Due to the influence and control of many factors such as geographical location and historical conditions,many of the 20thCentury American literature works portray distorted Chinese image different from reality. In Ame...Due to the influence and control of many factors such as geographical location and historical conditions,many of the 20thCentury American literature works portray distorted Chinese image different from reality. In American literature,China doesn't exist as a real country with a geographical location,but it exists in a virtual space in the world composed of cultural imagination. Literature is the reflected thought that can accommodate numerous social fields,and American literature can mostly reflect the overall cognition of different fields for Chinese image. This paper analyzes the characterization and cognition of Chinese image in the20thCentury American literature works,understanding the history and features of Chinese image in the 20thCentury American literature works,in order to obtain the enlightenment of how to better establish Chinese image.展开更多
This essay reviews Zhang Longxi's A History of Chinese Literature.The book covers Chinese literature from its very beginning to modern times.It emphasizes texts'literary and aesthetic qualities when evaluating...This essay reviews Zhang Longxi's A History of Chinese Literature.The book covers Chinese literature from its very beginning to modern times.It emphasizes texts'literary and aesthetic qualities when evaluating and historicizing literature.The book demonstrates the importance of canons in literary history,using Chinese tradition as an example.Therefore,it also brings the Chinese tradition into the broader framework of world literature.Reading Zhang's concise historical overview of Chinese literature,we can better understand the interplay between literary tradition and the individual talent.Zhang Longxi has skillfully combined the writing of a history of literature with literary criticism in this book.Zhang's successful attempt informs literary scholars of possible paradigms of compiling literary history in a post-cultural-studies theoretical context.展开更多
Traditional Kampo medicine is based on traditional Chinese medicine,which spread to Japan via the Korean Peninsula in the 5th century.The practice of Kampo developed gradually under the influence of local Japanese cul...Traditional Kampo medicine is based on traditional Chinese medicine,which spread to Japan via the Korean Peninsula in the 5th century.The practice of Kampo developed gradually under the influence of local Japanese culture and prospered until the Meiji Restoration.Kampo appeared in schools successively,such as the School of Later Developments,the School of Classic Methods,the School of Textual Research,and the Integrated School.However,the practice of Kampo gradually declined after the Meiji Restoration.Today,through the continuous efforts of knowledgeable Japanese Kampo practitioners,the practice of Kampo has entered a new era as an indispensable aspect of contemporary Japanese medicine.展开更多
This research attempts to introduce a preliminary reflection on Di Renjie＇s past and contemporary representations, in order to decode the language of contemporary imagery found in Chinese media culture and to decide ...This research attempts to introduce a preliminary reflection on Di Renjie＇s past and contemporary representations, in order to decode the language of contemporary imagery found in Chinese media culture and to decide which of his historical and literary identities is now the most acknowledged in Chinese imagery. Moreover, we will briefly advance some reflections on whether Robert Hans van Gulik＇s representation has or not totally influenced Chinese imagery.展开更多
文摘Due to the influence and control of many factors such as geographical location and historical conditions,many of the 20thCentury American literature works portray distorted Chinese image different from reality. In American literature,China doesn't exist as a real country with a geographical location,but it exists in a virtual space in the world composed of cultural imagination. Literature is the reflected thought that can accommodate numerous social fields,and American literature can mostly reflect the overall cognition of different fields for Chinese image. This paper analyzes the characterization and cognition of Chinese image in the20thCentury American literature works,understanding the history and features of Chinese image in the 20thCentury American literature works,in order to obtain the enlightenment of how to better establish Chinese image.
文摘This essay reviews Zhang Longxi's A History of Chinese Literature.The book covers Chinese literature from its very beginning to modern times.It emphasizes texts'literary and aesthetic qualities when evaluating and historicizing literature.The book demonstrates the importance of canons in literary history,using Chinese tradition as an example.Therefore,it also brings the Chinese tradition into the broader framework of world literature.Reading Zhang's concise historical overview of Chinese literature,we can better understand the interplay between literary tradition and the individual talent.Zhang Longxi has skillfully combined the writing of a history of literature with literary criticism in this book.Zhang's successful attempt informs literary scholars of possible paradigms of compiling literary history in a post-cultural-studies theoretical context.
文摘Traditional Kampo medicine is based on traditional Chinese medicine,which spread to Japan via the Korean Peninsula in the 5th century.The practice of Kampo developed gradually under the influence of local Japanese culture and prospered until the Meiji Restoration.Kampo appeared in schools successively,such as the School of Later Developments,the School of Classic Methods,the School of Textual Research,and the Integrated School.However,the practice of Kampo gradually declined after the Meiji Restoration.Today,through the continuous efforts of knowledgeable Japanese Kampo practitioners,the practice of Kampo has entered a new era as an indispensable aspect of contemporary Japanese medicine.
文摘This research attempts to introduce a preliminary reflection on Di Renjie＇s past and contemporary representations, in order to decode the language of contemporary imagery found in Chinese media culture and to decide which of his historical and literary identities is now the most acknowledged in Chinese imagery. Moreover, we will briefly advance some reflections on whether Robert Hans van Gulik＇s representation has or not totally influenced Chinese imagery.
