Impact of Hermit Culture of the Wei and Jin Dynasties on Location Aesthetics of Villa

This paper introduced the origination of seclusion culture, analyzed historical background, causes, and aesthetic performances of hermit culture, took living style and life attitude of Tao Yuanming for example to summarize the location characteristics of villas under the impact of hermit culture in the Wei and Jin Dynasty. On this basis, site selection of Tianquan Julong International Eco-villa in Longquanyi District, Chengdu City was analyzed, and profound influence of hermit culture on the location aesthetics of modern villa explored.

An Analysis of the Shi Clan Connections in the Wei-Jin and North-South Dynasties Based on the Character Network of Shishuoxinyu

Shishuoxinyu is a collection of anecdotal stories about the words and deeds of Wei and Jin characters. In this paper, we build a complex network with characters in Shishuoxinyu to analyze the scholarly connections in the Wei-Jin and North-South dynasties. The ER random graph, WS small-world network, BA scale-free network, and experimental network are constructed for comparison. The network properties of the experimental network were analyzed using the average degree, average clustering coefficient, and average path length. Degree centrality, mesoscopic centrality, and proximity centrality were selected to understand the importance of the experimental network nodes, and it was found that the king guide had the highest importance in the whole experimental network. Then, through the observation of network degree distribution, this experimental network is considered as a scale-free network with robustness and vulnerability, which is in line with the political characteristics of the Wei-Jin and Northern Dynasties. Finally, ten larger-scale Shi clans are selected to construct a new network for inter-clan linkage analysis. This study helps to uncover the reasons for the rise and fall of the Shi clans during the Wei-Jin and North-South dynasties.

Analysis of Buddhist sculpture art in Wei, Jin, southern and Northern Dynasties

The emergence and development of Buddhist sculpture has completely changed the original Chinese ancient sculpture, rich China sculpture theme, greatly promote the development of the Chinese sculpture, in the Wei and Jin Dynasties, Buddhist sculpture received considerable development, the art form is abundant, representative of the ＂ slim but clear appearance＂ and＂ images of noble figures ＂two kinds of modeling features. From the perspective of historical background and aesthetic orientation, this paper analyzes and studies the overall features of the art of carving art in this historical period, as well as its profound influence on the development of Chinese Buddhist statues.

The Personality Beauty Thought in New Accounts of Old Episodes

“New Accounts of Old Episodes”is a classic handed down in China,which reflects the personality image and charm of the scholars in the Wei and Jin dynasties with the original ecological narrative technique.The scholars of the Wei and Jin Dynasties were detached,facing the world with an aesthetic attitude beyond secular utilitarianism,etiquette,and real life,establish a graceful social stage of vulgarity,create a unique personality beauty,providing valuable ideological wealth for the cultivation of poetic spirit,poetic dwelling,aesthetic style,transcend personality,and wisdom.

Design and Mechanics Analysis of Prairie Stone People Shed in Tekes County,Ili Prefecture

On the Silk Road, the grassland mountains of Tekes County are scattered with ancient stone people and stone statues in the Han-Wei-Jin periods. There are diseases such as weathering and cracking. In combination with the characteristics of climate change over the past 35 years, a rain-proof shed has been designed. The appearance refers to ″Horse riding Huns″ in front of the Huoqubing tomb in the Han dynasty, and ″Yungang Grottoes″ in the Northern Wei dynasty, and combine the concept of contemporary Kazakh Boz yu. Different from the general wooden straw shed, it is light in weight, easy to install, resistant to rain and snow, strong in corrosion resistance, strong in structural strength and Readily available materials, and low in cost, which is beneficial to improving the status of cultural relic protection and delaying the speed of diseases damage.

魏晋风雅的叛散与重构

魏晋文学历来被称为魏晋风流的彰显,原因正在于传统的风雅之道受到冲击。然而,自东汉末年以来,以仲长统等为代表的士人对风雅传统进行叛散的同时,也作了重构的努力。这种叛散与重构之间的关系极为复杂,从消解的因素来说,主要是时代与士人命运的变化,形成了不同于两汉时代的文学观念与知识体系。建安文学以气为美、诗赋尚丽即是这种表现,正始玄学与佛学思想的兴起也对传统的风雅之道有所解构。魏晋时代帝王与士人的文学书写,叛散与重构有机地融合在一起,形成了政教与审美融合一体的文学形态,从而为唐代文学的发展奠定了良好的基础。

魏晋士人具身审美探析

魏晋士人的具身审美,即魏晋士人关于自我形象的建构,并以此作为审美对象而产生的审美体验。其内涵的核心是对自我存在的确证,表现在士人强烈的自我意识与浓厚的生命体验上。以具身美学的视野切入,可拓展魏晋士人审美研究的空间。一方面,通过抽象的思辨活动,魏晋士人完成了对整体性的自我形象的建构,在这一过程中获得了超越性的审美体验,以高度独立之个体的身份,实现了对自我存在的肯定和确认;另一方面,魏晋士人涉及物我关系时,对外物具有的多样化的审美趣味,又使得整个士人群体完成了对自我形象由抽象到具体的构造过程。魏晋士人的自我审美表现出群体化与个性化的特征,促成了人物品藻的兼容性与多样化,并完成了自我形象建构的复杂过程。

魏晋时期叙事神话系统性演变考

秦汉时期,神话以零碎、残缺、简短的叙事形态散见于古籍、传记中。魏晋时期,神话逐渐演变成连贯、完整、复杂的系统性叙事。神话在此时期的发展既具继承性又兼具转折性,它不仅继承了秦汉时期叙事神话的核心情节要素,还开启了叙事神话的具象性形态表述,对叙事神话的系统化再构影响深远。

魏晋南北朝时期服饰特点探讨

基于多篇服饰学相关文献及专著,采用文献研究法与综合分析归纳法,对魏晋南北朝时期的服饰特征进行了深入探讨。在长期战乱与民族交融的社会背景下,男女服饰展现出的独特风格,例如男性流行的宽袖长袍与胡服,女性服饰的多样化以及发型的演变,以及服饰纹饰中融入的异域文化元素。这些特征不仅彰显了个性解放和民族文化间的相互借鉴,也映射出社会阶层结构与审美观念的演变。文章进一步探讨了这些服饰特征对后世乃至现代服饰文化产生的深远影响,并提出了魏晋南北朝服饰传承与创新的策略,以期促进服饰文化的持续繁荣与发展。

论魏晋南北朝时期女性文学思想新变——以悼亡文学为例

魏晋南北朝时期悼亡文学得到了很大的发展,这一时期女性作家对“悼亡”的书写具有独特的价值与意义。通过对该时期女性作家的悼亡诗赋、祭文的分析与解读,可知魏晋南北朝时期女性文学思想的变化主要体现在贞节观的新变、自我意识的觉醒及女性地位与话语权的提升三个方面。这对于认识魏晋南北朝时期女性作家在“文学自觉”中的贡献有重要意义。

Jin Village, Longquan City in My Eyes

Editor's note:Jin Village,located in Longquan City,Zhejiang Province,became the birthplace of Longquan celadon during the Five Dynasties period.After being recognized by the National Cultural Heritage Adminisiraiion as one of the first heritage sites on the Maritime Silk Road,Jin Village will develop into an international celadon cultural highland in the future.

金后期状元释褐职任考

金后期状元释褐,其执事基本是应奉翰林文字,只有少数因情况特殊而例外;其官资,大定十四年前授正七品上的承德郎,十四年后降两级为从七品上的承务郎,明昌间辞赋状元又升1级为正七品下的承直郎,而经义状元则降1级为从七品下的儒林郎。金后期状元最低的初始官资都高于南宋。

现象学视域中的“人格美”

中西方思想对“人格”的使用方式有所不同:西方偏于“人格”的描述性意义,中国偏于“人格”的评价性意义。西方偏于“人格”的外在性,中国偏于“人格”的内在性。西方的“人格性”相当于“精神性”,中国的“人格性”侧重于“道德性”。“人格美”具有两个维度:在形而上学维度,它是一种美学观念;在现象学维度,它是一种审美对象。“人格美”的合法性受到怀疑,理由有二:一是“人格美”可能是道德判断,也可能是审美判断,更可能是二者的混同;二是人格是否可以诉诸感性直观,尚在未定之数。身体现象学表明,心灵和精神都是具身化并表现于外的。身体不是对立于心灵/精神的身体,而是融合了心灵/精神的身体。于是,人格也可以在身体上获得感性直观,成为审美对象。因此,“人格美”从属于“身体美”。人格美属于身体美,又超越身体美,与身体美有一种若即若离的关系。身体美与人格美的关系,可用胡塞尔人格现象学的体现和共现加以说明。

体例谨严,求实出新——评《魏晋文人文献整理与文学创作研究》

魏晋是文人文献整理的繁荣时期,各类型的文献整理蔚为大观。与之前的文献整理相比,魏晋文献整理的文学色彩较为浓厚。作为一种文化活动,文献整理和当时的文学创作有着互动共生的关系,双方相互促进、相互影响。张振龙教授等所著《魏晋文人文献整理与文学创作研究》一书,对魏晋文人文献整理与文学创作进行了全面系统的研究,是一部魏晋文学研究的力作。

冯友兰和汤用彤魏晋玄学观比较研究

对于魏晋玄学,冯友兰和汤用彤都对之有着深入的研究和精辟的论断,其学术贡献也为学界所称道。冯友兰和汤用彤的魏晋玄学研究有共同之处,都认为玄学受到汉末名学的影响,主要问题和代表人物基本一致,也都强调竹林玄学是对正始玄学的补充。不过,冯友兰和汤用彤在研究方法以及对玄学的界定等方面也存在明显的不同。研究冯友兰和汤用彤的魏晋玄学观,不仅有助于我们从宏观角度对魏晋玄学有一个整体的认识,也会为我们了解近现代视域下的魏晋玄学研究提供一个新的维度。

从“水引,挼如箸大”看魏晋南北朝时期箸的形制与使用

《齐民要术》作为魏晋南北朝时期重要农书,不仅记载了重要的农业生产技术以及食物加工方式,而且记载了一些饮食器具的形制,其中“水引,挼如箸大”是对当时筷子的直接描述。本文通过这条文献记载来考证与勾勒魏晋南北朝时期箸的形态规制,并由此探讨当时箸的使用情况,进一步考证魏晋南北朝时期饮食生活的历史状况以及饮食文化特征。

魏晋公府从事中郎考述

魏晋时期,诸公及位从公的统兵幕府专设从事中郎一职。魏晋公府的从事中郎不再是以皇帝私属家臣身份督军的耳目,而是府君信赖的心腹僚属,与长官维持紧密的附庸关系。其地位介于长史、司马和参军、掾吏之间,作为高级行政助理,有权过问本府咨议、机要、人事、指挥、法宪等事务,并可全权代表府主办事,乃幕府纲纪显职。从事中郎的选任资格与乡品三品固定搭配,阀阅世资以高门士族为主,兼采优秀寒素。其仕宦履历不乏专属乡品二品的清要职位,晋升过程相互衔接司空见惯,反映当时门阀大幕虽已拉开,但对流孔道尚未完全封闭。从事中郎仕途的末段普遍跻身三品官,反证乡品对仕宦前景具有等位的预期功能。中正主观评议的乡品不同于单纯核算世资的门品,这是研究从事中郎及其他职官必须加以细致区分的。

简论丧葬习俗对魏晋南北朝挽歌的影响

魏晋南北朝的俭葬习俗淡化了死亡的神秘感,使挽歌作者能够理性平和地看待死亡,保持一种较为超然客观的态度,促成了自挽作品的出现。各种丧葬仪式为挽歌创作提供了丰富的意象,成为挽歌描写的重要内容。挽歌正式纳入礼制,得到官方书面形式的认可后更受重视更为普及,促进了献赠挽歌作品的创作,激发了欣赏挽歌、演唱挽歌的兴趣,对名士风流的形成产生了一定影响。

中国少数民族首次建构炎黄共同体理论研究

北魏主导的炎黄共同体理论是中国历史上首次由少数民族主导建构的共同体理论。它将鲜卑、羌、氐等入主中原的少数民族全部纳入到炎黄后代的范畴,提出了以鲜卑为主的“华夷共祖”理论,认为共祖于炎黄的“夷”也有权利追求和实践大一统,并建立了多民族的中国观和王朝观。这展现了少数民族加入中华大家庭的主观愿望,打通了少数民族追求和实践大一统的通道,为古代大一统思想的发展增添了新的内容。