Mausoleum of the First Qin Emperor

An area of both outstanding human creativity and pristine natural landscapes

Development of Top-quality Tourism Corridor with Cultural Heritage of Emperor's Tomb of Wulingyuan Mausoleum as Theme Experience

Cultural heritage of emperor's tomb of Wulingyuan Mausoleum lies in Xianyang which is located at north-central of Guanzhong Plain and which is the central area of Guanzhong-Tianshui economic development zone.With special geographical position and excellent location condition,it is the important tourism resource and archaeological remains in Shaanxi Province.By using relevant knowledge on tourism,in the perspective of development principle,necessity,feasibility,construction strategy and thought of top-quality tourism corridor with cultural heritage of emperor's tomb of Wulingyuan Mausoleum as theme experience,the author systematically explained the mode elements and value of experiential tourism products,and publicized the tourism resources to a certain extent.On the basis of publicity,the author strived to provide reference for the sustainable development of economy and ecology in this region.

Manufacturing techniques of armor strips excavated from Emperor Qin Shi Huang's mausoleum,China

The chemical compositions and microstructures of the armor strips excavated from the Emperor Qin Shi Huang's mausoleum were examined systematically by using optical microscopy and electron microscopy.It was found that the armor strips were made of pure copper.Based on the morphology of α-Cu recrystal grain and copper sulphide(Cu2S) inclusions in the armor strips,the manufacturing techniques were proposed as follows:smelting pure copper,casting a lamellar plate,forming the cast ingots into sheets through repeated cold forging combined with annealing heat treatment,and finally cutting the sheets into filaments.Furthermore,through the deformation of copper sulphide(Cu2S) inclusions in the strips,the work rate during forging was evaluated and calculated to be close to 75%.

A Study Into Marketing Strategies for Promoting Cultural and Creative Products of Emperor Qinshihuang’s Mausoleum Site Museum in New Era

China’s booming economy and the growing demand of urban middle class are creating a favorable situation for the development of domestic cultural and creative industry.The consumption pattern has changed and families spend more outlay on cultural products and services.Within this flourishing industry,many museums caught development opportunities and began to get profit through successfully promoting their own cultural and creative products.However,it is unusual that Emperor Qinshihuang’s Mausoleum Site Museum,enjoying high social status and a reputation for world cultural heritage as well as a national 5A level tourist attraction,regretfully,did not achieve noticeable achievements in this area.Therefore,based on STP theory,the purpose of this paper is to study the reasons why this museum fails to fulfill its potential in promising cultural and creative industry and give some suggestions to the development and promotion of its cultural and creative goods.

The Yellow Emperor's Mausoleum

The final resting place of China's legendary ancestor sits in a forest on top of Mount Qiao,an imposing place for hundreds of thousands to come to every year and reflet om what it means to be Chine....

Mausoleum of Emperor Yan

THE MAUSOLEUM is in a lovely spot,shaded by an-cient trees and surrounded by structures with charming names:Yongfeng(Celebrating Harvest)Pav-ilion,Weicao(Fragrant Herbs)Pav-ilion,Chongde(Admiring Virtue)Arch,Luyuan(Deer Plain)Cave,Xiyao(Washing Medicinal Herbs)Pool and Longnao(Dragon Brain)Stone.

秦陵铜立车舆内铜伞的构成方式及形态特征

秦陵铜立车舆内铜伞由伞盖、盖杠及盖座三部分组构而成,其伞形车盖、铜箍扣接的“盖杠”“盖座”与“樘柱”的构成方式与锁闭的结构设计仿照实用舆马中铜伞的铸造细节,从礼用之器的实用性摹写、结构设计的创新性改变、材料工艺的多元性融合、装饰设计的审美性表达等角度体现出秦代造物工匠在“造物”与“造美”中的设计智慧诠释。考据先秦以来车舆马具的造物遗存,秦陵铜立车舆内铜伞为研究者提供了一个“史以物凭”的视角,使其在对文本史料解读的同时,能够结合实物佐证考究先秦车制体系的演进历程;其为研究相关的青铜铸造工艺及装饰设计的审美表达等提供了可资参考的典型案例。

秦东陵“一号陵园”调查勘探简报

秦东陵“一号陵园”位于陕西省西安市临潼区斜口街道办事处范家村北、骊山西麓的山前台地。2011~2015年,陕西省考古研究院等单位经考古调查勘探确认了陵园布局。陵园平面呈南北向长方形,由围沟、2座“亚”字形大墓及陪葬坑、小型祔葬墓、建筑遗址,以及窑址、井、冲积沟和瓦片堆积区等相关遗迹组成。2座“亚”字形大墓位于陵区中部偏南,陪葬坑主要分布在主墓墓道夹角处及东西方向;小型祔葬墓主要顺陵园围沟内侧分布,形制多为竖穴墓道洞室墓和竖穴土坑墓;建筑遗址分布在主墓南北两侧。此次调查勘探填补了战国晚期至秦统一时期秦陵陵园形制发展演变过程中的缺环。

秦东陵“一号陵园”墓主身份蠡测

秦东陵是研究秦人从封国到帝国丧葬理念发展变化的重要遗址。本文结合2011年以来的考古勘探及出土资料,从秦人陵园形制发展演变过程的角度出发,提出20世纪80年代对秦东陵陵区所划分的第一、二、三号陵园应属同一陵区,原第一号陵园为主茔域,其内南北2座“亚”字形大墓墓主分别为秦昭襄王与其后;原第二号陵园和第三号陵园为原第一号陵园的陪葬区,墓主分别为唐太后和悼太子及妃嫔。

穿越时空的“对话”——文化遗产数字化展示中的想象激发与实地旅游意愿

想象致力于沟通过去和展示未来,文化遗产数字化展示依靠想象和技术来营销旅游梦想,但现有虚拟旅游研究尚未厘清数字技术激发旅游想象的影响因素和作用机制。文章围绕想象在虚拟旅游体验中的核心地位,以秦始皇帝陵数字博物馆为研究案例,结合偏最小二乘法结构方程模型(PLS-SEM)和模糊集定性比较分析方法(fsQCA),探讨文化遗产数字化展示如何激发旅游者的想象,旅游者又如何通过想象实现自身与文化遗产的联结,进而影响自身行为。研究发现:1)PLS-SEM的分析结果揭示了前因条件之间的作用关系:虚拟旅游特征(内容质量、易用性和交互性)能显著激发想象,想象则在直接正向影响实地旅游意愿的同时,又通过学习获益这一中介变量对其产生间接正向影响;2)fsQCA的分析结果得出了引致高实地旅游意愿的两组前因构型(内容质量组和想象组)和两个核心变量(易用性和学习获益)。其中,内容质量组的一致性最高。研究为推进虚拟旅游新场景打造、文化与旅游资源“活起来”以及线上线下旅游消费实现优势互补和融合发展提供了决策依据。

关中地区秦汉空心砖墓与陵邑移民

空心砖墓作为东周至汉代一种特殊的墓葬形制,主要分布于中原和关中地区。两地空心砖墓相似颇多,以往学界多将之归于一体研究,疏于论其关系,缺乏对关中地区空心砖墓的全面认识。文章通过对关中地区空心砖墓葬的梳理,将该地区空心砖墓分为五期。在此基础上对关中地区空心砖墓的分布和文化源流进行探讨,认为该地区空心砖墓的大量出现可能与陵邑徙民活动有关,其发展与衰落受到了中原地区的持续影响。

How ancient Chinese constellations are applied in the city planning?An example on the planning principles employed in Xianyang,the capital city of Qin Dynasty

As the first empire of imperial China,the Qin Dynasty is a crucial period for the establishment of China’s territory,nationality,political system and academic thoughts[1].The planning and construction history of Xianyang,the capital city of the Qin,can be dated from the 12th year of the King of Qin Dynasty,Qinxiaogong(350 BC)to the death of the Second Emperor of Qin(206 BC)spanning a total of144 years.During that time,Xianyang was

秦始皇的皇帝理论及其政治伦理思想

秦始皇的皇帝理论继往开来,既继承了先秦诸子理论遗产,将先秦诸子政治理想表述与政治制度体系建构的努力推向了一个新阶段,形成了皇帝理论,也开辟了秦汉以后政治理想表述的新路径,奠定了两千余年皇帝制度体系的核心政治理想。秦始皇的皇帝理论在政治伦理主题上集中表现为圣人救世,它在内容上既表现为圣王崇拜,也表现为轻贱黔首。先秦诸子的圣人救世话语经过秦始皇的过渡性创造后,转换成了一套实践性的制度体系及其观念支撑。

神禾原战国秦陵墓出土涂色算筹初识

神禾原战国秦陵墓出土的象牙算筹,根据筹身施彩的差别可分为红白筹和红黑筹两个主要类别,其与《九章算术》刘徽注释中提到的古代用于正负数运算的“赤黑算”似有关,应是此类计算工具的早期形态。这个发现将中国古代对正负数的认识与实际运用时间提早到了战国晚期,是数学发展史研究的一大收获。

与秦始皇相伴终生的迷藏游戏

心理学认为,童年的经历和记忆会伴随人的一生,影响人性,内心被压抑的意识往往会在适当的时机爆发出来。秦始皇出生在敌国赵国,在被追杀中度过了童年时光,如同陷入了一个迷藏游戏躲藏者的角色。在他以后的人生中,始终难以摆脱迷藏游戏,在分别扮演了旁观者、追逐者的角色后,晚年由于对死亡的恐惧,又回归到了躲藏者的角色。赵高利用迷藏游戏成功策划了沙丘政变,并把秦二世操控于股掌之间。迷藏游戏的印记贯穿了秦始皇一生,也影响了秦朝的政治与命运。

秦王朝皇帝理论的政治伦理缺陷及其后果

秦王朝短命而亡固然有其执政理念、政策体系及六国残余势力等的影响,但它所建构的皇帝理论在政治伦理上存在的缺陷在根本上是难辞其咎的。皇帝制度建构起来以后,秦王朝仍然延续了无限尊崇圣人的理念,并因圣王合一的特点而将帝王摆在了至高无上的神圣地位上,使其能够以圣人之禀赋而率性而为,奉行霸道政治伦理,虽以圣王自居,以救世自命,但在实践中却已是政令日非,民生愈艰,终至于不亡不止。秦王朝的短命而亡,并非皇帝制度体系的缺陷所致,而是皇帝制度体系在政令制定及政策运营的伦理指导上存在根本性缺陷所致。

《秦始皇本纪》“项燕立昌平君反秦”辨正

睡虎地秦简《编年记》简二八,云:“(秦王政)廿一年,韩王死。昌平君居其处,有死属。”综合有关材料和研究,其中的阙字应释读作“为”,而“昌平君居其处,有(又)死”当单独断句。由此可知,昌平君应死于秦王政二十一年。故而《史记·秦始皇本纪》所记秦王政二十三年,秦军虏荆王负刍和项燕立昌平君为荆王、反秦于淮南一事,是值得重新审视的。考《六国年表》《楚世家》《蒙恬列传》《王翦列传》等,这些篇目相关记载的史源均是《秦记》,一致记述了荆王负刍被虏于秦王政二十四年,且都没有昌平君反秦的身影。清人梁玉绳又指出《本纪》自身存在的一些史事发展矛盾。因此,有关项燕立昌平君反秦的记述虽载于《本纪》,但其可靠性应该被审慎对待。

秦始皇死亡疑案续解

秦始皇死后,胡亥一行秘不发丧,假借始皇乘舆名义前往九原,看似绕道,其实隐藏了一个巨大阴谋,是他们基于对当时严峻的政治军事形势,为了顺利接掌政权,扫清政治对手而作出的必然选择。之所以能够做到在长达一个多月里秘不发丧,始皇遗体得以大致保存并未被外人发觉,应当是得益于沿途郡县的凌室、陵井、凌阴设施,以及车队从齐地带有数量较大的干鲍鱼的缘故。