During the late Qing Dynasty and the early period of the Republic of China(1870-1930),the social classes in Yangzhou were basically dominated by officials,businessmen,and scholars.In the building number,scale,and func...During the late Qing Dynasty and the early period of the Republic of China(1870-1930),the social classes in Yangzhou were basically dominated by officials,businessmen,and scholars.In the building number,scale,and functional evolution of their home gardens,these three classes were different,reflecting abundant connotation of characteristic of the time and regional culture,revealing the inheritance path of Yangzhou culture,as well as the richness and diversity of home gardens in Yangzhou during the late Qing Dynasty and the early period of the Republic of China.展开更多
The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some f...The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some formal or ceremonial costumes such as wedding dress will also beincluded.This study will use Chinese costumes and textiles from many museums to fill in theblanks left by previous research and to give a more detailed and accurate description.It will alsouse historical documents to find the original names of these items and to illustrate a general conceptof their usage on different occasions.The different categories of women’s wear will be described in the following order:①robes orcoats;②jackets;③waistcoats or vests;④skirts;⑤pants and leggings;⑥shoes and socks;⑦headdresses;and⑧others.Of every category,the textiles,decoration,cut,form,style,colourand motif will be discussed.The way in which these items were combined will also be discussed.The comparison between women’s wear and men’s wear,women’s and children’s informal andformal dress will be given.Here are some tentative conclusions.First,the Manchu and Han style coexisted and mixedwith each other and were worn by both Manchu and Han women.Second,the basic silhouettesand cuts were relatively stable and conventional,while the decorations and details(openings,fasten-ings,pleats,vents,collars and hemlines)were different.The former represented accepted socialstandards while the latter could be a matter of personal taste.Third,women’s wear in that periodwere highly stylized,miscellaneous,elaborate,detailed,multicolored and multi-thematic.展开更多
Ginkgo Biloba L.is a rare species endemic to China,strengthening the study of Ginkgo culture is of great significance to eco-economic development.This paper uses the historical research methods to study the Ginkgo and...Ginkgo Biloba L.is a rare species endemic to China,strengthening the study of Ginkgo culture is of great significance to eco-economic development.This paper uses the historical research methods to study the Ginkgo and its cultural development process in China.According to the characteristics of the development of Ginkgo culture,the process can be divided into three stages:Shang and Zhou Dynasties to the Northern and Southern Dynasties(which is named theological era),Sui and Tang Dynasties to early Qing Dynasty(which is named the literature era),and the modern China which is named the scientific era.The history of Ginkgo culture is a history of Ginkgo being gradually recognized,and the Ginkgo culture's connotation and extension are gradually deepened and developed.The construction of Ginkgo today's culture should be in the inheritance of historical culture,and combined with the needs of the times comprehensive innovation,take the science and human harmonious development road.展开更多
基金Sponsored by Philosophical and Social Science Research Project in Colleges and Universities of Jiangsu Province in 2015(2015sjd751)
文摘During the late Qing Dynasty and the early period of the Republic of China(1870-1930),the social classes in Yangzhou were basically dominated by officials,businessmen,and scholars.In the building number,scale,and functional evolution of their home gardens,these three classes were different,reflecting abundant connotation of characteristic of the time and regional culture,revealing the inheritance path of Yangzhou culture,as well as the richness and diversity of home gardens in Yangzhou during the late Qing Dynasty and the early period of the Republic of China.
文摘The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some formal or ceremonial costumes such as wedding dress will also beincluded.This study will use Chinese costumes and textiles from many museums to fill in theblanks left by previous research and to give a more detailed and accurate description.It will alsouse historical documents to find the original names of these items and to illustrate a general conceptof their usage on different occasions.The different categories of women’s wear will be described in the following order:①robes orcoats;②jackets;③waistcoats or vests;④skirts;⑤pants and leggings;⑥shoes and socks;⑦headdresses;and⑧others.Of every category,the textiles,decoration,cut,form,style,colourand motif will be discussed.The way in which these items were combined will also be discussed.The comparison between women’s wear and men’s wear,women’s and children’s informal andformal dress will be given.Here are some tentative conclusions.First,the Manchu and Han style coexisted and mixedwith each other and were worn by both Manchu and Han women.Second,the basic silhouettesand cuts were relatively stable and conventional,while the decorations and details(openings,fasten-ings,pleats,vents,collars and hemlines)were different.The former represented accepted socialstandards while the latter could be a matter of personal taste.Third,women’s wear in that periodwere highly stylized,miscellaneous,elaborate,detailed,multicolored and multi-thematic.
基金Supported by the Public Welfare Project of Forestry (201004016)
文摘Ginkgo Biloba L.is a rare species endemic to China,strengthening the study of Ginkgo culture is of great significance to eco-economic development.This paper uses the historical research methods to study the Ginkgo and its cultural development process in China.According to the characteristics of the development of Ginkgo culture,the process can be divided into three stages:Shang and Zhou Dynasties to the Northern and Southern Dynasties(which is named theological era),Sui and Tang Dynasties to early Qing Dynasty(which is named the literature era),and the modern China which is named the scientific era.The history of Ginkgo culture is a history of Ginkgo being gradually recognized,and the Ginkgo culture's connotation and extension are gradually deepened and developed.The construction of Ginkgo today's culture should be in the inheritance of historical culture,and combined with the needs of the times comprehensive innovation,take the science and human harmonious development road.
