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China’s National Image in Western Travel Writings in the Age of Discovery
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作者 LI Chaojun 《Journal of Landscape Research》 2019年第3期75-77,81,共4页
Western travel writings about China provided material driving and theoretical guidance for the Age of Discovery, and became the main spiritual motive of the Westerners voyage to the East. In the Age of Discovery, the ... Western travel writings about China provided material driving and theoretical guidance for the Age of Discovery, and became the main spiritual motive of the Westerners voyage to the East. In the Age of Discovery, the image of China in the eyes of Western envoys, merchants and missionaries begun to fade away from traditional mythological and psychedelic colors, and the image of cultural elements such as material, spirit and history become clear. These Western travelers tried to shape the image of China as a state of civilization and wisdom, a state of moral order, and a state of wealth and power. On the basis of the continued description of the kingship and wealth of the Middle Ages, they constructed an overall image of China as a powerful state of civilization and wealth, thus forming a new frame of reference for cognition of China. 展开更多
关键词 age of DISCOVERY TRAVEL writings china’s IMage
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China's National Image in Western Travels in the Middle Ages
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作者 LI Chaojun 《Journal of Landscape Research》 2019年第1期46-48,52,共4页
The cognition of the image of China in the West during the Middle Ages is a historical base map for the formation of China's image in the eyes of Western travelers in China since the 19 th century. During the Midd... The cognition of the image of China in the West during the Middle Ages is a historical base map for the formation of China's image in the eyes of Western travelers in China since the 19 th century. During the Middle Ages, with the Crusades and the Eastward March of the Mongol Empire, the exchanges between China and Europe were frequent. For political and religious purposes, Western missionaries gradually increased in China. From the expansion of the concept of time and space, Western travelers came to China to explore the world outside the Mediterranean. For the needs of literary creation, Western writers began to write Chinese travels while traveling to China. The texts about China's images created by missionaries, travelers and writers are intertwined, depicting a vivid China's national image. 展开更多
关键词 MIDDLE ageS Travels the IMage of china
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对立与参照——西方世界文明史书写里的中国形象呈现
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作者 张帅东 《河北民族师范学院学报》 2024年第3期60-67,共8页
自伏尔泰第一次概述了人类文明的普遍历史后,西方纷繁的世界文明史书写里总是映照着割裂的中国形象。作为被参照的“他者”,启蒙思想家想象它为理性的两个极端,东方学家求证其是西亚文明的附属,哲学家则宣称它是轴心时代奠定了人类文明... 自伏尔泰第一次概述了人类文明的普遍历史后,西方纷繁的世界文明史书写里总是映照着割裂的中国形象。作为被参照的“他者”,启蒙思想家想象它为理性的两个极端,东方学家求证其是西亚文明的附属,哲学家则宣称它是轴心时代奠定了人类文明的伟大民族,政治学家们围绕它是“历史终结”之佐证还是“文明冲突”的威胁莫衷一是。本文以中国形象的差异化呈现为关注点,尝试剖析西方18世纪以来文明史书写背后的复杂文化心理,重新审视过去被表达的“自我”,并借此探讨世界文明史书写的更多可能。 展开更多
关键词 世界文明史 中国形象 轴心时代 文化心理
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