The Worldwide Success of Chiming Bells Music and Dance

SINCE August 1983 a showcalled Chiming Bells Music andDance has had a straight runof successes all over the world.Prod-uced and performed by the HubeiSong and Dance Ensemble,thislarge-scale performance of Chineseclassical songs and dances has re-ceived favorable reviews in Japan,Hongkong,USA,Canada,theUkraine and Romania.Foreign di-plomats in China,the former primeminister of Japan,Germany’s Hel-mut Kohl-all have praised ithighly.

Tibetan Folk Songs and Dances in Diebu-The Musical Characteristics of Gerba(Gar Pa)

Folk songs and dances originated from people's sacrificial activities in the struggle against nature in the primitive society.Their origins are related to the ideology and living environment of the people at that period of time.These activities were expressed in the form of primitive songs and dances,and gradually evolved into folk songs and dances.The gar pa song and dance from Diebu,in Gannan region,is a unique song and dance of a Tibetan region on the eastern edge of Qinghai-Tibet Plateau.Its content and form are unique.It still retains the original trinity feature which includes poem,music,and dance.The production of songs and dances contains rich cultural connotations and unique local characteristics.This article elaborates the characteristics of Diebu's gar pa song and dance in terms of its music and performance form.

Beyond the Playboy and the Hero: The (Re)constructions of Roberto Carlos’s work in “The Songs You Danced for Me”

The aim is to examine how the musical work of Roberto Carlos was mobilized in the danceshow“The songs you danced for me”.The contact between the songs and the contemporary dance defined different meanings.The results indicate that such contact reaffirms romantic love and the heroism of the protagonist,but also opens possibilities for relationships that escape from the heteronormative romantic ideal.

Dunhuang Music and Suite Dances

Ancient Dunhuang Music Makes a Comeback"Ancient Dunhuang Music" is a large-scale music and dance performance,based on ancient Dunhuang music translated by Xi Zhenguan,the president of the Gansu Dunhuang Art Theatre.Combining Chinese traditional poems,music and dances,it tries to reproduce the performance art of the Tang Dynasty stage.The main forms of the music includes women’s instru-

Study on the Internationalization and the Localization of Foreign Music Education Philosophy into the Process of Music Education in China

In the music education universities in China,the international music education and localization problem is a key problem in current society.It is also the music Chinese universities that must be facing the problem in education development.In current international society today in our country, the international music education in China has also become the trend of music education,and how the music education internationalization at the same time keeps the Chinese traditional music culture has become a common problem that today＇ s music industry pays attention to.In this paper, it makes the analysis and discussion on the internationalization of foreign music education idea introducing to our country＇ s music education process and localization problem.

Music＇s Impact on the Comprehensive Quality of Students in Sports Dance Teaching

Music is the soul of sports dance. Sports dance can be carried out smoothly by the accompaniment of music. Therefore the two should be in harmony and unity to perform the essence of sports dance totally. This article tries analyzing the impact of music in sports dance teaching for students in physiological, psychological, creativity, imagination, aesthetic and so on to explore the important role of music in the development of students＇ comprehensive quality, in order to help sports dance teaching.

Gilman Salakhov’s Role and Importance in Azerbaijani Music Culture

Azerbaijani music has been created and polished by the people for centuries,and reflects the people’s spiritual strength,desire for freedom,ideas,and hopes.Azerbaijani music has been passed down from generation to generation,lived in oral traditions,and Numerous types of percussion,wind and stringed instruments,which date back to long before our era,have developed and improved throughout history and formed the basis of our national musical treasury.Pearls of this treasure have served the cultural development and creative activity of our people for centuries,adorned its life and traditions(Alasgarov&Abdullayeva,1996,p.47).The role of the genius composer,publicist and public figure Uzeyir Hajibayli in the development of musical instruments,which has a prominent place in the history of the 20th century Azerbaijani national music,is unparalleled.He characterized the national musical instruments,gave their classification and sound sequence,and determined the prospects for future development.has always been distinguished by its antiquity and rich culture.Many concepts have emerged in the musical-aesthetic-concepts of antiquity and the Middle Ages,and categories of aesthetic analysis of music have been formed.Music and musical aesthetics have historically been widespread,and have shaped various socio-cultural forms in a forward-looking way.The rich musical heritage created in different periods since ancient times are undoubtedly a proof of the genetic talent inherent in every generation of the Azerbaijani people.Our national musical instruments,adapted to the emotional color,rhythm,tempo and art of Azerbaijani folk music,have passed a long historical development and brought many aspects of traditional music performance and creativity to the present day.They are one of the elements that connect the future of our musical culture with the past.Traditional music and musical instruments,which are still played today,reflect the main features of Azerbaijan’s national musical thinking and artistic creativity.Information on komuz and kilkomuz,the ancestors of stringed and plectrum musical instruments in the origin and development of Azerbaijani folk musical instruments,is also found in examples of oral folk art,in the all-Turkic monument“Kitabi-Dada Gorgud”.According to written sources,88 musical instruments,including 32 string and 23 wind instruments,were widely used in Azerbaijani performing arts.Information about this is found in the chronicles of ancient historians,in the works of medieval thinkers Safiaddin Urmavi,Abdulgadir Maragayi,Dervish Ali Changi,Qatran Tabrizi,and others on musicology.

Tibetan Song and Dance Ensemble

THE chief members of the TibetanSong and Dance Ensemble areTibetan,but also include Hui,Lhoba and Monba artists.This ensemble mainly performs Tibetan traditional music,dance and Tibetan opera.Programs can be divided into three categories,folk,traditional palace and monastery styles.The program of this ensemble includes the Tibetan symphony instrumental the Tibetan symphony instrumental suite "Ceremony in the Snowy Region."the palace dance "Karer"passages of the traditional

Chinese Mosuo “Playing Dance” Music Analysis

Being the only extant matriarchal society in China,the Mosuo people are now living in the border of Yunnan and Sichuan.Under the combined influence of its unique form of society and the coexistence of diversified ethnic groups,the Mosuo people have thus developed a unique kind of music with compatible features.In this paper,through the introduction of the“playing dance”music of Mosuo people in Yunnan,I tried to further discuss the phenomenon of compatibility in their music,so as to enhance people’s understanding of the characteristics,as well as the values of Mosuo music.

Design and implementation of the 2D tied bone vector animation performances

It is a great challenge to use digital technology to inherit and reproduce Xinjiang Qiuci music and dance authentically. The thesis displays the cultural beauty of Qiuci music and dance through the change of vector images controlled by bones. The concrete methods are： first, get video images, do edge detection; then set up 2D character model based on anime studio, and build the skeleton according to the level, make key frames; finally use vector animation performance with the help of platform. Compared with Flash, this method is more flexible and natural. By setting up the skeleton libraries, it could lay the foundation for intellectualized design animation performance.

品名人故事 悟人生真谛——Unit 9 I like music that I can dance to.Section B 2a-2d 案例分析与解读

1.学生分析本节课授课对象为九年级六班学生,该班从七年级开始一直由我带上来,学生们大部分英语基础较好,对英语很感兴趣。大部分学生思维活跃、表现欲望及合作精神在平时的课堂上都是很好的。根据这些特点,我采用活动式的教学方法和任务型教学方法相结合的方式,充分利用小组合作活动,调动全班学生积极参与课堂活动,在师生互动、生生互动中完成教学任务和目标。2.教材分析本节课授课内容为人教版第九单元Section B 2a-

A hypothesis on the biological origins and social evolution of music and dance

With the indirect support of the National Natural Science Foundation of China,Prof.Wang Tianyan at the School of Life Sciences,Tsinghua University,proposed a hypothesis on the origins and evolution of music,dance,and speech from a biological and sociological perspective,which was published in Frontiers in Neuroscience(2015,9:30).

Twentieth Century Chinese Music

THE Society for the Promo-tion of Chinese Cult-ure re-cently listed a number of20th century Chinese musical com-positions it considers to be master-pieces.These consist of 124 piecescreated over a span of 87 years,fromthe song“Yellow River,”written in1905,to Flute Concerto in 1991.Theyinclude vocal music in the form ofsolo,chorus and opera,and instru-mental music in the form of solos,ensembles,concertos,symphoniesand dance.The oldest musician wasShen Xingong,born in 1870;andthe youngest is Tan Dun,born in1957.The difference between theirages is,again,87 years.The worksrepresenting five generations in Chi-na’s modern and contempoary mus-ical history mark different stages inChina’s musical creation in this cen-tury.

Young Chinese Artists and Acrobats on a Winning Streak

BETWEEN March 1992 andMarch 1993,Chinese artistsreaped a bumper harvest atinternational art and acrobatics com-petitions.Within one year juvenileartists from China,who took partin international contests in music,dance and acrobatics,got 12 first-place awards,seven seconds,threethirds and eight special awards.

Everlasting Love for Chinese Vocal Music

On August 15,2015,at the invitation of the Association for AustriaChina Cultural Exchange and the International Association for Music and Dance Promotion,asa council member of the Chinese Association for International Understanding,with heartily enthusiasm and love for music and strong responsibility for the cause of the Chinese

The study on the beauty of Yulin Tea-picking

Yulin was belong to ＂Hundred Yue＂ in ancient time, the Zhuang and Yao nationality was the indigenous people here. After the Qin and Han Dynasties, the central plains people constantly migrating to the south not only brought the advanced agricultural technology, but also a lot of Hafts customs and folk music, including the ＂picking flower lanterns＂, ＂tea-picking drama＂ and other folk music cultures which combined with the local pristine ＂tea plucking＂ folk songs, and then the ＂tea plucking＂ music culture began to have its own unique artistic features. These characteristics contributed to highlight the beauty of Yulin tea plucking opera. This article mainly discusses Yulin tea-picking Drama＇s rich aesthetic connotation through elaborating its music, lyrics, the theme, dancing, and clothing etc.

环巢湖旅游手工陶瓷类文创产品开发与利用研究——基于数字化背景下巢湖文创产品的人文解读

巢湖位于中国安徽省合肥市巢湖市境内,是中国最大的淡水湖之一。而近年来兴起的环巢湖旅游,则是一种对于环巢湖区域的“一湖、两城、十二镇”展开的以欣赏湖光山色、探索湖区文化和体验湖区生态为主要内容的旅游活动。本文通过对巢湖旅游手工陶瓷类产品的实地调研为切入点,结合现代数字化技术对于工业产品创意的影响,将具有巢湖印记的手工陶瓷类文创产品的开发与利用研究作为讨论重点。探讨在现代时代背景下消费者对于文创产品的需求观念,以及追寻创意-创业-消费三者之间的关系,进而对于环巢湖这一特定地域进行人文、历史、环境的分析,将环巢湖旅游手工陶瓷类文创产品作为现代技术和手工创意结合的产品,构想出技术与艺术融合的现代化路径。笔者以期以环巢湖旅游手工陶瓷产品为输出口,将文化、技术、艺术、环境、进行整体性的设计,提出具体的对于环巢湖旅游文创产品的创新理念,并且融入多元的文化价值,使得现代化的创意产品可以在一定程度上对于大众审美做出有效引导。