audience.In short,to analyze and summarize the ideation of various derivative works is to study the creative laws shared by artists,so as to provide more experience and reference for subsequent creation. 展开更多
关键词 journey to the west art production artistic creation IP development
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Acrobatic Drama Pilgrimage to the West Winning Wenhua Award
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作者 王玉 《杂技与魔术》 2007年第6期27-,共1页
The 8th China Arts Festival was held in Wuhan from 5th to 20th of November.Guangzhou Acrobatic Troupe's acrobatic drama-"Pilgrimage to the West"competed for the Wenhua Award, which is the most prestigiou... The 8th China Arts Festival was held in Wuhan from 5th to 20th of November.Guangzhou Acrobatic Troupe's acrobatic drama-"Pilgrimage to the West"competed for the Wenhua Award, which is the most prestigious prize for performance art given by the Chinese government. 展开更多
关键词 PI west Acrobatic drama Pilgrimage to the west Winning Wenhua Award
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A Comparison of Different Values of Freedom Reflected in the Characters of Sun Wukong and Dean
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作者 HUANG Kaihong WEN Hui 《Sino-US English Teaching》 2023年第12期486-492,共7页
Both the characters of Sun Wukong in The Journey to the West,which is a traditional Chinese fiction,and Dean in On the Road,which is a typical American Beat Generation novel,have been pursuing a carefree lifestyle bas... Both the characters of Sun Wukong in The Journey to the West,which is a traditional Chinese fiction,and Dean in On the Road,which is a typical American Beat Generation novel,have been pursuing a carefree lifestyle based on their living environments respectively,but their values of freedom bear quite different meanings:Sun Wukong tries his best to struggle for a happy life for all his family and his friends as well as for himself with little consideration of the risk of his own life,while Dean is always on his way at random for his own personal happiness with little consideration for anybody else.Therefore,Sun Wukong’s behavior represents a kind of collectivism within his individualism,while Dean’s act reflects his American free life style of individualism to a certain extent. 展开更多
关键词 COMPARISON COLLECTIVISM INDIVIDUALISM the journey to the west On the Road
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“证道”与“游戏”之间:清代文人“西游戏”的叙述策略与品格
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作者 赵毓龙 李斯琪 《辽东学院学报(社会科学版)》 2024年第3期51-58,共8页
在“西游”故事演化、传播及百回本《西游记》成书与经典化的过程中,“证道”与“游戏”之间的冲突与拉扯是影响各种文本叙述策略的最主要“受力关系”。受三种“前文本”类型的综合影响,清代文人“西游戏”在权衡二者关系时,存在以“... 在“西游”故事演化、传播及百回本《西游记》成书与经典化的过程中,“证道”与“游戏”之间的冲突与拉扯是影响各种文本叙述策略的最主要“受力关系”。受三种“前文本”类型的综合影响,清代文人“西游戏”在权衡二者关系时,存在以“证道”为其外部叙述构架,以“游戏”为其内部叙述结构的倾向。“证道”主旨并未渗透至文本肌理层面,它经常落实为篇末绾结或首尾照应的场面,在框定叙述的同时,也为文本提供一种外在的、显豁的、可以直接辨识的意义。叙述的主体则仍以“游戏”为旨趣,无论重新组织“神魔”故事内部各事件的“时间-因果”关系,还是“编织”进新的事件,皆为其服务。这使得戏曲较小说表现出更强的“游戏”品格。 展开更多
关键词 《西游记》 西游戏 叙述策略 证道 游戏
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“Acupuncture Journey to America”——A Tale of the Marvelous 被引量:1
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作者 LI Yong-ming 陈可冀 丛伟红 《Chinese Journal of Integrative Medicine》 SCIE CAS 2012年第3期233-234,共2页
On November 16,2010,China's acupuncture was officially added to the list of world intangible cultural heritage of humanity by the 5th United Nations Educational,Scientific and Cultural Organization Intergovernmental ... On November 16,2010,China's acupuncture was officially added to the list of world intangible cultural heritage of humanity by the 5th United Nations Educational,Scientific and Cultural Organization Intergovernmental Committee for Safeguarding Intangible Cultural Heritage.This declaration indicates that acupuncture,the needle therapy of Chinese medicine(CM),has received worldwide recognition by people from different cultures.As a medical therapy, acupuncture has been used to treat a wide range of medical disorders in more than 160 countries. 展开更多
关键词 A Tale of the Marvelous Acupuncture journey to America west
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Journey to the West
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作者 LI LI 《Beijing Review》 2011年第4期24-25,共2页
Successful entrepreneurs and professionals lead a new emigration boom There has developed a new wave of emigration from China to developed countries in recent years.
关键词 journey to the west
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从元杂剧到小说——论百回本《西游记》承继的民族文化观
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作者 马敏洁 陈逗逗 《韶关学院学报》 2024年第4期30-35,共6页
元代杂剧西游故事无论是在取材还是叙述形式上均影响了吴承恩百回本《西游记》的创作,学界对此展开的研究成果也较多。事实上,吴承恩在对“俗”文本继承的基础上,对元杂剧西游故事中出现的民族文化融合与交流的因素作了相当的改良,使得... 元代杂剧西游故事无论是在取材还是叙述形式上均影响了吴承恩百回本《西游记》的创作,学界对此展开的研究成果也较多。事实上,吴承恩在对“俗”文本继承的基础上,对元杂剧西游故事中出现的民族文化融合与交流的因素作了相当的改良,使得百回本《西游记》成为“俗”中见“雅”、集结文学观赏性与思想深度的中国经典文学作品。研究元杂剧西游故事与百回本西游故事之间的关联有利于我们进一步掌握中国文学作品所蕴含的多元文化色彩与民族文化融合思想,对当今的文学创作具有启示意义。 展开更多
关键词 吴承恩 《西游记》 元杂剧西游故事 民族融合 文化多元
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Pilgrim's Progress, Progress of Salvation
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作者 林雅琴 《海外英语》 2011年第10X期281-282,共2页
Through a comparative analysis of The Pilgrim's Progress and The Journey to the West, the paper aims to reveal what common ground is shared by the two novels and what light is thrown on the theme of spiritual salv... Through a comparative analysis of The Pilgrim's Progress and The Journey to the West, the paper aims to reveal what common ground is shared by the two novels and what light is thrown on the theme of spiritual salvation. The fruit of the study leads to a conclusion that both novels have employed religious doctrines and social criticisms to make the theme of spiritual salvation more palatable for their readers. 展开更多
关键词 the Pilgrim’s PROGRESS the journey to the west RELIGIOUS doctrines social criticisms SPIRITUAL SALVATION
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《西厢记》异文对比研究
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作者 刘艳红 袁鑫懿 《东华理工大学学报(社会科学版)》 2023年第2期149-155,共7页
《善本戏曲丛刊》中辑录许多《西厢记》选本,将其与金圣叹评点本《西厢记》进行文字、词语、句子三个角度对比,发现不同版本之间存在大量异文,这些异文反映了不同版本在语言使用风格、人物塑造方面的不同。
关键词 《西厢记》 《善本戏曲丛刊》 金圣叹批注本 异文
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论《昇平宝筏》对小说《西游记》的改编 被引量:8
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作者 张净秋 《求是学刊》 CSSCI 北大核心 2012年第2期124-129,共6页
清代宫廷大戏《昇平宝筏》受到小说《西游记》的极大影响,全面继承了《西游记》的整体框架和情节设计,但另一方面《昇平宝筏》对小说局部情节内容、结构层次、人物性格、思想主旨等也进行了改编。其改编策略的形成源于以下四点:戏曲创... 清代宫廷大戏《昇平宝筏》受到小说《西游记》的极大影响,全面继承了《西游记》的整体框架和情节设计,但另一方面《昇平宝筏》对小说局部情节内容、结构层次、人物性格、思想主旨等也进行了改编。其改编策略的形成源于以下四点:戏曲创作实践目的的制约;小说与戏曲叙事上的差异;特殊创作、表演环境的要求;皇帝意志的决定。通过改编,《昇平宝筏》的思想意义更为单纯,表演更加集中,最终成为清代西游戏题材作品中的扛鼎之作。 展开更多
关键词 《昇平宝筏》 《西游记》 西游戏 改编策略
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《西游记》命名的来源——兼谈《西游记》杂剧的作者 被引量:3
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作者 李小龙 《北京师范大学学报(社会科学版)》 CSSCI 北大核心 2016年第6期69-77,共9页
在《西游记》研究史上,丘处机《长春真人西游记》一书的存在主要与《西游记》作者的探讨联系在一起,人们几乎忽略了二书相似的命名。不过,由于丘处机的西游使道教地位遽升,从而激化了佛道二教的矛盾,导致了数次佛道大辩论,并以道教的失... 在《西游记》研究史上,丘处机《长春真人西游记》一书的存在主要与《西游记》作者的探讨联系在一起,人们几乎忽略了二书相似的命名。不过,由于丘处机的西游使道教地位遽升,从而激化了佛道二教的矛盾,导致了数次佛道大辩论,并以道教的失败告终,引起当时对《道藏》的大规模禁毁,于是,《长春真人西游记》长期未为人所知,所以虽然二名相近,但似并无因袭关系。梳理唐僧西天取经故事的源流,第一次以"西游记"为名的是元人吴昌龄的《西游记》杂剧,此剧孙楷第先生曾指为杨景贤之作,实不可信,仍以吴氏为当。从《西游记》杂剧现存孤本中可以看到将此剧与《西厢记》联系在一起的文献记录,可以推测,《西游记》一名实为吴昌龄仿拟《西厢记》而成,然后,取经故事也被纳入到这个命名之中,直到最后《西游记》小说使这一命名成为取经故事的总名。 展开更多
关键词 西游记 长春真人西游记 西游记杂剧 西厢记
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《西游记》杂剧作者应归吴昌龄 被引量:5
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作者 田同旭 《江苏海洋大学学报(人文社会科学版)》 2008年第2期30-33,共4页
元曲《西游记》杂剧之作者,或以为山西吴昌龄之作,或以为蒙古族杨景贤之作。系统清理了各家记载,依据山西地区新发现碑刻及文献,并对比了吴昌龄与杨景贤所处的社会文化条件,对比了吴昌龄与杨景贤杂剧之优劣体现出的艺术才能,从而认为,... 元曲《西游记》杂剧之作者,或以为山西吴昌龄之作,或以为蒙古族杨景贤之作。系统清理了各家记载,依据山西地区新发现碑刻及文献,并对比了吴昌龄与杨景贤所处的社会文化条件,对比了吴昌龄与杨景贤杂剧之优劣体现出的艺术才能,从而认为,《西游记》杂剧作者应归吴昌龄。 展开更多
关键词 《西游记》 杂剧 作者 吴昌龄
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论《西厢记》的喜剧性 被引量:5
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作者 邵立志 《唐山师范学院学报》 2008年第3期57-59,共3页
《西厢记》是中国戏曲史上一部杰出的喜剧之作,其浓烈的喜剧性体现于戏剧冲突之中,显示在人物性格之中,蕴含于科诨、俗谚、口语之中。《西厢记》正是因为含蕴着丰富的喜剧性而具有永不衰竭的艺术魅力。
关键词 《西厢记》 喜剧性 戏剧冲突 人物性格 科诨
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《大唐三藏取经诗话》到《西游记》中救赎主题的发展与演变 被引量:2
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作者 杨光熙 《浙江社会科学》 CSSCI 北大核心 2009年第9期93-97,117,共6页
《大唐三藏取经诗话》(以下简称《诗话》)、《西游记杂剧》(以下简称《杂剧》)、《西游记》前后相沿叙述三藏法师西行取经故事。三部作品在以取经作为核心主题的同时,均将取经团队成员通过经历取经获得救赎、求得正果作为副部主题。《... 《大唐三藏取经诗话》(以下简称《诗话》)、《西游记杂剧》(以下简称《杂剧》)、《西游记》前后相沿叙述三藏法师西行取经故事。三部作品在以取经作为核心主题的同时,均将取经团队成员通过经历取经获得救赎、求得正果作为副部主题。《诗话》中救赎主题已出现,由于《诗话》是一部简陋的面向世人的"俗讲",其简陋与不成熟使救赎主题没有能够覆盖取经团队全部人物,面向世俗的特点则使救赎的实现形式表现出明显的世俗性。《杂剧》出自名家,对救赎主题有了很大的发展与丰富,很多方面也反映出受了度脱剧的影响。《西游记》中救赎主题最终统帅取经团队所有人物,救赎主题完全确立。明代"心学"影响巨大,佛教世俗化程度加深,这些都对《西游记》救赎主题产生了很大影响。 展开更多
关键词 《大唐三藏取经诗话》 《西游记杂剧》 《西游记》 救赎主题 发展与演变
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论蒙古族戏剧家杨景贤《西游记》杂剧对吴承恩《西游记》小说成书之影响 被引量:3
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作者 云峰 《乌鲁木齐职业大学学报》 2003年第4期62-67,共6页
笔者将蒙古族戏剧家场景贤及其《西游记》杂剧与吴承恩及其《西游记》小说进行了比较研究 ,从取经故事的流传及杂剧在其中的地位和杨氏杂剧对吴氏小说的影响两方面 ,论证了杨景贤杂剧对其前的取经故事给予了一次大结集 ,在故事情节、人... 笔者将蒙古族戏剧家场景贤及其《西游记》杂剧与吴承恩及其《西游记》小说进行了比较研究 ,从取经故事的流传及杂剧在其中的地位和杨氏杂剧对吴氏小说的影响两方面 ,论证了杨景贤杂剧对其前的取经故事给予了一次大结集 ,在故事情节、人物形象和艺术风格等方面对吴承恩小说的成书产生了一定的影响。 展开更多
关键词 杂剧<西游记> 小说<西游记> 比较研究 取经故事 影响
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新见辅仁论文《西游记杂剧本事演变考》述略 被引量:1
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作者 彭利芝 《北京社会科学》 CSSCI 北大核心 2020年第2期16-27,共12页
北平辅仁大学毕业论文《西游记杂剧本事演变考》是民国时期一篇全面细致对《西游记》杂剧的本事演变进行考证的文章。它在孙楷第、郑振铎等先生的研究成果基础上,对《西游记》杂剧的作者、名称、本事演变、人物故事等进行了深入探究,补... 北平辅仁大学毕业论文《西游记杂剧本事演变考》是民国时期一篇全面细致对《西游记》杂剧的本事演变进行考证的文章。它在孙楷第、郑振铎等先生的研究成果基础上,对《西游记》杂剧的作者、名称、本事演变、人物故事等进行了深入探究,补充与完善了前人学术成果。它既具有典型的学生毕业论文的特征,又体现了民国时期戏曲故事源流考证研究的时代风貌。通过它,或可体悟顾随先生曲学研究理念对学生的影响。 展开更多
关键词 辅仁大学 民国论文 西游记 杂剧 本事演变
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