In recent years,“aesthetics of atmospheres,”a concept introduced from Western aesthetics,has emerged in aesthetic studies,offering a new perspective to examine ancient Chinese poetry.In poetry,atmospheric beauty is ...In recent years,“aesthetics of atmospheres,”a concept introduced from Western aesthetics,has emerged in aesthetic studies,offering a new perspective to examine ancient Chinese poetry.In poetry,atmospheric beauty is neither fixed nor rationalized;rather,it is pervasive and ubiquitous,much like a mist.Atmosphere is something spatial but primarily something emotional.Atmosphere creation is the products of a poet’s emotional expression evoked by external objects;thus,evocation(gan-xing)is a catalyst for creating atmospheres.At its core,evocation is the process by which a poet is emotionally stimulated at the sight of external objects and generates a desire to express such emotions.In this process,the poet is connected with the outside world through senses such as sight and hearing and is presented with abundant physical images.When these physical images are incorporated into poems,they become atmospheric agents.In poetry,atmospheres represent the unity of emotions and intentions.They are a poet’s situational aesthetic experiences.The statement,“If there is no self in poetry,how can we possibly have poetry”holds significant theoretical importance in aesthetics.Synesthesia plays a crucial role during the creation of atmospheric beauty in poetry.By employing synesthesia,a poet can greatly enhance the tension in poetic language,extending the poetic beauty beyond a singular sensory experience,and creating rich atmospheres that blend sensations such as sound,color,and taste.展开更多
The paper aims at indicating and demonstrating a kind of beautiful harmony in technology and art of excellent buildings of ancient China, through the analysis of cases of historic building up to the study of theoretic...The paper aims at indicating and demonstrating a kind of beautiful harmony in technology and art of excellent buildings of ancient China, through the analysis of cases of historic building up to the study of theoretical generalization. Any applicative, practical and durable building will conform to the simplicity of science and technology and harmony of design, and conform to the principle of beauty in the meantime. Architecture not only satisfies the need of functions, but represents the combination of skill and art, which is a sufficient integration of technology and art. The paper analyzes the relationship between technology and art of historic buildings in China by taking the typical examples of the Zhaozhou Bridge and the Hanging Temple of Hengshan, and clarifies the way of fusion between building and art, and indicates ways of fusion and reasons. In the last, the article proves the theory by the case of indoor decoration in modern building in order to defend mechanics and aesthetics in the modern buildings.展开更多
基金the research result of the key project "A Study of the Poetic Genes in Chinese Aesthetics"(No.19AZW001),funded by the National Social Science Fund of China.
文摘In recent years,“aesthetics of atmospheres,”a concept introduced from Western aesthetics,has emerged in aesthetic studies,offering a new perspective to examine ancient Chinese poetry.In poetry,atmospheric beauty is neither fixed nor rationalized;rather,it is pervasive and ubiquitous,much like a mist.Atmosphere is something spatial but primarily something emotional.Atmosphere creation is the products of a poet’s emotional expression evoked by external objects;thus,evocation(gan-xing)is a catalyst for creating atmospheres.At its core,evocation is the process by which a poet is emotionally stimulated at the sight of external objects and generates a desire to express such emotions.In this process,the poet is connected with the outside world through senses such as sight and hearing and is presented with abundant physical images.When these physical images are incorporated into poems,they become atmospheric agents.In poetry,atmospheres represent the unity of emotions and intentions.They are a poet’s situational aesthetic experiences.The statement,“If there is no self in poetry,how can we possibly have poetry”holds significant theoretical importance in aesthetics.Synesthesia plays a crucial role during the creation of atmospheric beauty in poetry.By employing synesthesia,a poet can greatly enhance the tension in poetic language,extending the poetic beauty beyond a singular sensory experience,and creating rich atmospheres that blend sensations such as sound,color,and taste.
文摘The paper aims at indicating and demonstrating a kind of beautiful harmony in technology and art of excellent buildings of ancient China, through the analysis of cases of historic building up to the study of theoretical generalization. Any applicative, practical and durable building will conform to the simplicity of science and technology and harmony of design, and conform to the principle of beauty in the meantime. Architecture not only satisfies the need of functions, but represents the combination of skill and art, which is a sufficient integration of technology and art. The paper analyzes the relationship between technology and art of historic buildings in China by taking the typical examples of the Zhaozhou Bridge and the Hanging Temple of Hengshan, and clarifies the way of fusion between building and art, and indicates ways of fusion and reasons. In the last, the article proves the theory by the case of indoor decoration in modern building in order to defend mechanics and aesthetics in the modern buildings.
