Research on the Chinese Path to Modernization in History,Key Topics,and Outlook:A Cite Space-based Bibliometric Analysis

In the speech delivered at the centenary celebration of the Communist Party of China(CPC),Xi Jinping,general secretary of the Communist Party of China(CPC)Central Committee,made important remarks on the“Chinese path to modernization.”This term represents the latest achievement China has scored in adapting Marxism to the Chinese context and the needs of the times.It has set the course as China embarks on a new journey of building a strong socialist country with Chinese characteristics and achieving national rejuvenation.Drawing on CiteSpace,we conducted a visualized bibliometric analysis of literature on the Chinese path to modernization by searching the CNKI database using subject terms such as“Chinese modernization,Chinese path to modernization,and Chinese-style modernization.”The findings reveal that:(a)Research on the Chinese path to modernization has gone through three stages:initial establishment,pioneering exploration,and comprehensive in-depth development.(b)Existing literature has covered the four key topics associated with the Chinese path to modernization,namely its essence,goal,methodology,and pioneering achievements.(c)Future research may focus on building up China’s strength in agriculture,developing the digital economy,modernizing China’s system and capacity for governance,and establishing a unique socialist discourse system for Chinese modernization.

The Renditions Series and Modern Chinese Literature’s “Going-out”: Its Model and Enlightenment of Translation, Communication and Dissemination

In the process of Chinese Literature’s “Going-out” project, it istypical of the dilemma faced by the external translation and dissemination of modernChinese literature. The Renditions Series serves as a classical case of providing aneffective model of “literature’s overseas distribution”. The successful experience of itstranslating-cum-disseminating model can be concluded as follows: all the translatorsare from China and overseas with cross-cultural background; the selection oftranslation is stylistically far-ranging among the Mainland, Taiwan and Hong Kong,and feminine literature in modern China is highly valued; translating method aims atconvoying the original literary aesthetics, and disseminating channels are manifold;the foreign recipients are common and professional readers; the eminent effects canbe proved by its considerable sales, library collections and acceptance in the targetcountries and regions. From the successful model of translation of Renditions Series,five implications can be made out for the modern Chinese literature’s “Going-global”:domestic and overseas translators cooperate well with all-round cultural identities; theselection holds onto diversification and literary character; various spreading channelsshould be broadened; target readers should be accurately located and continuouslywidened; translating and disseminating effects can be focused on and analyzed, so asto adjust and improve the corresponding sections in the model.

Research on the Teaching of Chinese Language and Literature in Modern Educational Thoughts

In recent years, with the continuous progress and development of the society, the teaching of Chinese language and literature in the process of continuous development and improvement, actively learning from the advanced teaching ideas and ideas at home and abroad, combined with modern educational ideas, the teaching methods have undergone profound Variety. Based on the perspective of modern educational thought, the author studies the development and strategy of Chinese language and literature teaching, in order to provide a theoretical basis for Chinese language teaching in the field of Chinese language teaching.

Renovation and Involution — Paradox of Chinese Literature in Modernity

With a special matter, Chinese literature has differences with traditional theories from western countries in essence, so that Chinese literature demonstrates its renovation and involution. The main reason is its trends of modernity. The transformation from oversea exchange is very important. This paper mainly explains the specific content of paradox of Chinese literature in mo dernity, and explores the reasons for differences between China and western countries.

The Conception of Modern Chinese Space in “Courtyard·Yard”:Analysis on Two Plans for the Reconstruction and Expansion of Zhang Kaiji in His Later Years

By introducing two famous works of Mr.Zhang Kaiji in his later years,the reconstruction plan of Beijing Planetarium and the Museum of Chinese Revolution and the Museum of Chinese History,the paper analyzes the "courtyard·yard" space he once imagined in the modern city and large public buildings,and expounds the value and significance of his conception.The author believes that the expansion and transformation of important works should be based on historical research and centered on the spirit of space,and the intangible space outside of tangible entities should be carefully treated,so as to better complete the transmission of modern Chinese space experience.

On Chinese Image of American Literature in the 20^(th) Century

Due to the influence and control of many factors such as geographical location and historical conditions,many of the 20thCentury American literature works portray distorted Chinese image different from reality. In American literature,China doesn't exist as a real country with a geographical location,but it exists in a virtual space in the world composed of cultural imagination. Literature is the reflected thought that can accommodate numerous social fields,and American literature can mostly reflect the overall cognition of different fields for Chinese image. This paper analyzes the characterization and cognition of Chinese image in the20thCentury American literature works,understanding the history and features of Chinese image in the 20thCentury American literature works,in order to obtain the enlightenment of how to better establish Chinese image.

Role of Modern Chinese Literature in College Education

Modern Chinese literature plays an important role in college education.It enhances patriotism,cultivates imaginary thinking and human sentiment,and encourages students to think deeply about life and improve their language ability.

Revisiting History Through Crime Fiction： Shiono Nanami＇s Scarlet Venice in The Renaissance Trilogy of Murder

The paper explores an ambiguous intersection between history and fiction in Scarlet Venice （Hi no Venezia, in original） （1988） by Japanese novelist and historiographer, Shiono Nanami （1937-）. As a prominent transnational writer who has worked on the Italian Renaissance and the Roman antiquity for about 40 years, Shiono fictionalizes the political culture of 16th century Venice in the context of the Eastern Mediterranean history. Based on her The Tales of the Sea Capital （1981）, historiography par excellence, the novel portrays the political maneuver of the Republic of Venice from viewpoints of diplomacy. With this thematic approach to history, the novel centers on the life and death of Alvise Gritti （1480-1534）, an illegitimate son of famed Venetian Doge, Andrea Gritti. In the metaphorical/metafictional structure of historical crime fiction, the novel unveils the austerity of Venetian polity, while contrasting it with the liberalism fostered in Sultan Suleiman＇s Ottoman court. In conclusion, the author interprets that Alvise Gritti is a victim of the political intricacy with which Venice was wrestling, implying that the republic is the metaphorical murderer. Whereas Alvise＇s death commemorates a drastic step taken by Venice for political negotiation, Shiono＇s recent writings suggest that Japan should model the rigid pragmatism in Venetian politics, along with its effective use of intelligence in diplomacy

Analysis of publication dissemination of Chinese present current literature work English translation and research methodologies

As a systematic work, there are very close links between the various aspects of the English translation of Chinese modern and contemporary literary works, whether they are translated into the main body, translated content and other links, or a specific translation approach, are not segmentation. Many translators, sinologists and books, magazines and so on have played a very important role in the process of translating modern and contemporary literary works in China. However with English-Chinese “borrowism” compared with, English work that translates the Chinese present current literature work, no matter in quantity and quality, infi uence and other aspects that the work itself has appear the relative backwardness. In order to promote the modern and contemporary Chinese literary works in the world, it is necessary to analyze and study the English translation of Chinese modern and contemporary literary works and the research methods.

Chinese Tradition in the World Literature:Review of Zhang Longxi's A Historyof ChineseLiterature

This essay reviews Zhang Longxi's A History of Chinese Literature.The book covers Chinese literature from its very beginning to modern times.It emphasizes texts'literary and aesthetic qualities when evaluating and historicizing literature.The book demonstrates the importance of canons in literary history,using Chinese tradition as an example.Therefore,it also brings the Chinese tradition into the broader framework of world literature.Reading Zhang's concise historical overview of Chinese literature,we can better understand the interplay between literary tradition and the individual talent.Zhang Longxi has skillfully combined the writing of a history of literature with literary criticism in this book.Zhang's successful attempt informs literary scholars of possible paradigms of compiling literary history in a post-cultural-studies theoretical context.

Seven Decades of China's Fiscal Modernization

After its founding in 1949,the People’s Republic of China'started to modernize its fiscal system-an essential part of its broader modernization drive.Its unified and wellfunctioning fiscal system supported the stability of the nascent government,and helped stabilize the economy and restore public order after then.In the era of the planned economy,public finance in the country was put at the service of economic plans while striving to reach a fiscal equilibrium,which was of great significance at that time.Economic equilibrium,including fiscal,credit and material equilibrium,was perceived as a manifestation of macroeconomic stability.Problems encountered during the era of the planned economy led to the launch of a reform and opening-up program-a brilliant chapter in modern Chinese history.The Third Plenum of the 11th CPC Central Committee marks a brand-new era of reform and opening-up.In this transformative period,China’s fiscal system was initially decentralized to keep abreast of its“planned commodity economy.”After the goal of socialist market economic reform was announced in 1992,China’s fiscal reforms embarked on a fast track.As China'strived to build a public finance system compatible with a socialist market economic system,fiscal reforms took place and fiscal policy played a more important role in macroeconomic regulation.The Third Plenum of the 18th CPC Central Committee held in November 2013 set the goal of the reform to establish a modern fiscal system.Afterwards,China deepened its fiscal reforms,focusing on budget management,taxation and reform of central-local fiscal relations.

跨学科视域与跨文类叙事:《哥伦比亚中国文学史》的敦煌文学书写

自19世纪末,海外汉学家开启了中国文学史的编纂工作,21世纪以来走向成熟和深化。梅维恒主编的《哥伦比亚中国文学史》2001年出版以来,引起了国内外学界的广泛讨论,该书有关敦煌文学书写的问题值得重视。通过阐述选取文献的缘由、撰写的思路以及向文学本位回归的特色,可以提炼出作者书写敦煌文学所采取的研究方法,即跨学科视域和跨文类叙事研究。考察该书的文学史观和文学史方法论,可以为国内的书写实践提供路径参考。中国文学史编纂应该立足中华文化核心价值,参与全球国际对话并构建科学的文学史理论,撰写真正内在于中国文学文化同时又融入世界潮流的文学史著述。

超越范式之争——文史哲法学的前提、立场与展望

文史哲是中国文化鲜明的标志性特征。笔者尝试提出的文史哲法学,既是立足于中国传统与实践,又是面向世界的具有普遍性样态的法学范式,理应成为建构中国自主知识体系和话语体系的法学目标。有别于教义法学和社科法学的研究旨趣,文史哲法学是一种全新视角的法学研究范式,它倡导厚植于中国的文史哲传统。其中,文学是法学素材的来源,史学是法学精神的见证,哲学则是法学价值的终极追求。文史哲法学旨在沟通中国历史传统与当下实践,侧重将文史哲作为工具和视角来研究人文与法学的互动关系,将人文价值和生活实践统一于法学研究场域之内,在保持统一性的前提下追求普遍性与实践性向度。中华法治文明在保持其独立个性、赋能文化自信的同时,也能为纾解人类的法律工具主义困境提供中国方案,促使法学脱离封闭的教条式思维模式与理论的窠臼,进而更好地为中国法学的本土化发展奠定坚实基础。

美国现代中国文学史书写的美学范式与谱系

自20世纪60年代至今,美国的现代中国文学史书写思想多元,成就斐然。其书写路径最具代表性的是夏志清的新批评美学、许芥昱的政治美学以及王德威的后现代主义美学。不同时期美学范式的变迁反映了中美关系变迁、西方文学理论思潮冲击以及汉学史的内在流变等诸多因素。内外因素交织的历史语境生成了文学性历史与历史性文学的辩证以及解构主义思路。通过考察三位华裔学者不同的美学范式与交叉谱系,可以更好地揭示美国的现代中国文学史书写的整体脉络,为国内文学史研究提供互鉴与交流的跨文化阐释思路。

“中国目录学史研究”的主要内容与框架

中国目录学在经历了漫长的知识积累与经验总结后,借19世纪末至20世纪初近代学术转型之机,在充分继承传统目录学历史财富基础上,吸收西方目录学思想,完成了学科体系的理论化、系统化建构。本课题旨在对先秦至公元2000年中国目录学的历史发展进行全景式梳理,从“中国目录学史研究资料整理”及“中国目录学史研究”两个维度,按照“提出问题→梳理史料→分析史料→解决问题”的研究思路开展研究:首先,提出中国目录学史重要理论问题,搭建中国目录学史研究框架;其次,全面展开中国目录学史研究资料收集,编撰《中国目录学年表新编》;最后,根据中国目录学史的历史分期,分阶段开展中国目录学史的研究与写作。

从重写文明史到重写文学史

在当今国际格局下,如何建立中国话语与自主知识体系是学界面临的一大难题。长久以来,文明话语中都存在西方中心主义的倾向,文明观输出的话语权长期掌握在西方学者手中,文明史对中国的叙述常常存在歪曲、偏离史实的问题。西方话语霸权具体体现在各学科内部,使许多人文社会学科都面临“失语”的窘境。针对这一现象,提出“重写文明史”与“重写文学史”的号召。从文明交流与互鉴的史实出发,尊重文明多元化与异质性,以实事求是的态度重写文明史,重塑文明观,进而重写学科史,重写文学史。通过反思学科话语问题,发掘传统文化中独特的话语言说方式,重新建构学科话语。用中国话语发出中国声音,共同建设文明新话语是重写文明史、重写学科史的要旨所在。

“现代人”思想·长篇小说诗学·美学和历史视野——撰写中国现代长篇小说史(1922—1949年)的几点思考

撰写中国现代长篇小说史最基本也是最重要的一个思路是:以“现代人”思想为根,以长篇小说诗学为本,在美学和历史的视野下,通过对前二者融创度与完成度的探析与相关艺术问题的剖析、阐释,实现对中国现代长篇小说发展历程共时性与历时性的描述与定位,即在主潮中透视,在诗学中辨析,在审美中感悟,在时代中把握,进而清晰地勾勒出中国现代长篇小说的发展脉络、艺术得失。通过对现代长篇小说诗学艺术的深入揭示,对其中出现的一些重要的现象与问题加以理论的探讨与提升,深化中国现代长篇小说研究的问题意识,构建并拓宽中国现代长篇小说的审美认知谱系,是撰写中国现代长篇小说史的一个有效范式。

论中国文学史的著述文体

纪传体、编年体和纪事本末体,是中国古代历史著述的三种主要编写体例,也是编撰中国文学通史的三种主要文体。作为教材的中国文学通史,几乎都以纪传体写成,其主体是作家作品,也包括文体流变和文学风尚的系统梳理;它是现代教育的产物,与之相关的评价标准,也是在现代教育的背景下逐渐形成的,刘大杰《中国文学发展史》的成功,应从这个角度来加以理解。纪事本末体以《哥伦比亚中国文学史》较为典型,它以专题讲述的方式建构全书,主要包括诗、文、小说、戏曲、文学批评、民间文学等文类,开篇还有长逾十万字的基础编,是对中国文学史所赖以生长的语言和思想所作的专题分析;编年体以《剑桥中国文学史》较为典型,由时间点切入,而不是由作家作品或学术专题切入,构成其显著特点。《哥伦比亚中国文学史》《剑桥中国文学史》只是学术著作,而不是教材,其价值和得失应从这个角度来加以认识。

辨章学术守正本考镜源流求新知——南京中医药大学医史文献学科70年发展回溯与展望

南京中医药大学中医医史文献学科70年来经历了初创期(1954—1958)、成熟期(1959—1977)、发展期(1978—1999)和提升期(2000年至今)4个历史阶段。在一代代学科带头人和学术骨干呕心沥血的努力下,完成了多部具有里程碑意义的划时代中医药文献传世巨著,承担了多项国家级重大与重点项目。学科特色鲜明,以擅长整理编纂大型中医药工具书为成果标志,文献研究以注重实用性为导向,在研究领域以本草和方剂为工作重点,从而为现代临床、科研和教学提供有效信息。未来学科发展将在保持特色的基础上,充分利用新知识和新方法,开展中医药文献的信息化和数智化研究,培养更多优秀的高层次中医医史文献专业人才。

中国式现代化进程中新时期红色文艺的传承与创新

伴随着中国式现代化发展进程,新时期以来的红色文艺一方面传承着此前“经典”红色文艺中时代性、人民性、党的先进性等核心价值理念,一方面又在主题内容、形象塑造、表达方式、风格呈现等方面开创了审美新质。主题内容上紧跟中国式现代化的时代律动,脱贫攻坚、反腐倡廉、抗击疫情等主题拓展了传统“红色文艺”的革命题材边界。形象塑造上既有共产党人的先锋模范式英雄,也涌现出大量的平民化英雄。表达方式上从“个人记忆”的前设视角转化为“集体记忆”的后设视角,使作品具有更宏阔的视野和理论审视的色彩。风格呈现上更具有娱乐性和亲和力,更易打动人心,引起共鸣。尽管新时期以来的“红色文艺”在经典传承中有了诸多创新,但仍存在有待提升的空间,如红色内涵与人性规律、审美规律的契合问题,市场化与艺术化调和的问题等,这是在新的历史考验中需要直面回答的时代问题。