In terms of the aesthetic of folk literature and art,most researchers explain it drawing on general aesthetic theory,but pay less attention to the specific context and logic of individual cases.Folk aesthetics is deep...In terms of the aesthetic of folk literature and art,most researchers explain it drawing on general aesthetic theory,but pay less attention to the specific context and logic of individual cases.Folk aesthetics is deeply rooted in folk life,including local nature,village culture,farming life and folk belief.These folklore factors constitute the“local logic”,which regulates and influences folk aesthetic culture.The hidden“grammar”must be found in the folk life of the masses with a view to explaining the“essence”of folk aesthetics effectively.The concept of folk literature and art is understood in two different ways:One interprets it as“study of art and literature of folks”,regarding folk as a modifier of study of art and literature.Folk literature and art is regarded as the research object and the discipline is defined according to literary standard.This concept is from the perspective of literary studies,emphasizing that“folk literature and art is a special study of literature and art”.The other interprets it as“study of folk literature and art”,treating literature and art among the folks as the research object and defining the discipline in accordance with cultural standard.This concept is from the perspective of cultural studies.展开更多
With the promulgation of the“National Quality Standards for Undergraduate Teaching of Foreign Languages and Literatures in General Institutions of Higher Education”and“Teaching Guidelines”in 2018,the humanistic at...With the promulgation of the“National Quality Standards for Undergraduate Teaching of Foreign Languages and Literatures in General Institutions of Higher Education”and“Teaching Guidelines”in 2018,the humanistic attributes of English majors and the important position of literature in foreign language learning are emphasized.Nowadays,the English literature curriculum is facing the problems of marginalization,reduction of class hours,simplification of curriculum and so on.Then in the context of the new liberal arts,it provides a new way to break through the dilemma of the literature curriculum.The study has collected the use of teaching materials of British and American literature courses in some colleges and universities across the country.Based on the survey results,the compilation of teaching materials in the new era should consider how to adapt to students’deep learning,autonomous learning,cross learning and research-based learning to provide guidance and support.The diversity of learning requires us to break the monotony of textbook compilation,show diversity and complement each other.展开更多
In the realm of We Media,literary criticism is not completely free and unrestricted during its continuous production process;instead,it should adhere to certain ethical norms.The ethical dimensions of literary critici...In the realm of We Media,literary criticism is not completely free and unrestricted during its continuous production process;instead,it should adhere to certain ethical norms.The ethical dimensions of literary criticism in We Media focus on fostering a fair relationship between criticism activities and text,society,and the audience in order to facilitate healthy and orderly criticism that yields positive outcomes.The ethics of literary criticism in We Media can be categorized into aesthetic ethics,cultural ethics,political ethics,and media ethics within its internal structure,all of which ultimately converge into the realm of art production ethics.It is important to embrace a consciousness of intersubjectivity and adopt a cognitive approach of situationism in order to avoid blind restrictions and misjudgments in order to foster a positive and healthy ecosystem for literary criticism in We Media.Additionally,it is crucial to adhere to bottom-line thinking and emphasize responsibility,taste,and discipline while regulating the field of criticism,the audience,and critical text.展开更多
The performance and composition of traditional choral music were championed and dominated by women. Unfortunately, the involvement of women in the practice of art music, specifically theory and composition in Ghana ha...The performance and composition of traditional choral music were championed and dominated by women. Unfortunately, the involvement of women in the practice of art music, specifically theory and composition in Ghana has been observed to be absent or very minimal, the cause of which is problematic to identify. This paper examines why women have been passive in the performance and composition of this musical genre, and suggests avenues for improvement in the situation. Fifteen women across various musical genres： Traditional, Art and Popular were interviewed to ascertain this fact. The results will serve as an aid for an improvement of this unfortunate situation in Ghana.展开更多
The Nobel Prize in Literature for 2016 has been awarded to BobDylan, an American rock singer and folk poet. It comes as a big surprise, even thoughthe winner has been nominated repeatedly. The main reason for the surp...The Nobel Prize in Literature for 2016 has been awarded to BobDylan, an American rock singer and folk poet. It comes as a big surprise, even thoughthe winner has been nominated repeatedly. The main reason for the surprise is becauseof Dylan's identity as a popular artist, since the Nobel Prize in Literature has longbeen closely associated with the so-called mainstream serious literature. As a matterof fact, Bob Dylan deserves the prize in every way in terms of his contribution to thecontemporary culture, his great achievement and powerful influence. Regarding thisphenomenon, this paper illustrates the positive significance of Dylan’s award fromseveral aspects, including the origin and original features of poetry, the historicalchanges of literary concept, the close relationship between literature and art, thevitality of popular culture, etc. A discussion is also given to the world’s reflectionon literature, or the attributes, function and mode of transmission of literature in theacademic field triggered by Dylan’s award.展开更多
In the development of human civilization, plant has been closely attached to human beings, and also been endowed with rich cultural imagery. However, ascribed to the differences between Chinese and English cultures, p...In the development of human civilization, plant has been closely attached to human beings, and also been endowed with rich cultural imagery. However, ascribed to the differences between Chinese and English cultures, plant of the same kind exhibits similar, distinct or vacant characteristics. This paper adopts comparison method so as to compare and to analyze the differences and similarities of cultural connotation contained in plant emerging in Treasure Island （a representative of western adventure literature） and The Swordsman （a representative of Chinese martial arts literature） and roles plant plays in a certain chapter, or the whole story. The literature study presents a general knowledge of research theories in this field and cultural background. Moreover, the induction method integrates and summarizes the prior analyses and researches. Reasons underlying those cultural differences are also expounded, including legend and folklore, literature works and convention and custom. The conclusion is that analyzing the cultural connotation of plant is of significance for understanding the corresponding cultural differences as well as appreciating adventure and martial arts literature.展开更多
In contemporary times, many Nigerians, and indeed Africans, go through huddles to behold some of their most cherished artifacts in foreign lands. Such artifacts were taken away by the colonial masters during their var...In contemporary times, many Nigerians, and indeed Africans, go through huddles to behold some of their most cherished artifacts in foreign lands. Such artifacts were taken away by the colonial masters during their various conquests of ancient African kingdoms. In the modern days as well, such trips are made to other countries by Nigerians and Africans to research into some popular arts and amusements lost as a result of neglect. One of such lost is the popular form of literature that once existed in the eastern part of Nigeria--the Onitsha Market Literature. Using evidences from secondary research materials, this paper discusses the re-occurrence of this silly history of neglecting the production and consumption of popular culture in Nigerian and indeed Africa. Using the Nigerian video film industry, Nollywood, as a case study, a case is here made for the proper archiving of these video films for future generations. It is observed that just few decades of video film production in Nigeria, virtually all the pioneer films cannot be found anywhere in the country. Such films must be needed in future for research purposes as the foundations upon which other great films of the future will base. The work therefore concludes with the obvious recommendation that genuine efforts, will, and finances be committed to proper archiving of legally approved Nollywood films. This will engender the sentiment central to film archiving and drastically reduce the problems that may confront the future generation as regards research in the Nigeria video film culture, Nollywood.展开更多
Eurasian art study is an interdisciplinary approach to the solution of the problems of ethno-national rivalry and contradictions, dominating in the world. Although the roots of Eurasian arts goes back to Aristotelian-...Eurasian art study is an interdisciplinary approach to the solution of the problems of ethno-national rivalry and contradictions, dominating in the world. Although the roots of Eurasian arts goes back to Aristotelian-Avicennian tradition, created in Central Asia （CA） of the eve of the last millennium, the evidence of that common tradition： archaeological, philological, philosophical, linguistic, etc., interconnected with each other and recognized by the diversity of the academic schools of the last century, are not included into educational programs of the universities of the modem times. That miss, creating a gap in the world system of knowledge, restricts development of international affairs and diplomacy in its global significance. To bridge that gap, observing and analysing what was missed in the system of knowledge and how Eurasian arts communities are organizing themselves in CA of pre-soviet times, how they managed to develop through the last century and what is their perspectives now, in globalizing world, is the aim of this paper.展开更多
From the end of the 19th to the dawn of the 20th century, technological development rendered the use of horse as source of energy and power progressively obsolete, promoting the displacement of its age-old utilitarian...From the end of the 19th to the dawn of the 20th century, technological development rendered the use of horse as source of energy and power progressively obsolete, promoting the displacement of its age-old utilitarian functions （transportation, work and war） as well as its social functions as a marker of distinction. Nonetheless, the advent of leisure society encouraged a redefinition of the horse and its social representations, a process spearheaded by the popular arts, especially those meant for child and youth audiences. The purpose of this article is two-fold. The first is to promote an understanding of the historical role of popular arts （literature, movies） in the evolution of the conceptualization of human-horse relationship and the concomitant entrance of horse riding into leisure society, marked by dual processes turning it into an ever-more female and youth-oriented practice. The second is to examine the actual influence of the popular equine arts and the alter ego horse paradigm that they have created on riders＇ current practices. The latter are examined in relation to diverse criteria such as age, gender, type of riding, length of experience, social status and nationality.展开更多
This paper expresses REN Ping＇s views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relati...This paper expresses REN Ping＇s views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relationships. The study focuses on his calligraphic styles such as Cursive Calligraphy （草书）, Regular Script （楷书）, Seal Script （篆书）, running style （行书） and so on. His calligraphic art creation lends a unique classical style to the Chinese movie, and shows a board and wide beauty of nature for pavilion ofZONG XIU in Hangzhou, which draws essence from ancient to nourishing the new. It is widely accepted that REN Ping＇s accomplishment results from, his accumulation of Chinese traditional culture, his rich knowledge in occidental philosophy and art, his outstanding artistic talents, and from his generosity, forthrightness, and sincerity, and his all-embracing humanistic feelings.展开更多
Enframed scenery was classified into 4 categories:door and window enframed scenery,railing and column enframed scenery,tree enframed scenery,cave and crack enframed scenery.Demonstration of poetizing art in such 4 cat...Enframed scenery was classified into 4 categories:door and window enframed scenery,railing and column enframed scenery,tree enframed scenery,cave and crack enframed scenery.Demonstration of poetizing art in such 4 categories of enframed scenery was analyzed,application of enframed scenery in modern landscape architecture was introduced,and cultural connotations of enframed scenery were further explored.展开更多
Classic English literature is high culture of a sort, too high for tertiary English majors in the 21st China, who have grown up with total exposure to popular culture in an electronic way, to reach so that they show i...Classic English literature is high culture of a sort, too high for tertiary English majors in the 21st China, who have grown up with total exposure to popular culture in an electronic way, to reach so that they show indifference to literature class. To solve this problem, this paper intends to consider the implications and feasibilities of integrating popular culture into literature education in English departments of Chinese universities. After carefully reviewing the current English literature teaching connected with popular culture both in China and other parts of the world, this paper concludes that the choice of the popular culture texts shall be neither too random to include any form of popular culture nor too limited to only cover the film/TV adaptations of literary classics. Subsequently, the paper records the procedure and progress of the author’s classic-literature and popular-culture class and reflects upon the students’ substantial responses to the class. From the record and the reflection, three major findings are drawn: The students know little about how classic literature inspire popular culture and when they know, they become excited and want to know more;when further exploring those original texts which inspired their favourite pop, the students find themselves greatly challenged and stimulated as well;the students have strong desire to reach the “highness” of classic literature and would like to read challenging texts with their own spirits. A conclusion can be drawn from these findings: Both academic and popular literacy of English majors in Chinese universities should be enhanced, and it is workable to incorporate popular culture into literature classroom with careful preparations for classroom activities and guarantees of the smooth implements of these activities.展开更多
Theatrical manifestations like puppet plays, Shadow plays and the Qarakoz, with the exception of the art of story-telling, were probably brought to the Arab world from the Far East. While storytelling was probably the...Theatrical manifestations like puppet plays, Shadow plays and the Qarakoz, with the exception of the art of story-telling, were probably brought to the Arab world from the Far East. While storytelling was probably the primal theatrical form in that part of the world, shadow theatre and the qarakoz were a developed popular theatrical stage. The only difference between the qarakoz and the shadow theatre is that the former depends on presenting the puppets live on stage, while the latter displays the shadow of puppets on a lighted white screen. The puppet art and the shadow play performers spread throughout the Arab world, especially in Egypt, Lebanon and Syria. The performances traditionally took place in plazas, public gardens and public cafes. This paper attempts to explore the history of this art and the role it played in spreading such an entertainment in the public life of the concerned societies, as well as portraying its importance as a tool for social and political criticism.展开更多
Pop art,as a major school of art,was an important art activity in the 60s of the 20th century in the West world. It played an important role in the history of art. Pop art created a dialogue of life and art,broken the...Pop art,as a major school of art,was an important art activity in the 60s of the 20th century in the West world. It played an important role in the history of art. Pop art created a dialogue of life and art,broken the narrow concept-"Art for art",and expanded the scope of art. Pop art now is the watershed of modern art and post-modern art to some art theory. It is rather necessary to understand and draw the knowledge from pop art. The relationship of my works and pop art is from the unconscious intention beginning to a consciously excavating. To show the meaning of my work and features,I make full use of the artistic characteristics of pop art and rational use of its advantages to endow my work a life and clarity,giving a strong and simple visual effects to readers,to make my work more extroverted and more sentimental.展开更多
The Ainu are the only ethnic minority officially recognized in Japan.Ainu culture is not only a new entry point for understanding Japanese culture,but also an important medium for exploring ancient Asian civilization....The Ainu are the only ethnic minority officially recognized in Japan.Ainu culture is not only a new entry point for understanding Japanese culture,but also an important medium for exploring ancient Asian civilization.This article analyzes the Ainu folk songs and legends and other oral literature and discovers:The Ainu people respect and thank the gods,and accept the gifts and punishments of the gods.However,the Ainu claim that human beings have autonomy through the belief that humans have the right to punish gods,and those humans and gods can strive for an equal two-way relationship.In addition,the Ainu emphasize the importance of coexistence between humans and other creatures in nature.It is believed that hunting and fishing are not blasphemy,but acceptances of the gifts from the gods.However,it is advocated that human beings and other creatures should give each other living space and maintain the balance of symbiosis and coexistence.The Ainu belief in relative equality with gods and coexistence with nature reflects the concept of“shared destiny”in ancient Asian civilizations.It provides an important reference for the development of modern human society.展开更多
文摘In terms of the aesthetic of folk literature and art,most researchers explain it drawing on general aesthetic theory,but pay less attention to the specific context and logic of individual cases.Folk aesthetics is deeply rooted in folk life,including local nature,village culture,farming life and folk belief.These folklore factors constitute the“local logic”,which regulates and influences folk aesthetic culture.The hidden“grammar”must be found in the folk life of the masses with a view to explaining the“essence”of folk aesthetics effectively.The concept of folk literature and art is understood in two different ways:One interprets it as“study of art and literature of folks”,regarding folk as a modifier of study of art and literature.Folk literature and art is regarded as the research object and the discipline is defined according to literary standard.This concept is from the perspective of literary studies,emphasizing that“folk literature and art is a special study of literature and art”.The other interprets it as“study of folk literature and art”,treating literature and art among the folks as the research object and defining the discipline in accordance with cultural standard.This concept is from the perspective of cultural studies.
文摘With the promulgation of the“National Quality Standards for Undergraduate Teaching of Foreign Languages and Literatures in General Institutions of Higher Education”and“Teaching Guidelines”in 2018,the humanistic attributes of English majors and the important position of literature in foreign language learning are emphasized.Nowadays,the English literature curriculum is facing the problems of marginalization,reduction of class hours,simplification of curriculum and so on.Then in the context of the new liberal arts,it provides a new way to break through the dilemma of the literature curriculum.The study has collected the use of teaching materials of British and American literature courses in some colleges and universities across the country.Based on the survey results,the compilation of teaching materials in the new era should consider how to adapt to students’deep learning,autonomous learning,cross learning and research-based learning to provide guidance and support.The diversity of learning requires us to break the monotony of textbook compilation,show diversity and complement each other.
基金The study was supported by the Youth Project of the National Social Science Foundation of China entitled“Research on the‘Rural Narrative’of Contemporary Chinese Short Video Culture”(21CZW011).
文摘In the realm of We Media,literary criticism is not completely free and unrestricted during its continuous production process;instead,it should adhere to certain ethical norms.The ethical dimensions of literary criticism in We Media focus on fostering a fair relationship between criticism activities and text,society,and the audience in order to facilitate healthy and orderly criticism that yields positive outcomes.The ethics of literary criticism in We Media can be categorized into aesthetic ethics,cultural ethics,political ethics,and media ethics within its internal structure,all of which ultimately converge into the realm of art production ethics.It is important to embrace a consciousness of intersubjectivity and adopt a cognitive approach of situationism in order to avoid blind restrictions and misjudgments in order to foster a positive and healthy ecosystem for literary criticism in We Media.Additionally,it is crucial to adhere to bottom-line thinking and emphasize responsibility,taste,and discipline while regulating the field of criticism,the audience,and critical text.
文摘The performance and composition of traditional choral music were championed and dominated by women. Unfortunately, the involvement of women in the practice of art music, specifically theory and composition in Ghana has been observed to be absent or very minimal, the cause of which is problematic to identify. This paper examines why women have been passive in the performance and composition of this musical genre, and suggests avenues for improvement in the situation. Fifteen women across various musical genres： Traditional, Art and Popular were interviewed to ascertain this fact. The results will serve as an aid for an improvement of this unfortunate situation in Ghana.
文摘The Nobel Prize in Literature for 2016 has been awarded to BobDylan, an American rock singer and folk poet. It comes as a big surprise, even thoughthe winner has been nominated repeatedly. The main reason for the surprise is becauseof Dylan's identity as a popular artist, since the Nobel Prize in Literature has longbeen closely associated with the so-called mainstream serious literature. As a matterof fact, Bob Dylan deserves the prize in every way in terms of his contribution to thecontemporary culture, his great achievement and powerful influence. Regarding thisphenomenon, this paper illustrates the positive significance of Dylan’s award fromseveral aspects, including the origin and original features of poetry, the historicalchanges of literary concept, the close relationship between literature and art, thevitality of popular culture, etc. A discussion is also given to the world’s reflectionon literature, or the attributes, function and mode of transmission of literature in theacademic field triggered by Dylan’s award.
文摘In the development of human civilization, plant has been closely attached to human beings, and also been endowed with rich cultural imagery. However, ascribed to the differences between Chinese and English cultures, plant of the same kind exhibits similar, distinct or vacant characteristics. This paper adopts comparison method so as to compare and to analyze the differences and similarities of cultural connotation contained in plant emerging in Treasure Island （a representative of western adventure literature） and The Swordsman （a representative of Chinese martial arts literature） and roles plant plays in a certain chapter, or the whole story. The literature study presents a general knowledge of research theories in this field and cultural background. Moreover, the induction method integrates and summarizes the prior analyses and researches. Reasons underlying those cultural differences are also expounded, including legend and folklore, literature works and convention and custom. The conclusion is that analyzing the cultural connotation of plant is of significance for understanding the corresponding cultural differences as well as appreciating adventure and martial arts literature.
文摘In contemporary times, many Nigerians, and indeed Africans, go through huddles to behold some of their most cherished artifacts in foreign lands. Such artifacts were taken away by the colonial masters during their various conquests of ancient African kingdoms. In the modern days as well, such trips are made to other countries by Nigerians and Africans to research into some popular arts and amusements lost as a result of neglect. One of such lost is the popular form of literature that once existed in the eastern part of Nigeria--the Onitsha Market Literature. Using evidences from secondary research materials, this paper discusses the re-occurrence of this silly history of neglecting the production and consumption of popular culture in Nigerian and indeed Africa. Using the Nigerian video film industry, Nollywood, as a case study, a case is here made for the proper archiving of these video films for future generations. It is observed that just few decades of video film production in Nigeria, virtually all the pioneer films cannot be found anywhere in the country. Such films must be needed in future for research purposes as the foundations upon which other great films of the future will base. The work therefore concludes with the obvious recommendation that genuine efforts, will, and finances be committed to proper archiving of legally approved Nollywood films. This will engender the sentiment central to film archiving and drastically reduce the problems that may confront the future generation as regards research in the Nigeria video film culture, Nollywood.
文摘Eurasian art study is an interdisciplinary approach to the solution of the problems of ethno-national rivalry and contradictions, dominating in the world. Although the roots of Eurasian arts goes back to Aristotelian-Avicennian tradition, created in Central Asia （CA） of the eve of the last millennium, the evidence of that common tradition： archaeological, philological, philosophical, linguistic, etc., interconnected with each other and recognized by the diversity of the academic schools of the last century, are not included into educational programs of the universities of the modem times. That miss, creating a gap in the world system of knowledge, restricts development of international affairs and diplomacy in its global significance. To bridge that gap, observing and analysing what was missed in the system of knowledge and how Eurasian arts communities are organizing themselves in CA of pre-soviet times, how they managed to develop through the last century and what is their perspectives now, in globalizing world, is the aim of this paper.
文摘From the end of the 19th to the dawn of the 20th century, technological development rendered the use of horse as source of energy and power progressively obsolete, promoting the displacement of its age-old utilitarian functions （transportation, work and war） as well as its social functions as a marker of distinction. Nonetheless, the advent of leisure society encouraged a redefinition of the horse and its social representations, a process spearheaded by the popular arts, especially those meant for child and youth audiences. The purpose of this article is two-fold. The first is to promote an understanding of the historical role of popular arts （literature, movies） in the evolution of the conceptualization of human-horse relationship and the concomitant entrance of horse riding into leisure society, marked by dual processes turning it into an ever-more female and youth-oriented practice. The second is to examine the actual influence of the popular equine arts and the alter ego horse paradigm that they have created on riders＇ current practices. The latter are examined in relation to diverse criteria such as age, gender, type of riding, length of experience, social status and nationality.
文摘This paper expresses REN Ping＇s views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relationships. The study focuses on his calligraphic styles such as Cursive Calligraphy （草书）, Regular Script （楷书）, Seal Script （篆书）, running style （行书） and so on. His calligraphic art creation lends a unique classical style to the Chinese movie, and shows a board and wide beauty of nature for pavilion ofZONG XIU in Hangzhou, which draws essence from ancient to nourishing the new. It is widely accepted that REN Ping＇s accomplishment results from, his accumulation of Chinese traditional culture, his rich knowledge in occidental philosophy and art, his outstanding artistic talents, and from his generosity, forthrightness, and sincerity, and his all-embracing humanistic feelings.
基金Supported by 2013 Hengyang Social Sciences Research Program(2013C32):Buddhism and Taoism Landscapes in Mountain Hengshan
文摘Enframed scenery was classified into 4 categories:door and window enframed scenery,railing and column enframed scenery,tree enframed scenery,cave and crack enframed scenery.Demonstration of poetizing art in such 4 categories of enframed scenery was analyzed,application of enframed scenery in modern landscape architecture was introduced,and cultural connotations of enframed scenery were further explored.
文摘Classic English literature is high culture of a sort, too high for tertiary English majors in the 21st China, who have grown up with total exposure to popular culture in an electronic way, to reach so that they show indifference to literature class. To solve this problem, this paper intends to consider the implications and feasibilities of integrating popular culture into literature education in English departments of Chinese universities. After carefully reviewing the current English literature teaching connected with popular culture both in China and other parts of the world, this paper concludes that the choice of the popular culture texts shall be neither too random to include any form of popular culture nor too limited to only cover the film/TV adaptations of literary classics. Subsequently, the paper records the procedure and progress of the author’s classic-literature and popular-culture class and reflects upon the students’ substantial responses to the class. From the record and the reflection, three major findings are drawn: The students know little about how classic literature inspire popular culture and when they know, they become excited and want to know more;when further exploring those original texts which inspired their favourite pop, the students find themselves greatly challenged and stimulated as well;the students have strong desire to reach the “highness” of classic literature and would like to read challenging texts with their own spirits. A conclusion can be drawn from these findings: Both academic and popular literacy of English majors in Chinese universities should be enhanced, and it is workable to incorporate popular culture into literature classroom with careful preparations for classroom activities and guarantees of the smooth implements of these activities.
文摘Theatrical manifestations like puppet plays, Shadow plays and the Qarakoz, with the exception of the art of story-telling, were probably brought to the Arab world from the Far East. While storytelling was probably the primal theatrical form in that part of the world, shadow theatre and the qarakoz were a developed popular theatrical stage. The only difference between the qarakoz and the shadow theatre is that the former depends on presenting the puppets live on stage, while the latter displays the shadow of puppets on a lighted white screen. The puppet art and the shadow play performers spread throughout the Arab world, especially in Egypt, Lebanon and Syria. The performances traditionally took place in plazas, public gardens and public cafes. This paper attempts to explore the history of this art and the role it played in spreading such an entertainment in the public life of the concerned societies, as well as portraying its importance as a tool for social and political criticism.
文摘Pop art,as a major school of art,was an important art activity in the 60s of the 20th century in the West world. It played an important role in the history of art. Pop art created a dialogue of life and art,broken the narrow concept-"Art for art",and expanded the scope of art. Pop art now is the watershed of modern art and post-modern art to some art theory. It is rather necessary to understand and draw the knowledge from pop art. The relationship of my works and pop art is from the unconscious intention beginning to a consciously excavating. To show the meaning of my work and features,I make full use of the artistic characteristics of pop art and rational use of its advantages to endow my work a life and clarity,giving a strong and simple visual effects to readers,to make my work more extroverted and more sentimental.
基金2021 National Social Science Fund General Project“Research on the Foreign Discourse System of the Japanese Version of Mainstream Media in China”(Project No.21BYY194).
文摘The Ainu are the only ethnic minority officially recognized in Japan.Ainu culture is not only a new entry point for understanding Japanese culture,but also an important medium for exploring ancient Asian civilization.This article analyzes the Ainu folk songs and legends and other oral literature and discovers:The Ainu people respect and thank the gods,and accept the gifts and punishments of the gods.However,the Ainu claim that human beings have autonomy through the belief that humans have the right to punish gods,and those humans and gods can strive for an equal two-way relationship.In addition,the Ainu emphasize the importance of coexistence between humans and other creatures in nature.It is believed that hunting and fishing are not blasphemy,but acceptances of the gifts from the gods.However,it is advocated that human beings and other creatures should give each other living space and maintain the balance of symbiosis and coexistence.The Ainu belief in relative equality with gods and coexistence with nature reflects the concept of“shared destiny”in ancient Asian civilizations.It provides an important reference for the development of modern human society.
