The Path to Healthy Development for Chinese Art in the New Era

This topic is closely centered on exploring how Chinese fine arts can take the road to the healthy development of art,which is of great guiding significance.It is clear that the road of national art development is to carry forward the main theme,promote social justice,guide and infect people with correct public opinion,and better serve the people with excellent works.

The Modernization of Traditional Chinese Opera and a Local Perspective of Local Operas:A Case Study of the Research on the Yisu Art Troupe by Li Youjun and Guo Hongjun

From both historical and artistic points of view,Qinqiang Opera can be considered a significant genre outside the realms of Peking Opera and Kunqu Opera.The research on Qinqiang Opera has long been a focal point in the research on local operas with particular emphasis from a local perspective of the Yisu Art Troupe,a key and hot topic in the studies of Qinqiang Opera.Taking the Yisu Art Troupe as a case study to scrutinize and address the intricacies within the process of modernization of traditional Chinese opera proved to be beneficial.Since the 20th century,studies on the Yisu Art Troupe have evolved from scattered and impressionistic self-narratives into systematic and theoretical academic research.In the new century,scholars,such as Xin Xuefeng,Li Youjun,and Guo Hongjun,have been especially diligent with studies in this field.As Xin Xuefeng is relatively unknown due to his emphasis on traditional opera music,Li Youjun and Guo Hongjun have gradually emerged as important contemporary scholars in the study of the Yisu Art Troupe.Guo and Li not only further theorize the study of the Yisu Art Troupe but also conduct in-depth and meticulous studies on the nature of the Yisu Art Troupe,the establishment of the director-centered mode in Qinqiang Opera,the social function,and the playwriting of the Yisu Art Troupe by examining and reflecting it within the broader context of the modernization of traditional Chinese opera in the 20th century.

From Differential Mode of Association to Tianxia Worldview:A Study on Chinese Entrepreneurial Spirit

China has made significant strides in economic and social development since reform and opening up over the past four decades.This process has been influenced by the exceptional innovation and entrepreneurship of Chinese business leaders,as well as their profound sentiments of compassion for the world and their country.It is of great significance to foster and promote an entrepreneurial spirit with distinctive Chinese characteristics.Not only is such spirit essential to the high-quality development of enterprises and the economy,but it is also a critical impetus for achieving Chinese modernization.Nevertheless,there is still a paucity of adequate theoretical discourse on the cultural origins and entrepreneurial spirit of outstanding Chinese business leaders.This paper employs the classical grounded theory method to conduct a 10-year follow-up research on 11 representative entrepreneurs and their enterprises.The results indicate that these entrepreneurs exhibit an evolving worldview along the paths of“self-cultivation and moral conduct”,“assisting employees to achieve”,“multilateral symbiosis”,and“the oneness of existence”when interacting with themselves,employees,partners,the general public,and all things in nature.Such entrepreneurial spirit is embodied in this paper as the“Tianxia(all-under-heaven)worldview”.Through theoretical construction,this study defines the concept of“Tianxia worldview”and extensively examines the distinctions and connections between the broadminded“Tianxia worldview”and the kinship-centered“differential mode of association”in terms of internal structure,value orientation,and applicable groups.It is posited that the transition from the former to the latter is a continuous process of transcendence and evolution of the individual mindset.This study has theoretical significance in the context of advancing the research on the Chinese entrepreneurial spirit,transcending the constraints of the management approach based on the“differential mode of association”,and enhancing the research on social responsibility from the perspective of“benefit corporations”.It also has practical value in overcoming the trust dilemma and development impediment of family businesses,ensuring that enterprises consciously fulfill their social responsibilities in a broader social context,and achieving common prosperity and progress for both enterprises and society.

Wine,beer and Chinese Baijiu in relation to cardiovascular health:the impact of moderate drinking

Excessive alcohol consumption(≥15 drinks per week)causes chronic diseases and multiple other health conditions.Nevertheless,alcohol beverages have been used as a vital medicine ingredient in various cultures since ancient times.A wealth of epidemiological and experimental research has shown that light-moderate alcohol consumption,regardless of beverage type,is associated with reducing cardiovascular incidence and mortality rate.Due to the disparities in raw materials,fermentation techniques,production environment,etc.,alcoholic beverages tend to possess different non-ethanol component profiles,thus resulting in varying degrees of health effects.Furthermore,bioactive compounds in alcohol are continuously discovered as well as the mechanisms underlying their cardioprotective contributions at a molecular level.This article elucidates the epidemiology of moderate alcohol consumption and various cardiovascular conditions,along with the limitations and controversies of current studies.In addition,protective effects and putative mechanisms of both ethanol and non-ethanol components of wine,beer,and Chinese Baijiu,the three most representative alcoholic beverages worldwide,are to be evaluated within the context of a rational drinking pattern.

The Art Spirit of Chinese Culture

The attainment of the humanistic spirit of traditional Chinese culture was mainly through rites and musical enlightenment. The spirit of Chinese culture concerns ethics and art. A good combination of moral and art education is the highest state of moral pursuit and artistic pursuit, as well. In the context of Chinese culture and art, music is more than a means to satisfy a person's physical appetite; it also serves to inspire people to cultivate a sound and complete personality. No art form can exist in isolation. Art should express the subject consciousness of individual artists and, more importantly, the common pursuit of all human beings. Such a philosophy should be reflected in every piece of artwork. The social guiding role of aesthetic education is a key feature of Chinese culture and there has been a civilizing influence pervading all aspects of Chinese culture and art. In a profound way, traditional Chinese art conveys the mental outlook and joy of Chinese culture. The fundamental humanism of Chinese culture is demonstrated in every aspect of Chinese art, which collectively highlights Chinese people's tastes and cultural pursuits. Therefore, it is easier to approach truths through art.

概念、视角、叙述与古代中国墓葬美术史书写——巫鸿The Art of the Yellow Springs:Understanding Chinese Tombs评述

在大量美术考古材料不断出土的情况下,新方法、新视角以及由此衍生出的一些重要的学术概念,构成了最近30年来古代中国墓葬美术史研究的总体特征。如空间性、物质性、时间性这三个学术概念就建构了巫鸿新作《黄泉下的美术——宏观中国古代墓葬》的研究线索,也体现出作者希望以提出若干重要学术概念为依托,重新思考古代中国墓葬美术发展的内在理路。同时所呈现出的叙述与分析风格及美术史观,相对于传统的中国美术通史叙述方式,则具有更为宽广的学术视野。这些特征都为以后的古代中国墓葬美术史研究,提供了一个可以继续探索的桥梁。

A Tale of Two Cities:China in Exhibition at the Royal Academy of Arts in London,1935—1936

本文基于在英国达勒姆的观察和访谈,探讨了当地的街头艺人如何在表演中使用策略,与街道环境及行人互动。本研究探讨了街头表演吸引观众的技巧,他们如何理解和驾驭自己在社会中的边缘地位。本文结合生态学理论和参与式观察,认为街头艺人从事的不仅是一种表演,更是一种与环境密切相关的实践。本文解释了街头艺人如何适应城市街区,与陌生人建立联系和互动。此外,艺人有意与刻板印象保持距离,既不表现为乞讨,也不纯粹以营利为目的,而是为城市生活中增加活力和生机,让公众对其行业产生积极的看法。本文通过对街头艺人及其社会关系的关注,意在为街头表演研究增加个人和环境视角。

The Transformation of Art Education in Anticipation of the Future School

This paper discusses the transformation of art education in anticipation of the future school,and emphasizes the key role of art education in cultivating students’creativity,aesthetic ability,thinking ability,and meeting social needs.The shortcomings and delays in the traditional art education mode have become evident,prompting the need to explore innovative educational methods.Digital art education is emerging as a means to offer a more immersive art experience through virtual and augmented reality technologies while broadening students’cultural horizons.Interdisciplinary integration combines art with science,engineering,mathematics,and other disciplines to cultivate students’comprehensive literacy and innovative thinking.The innovative spirit and the application of educational technology help students overcome difficulties and continuously improve their work.The article also emphasizes the alignment between art education and social needs,the importance of social support and resources,and the training and development of teachers.

Application of the new pattern recognition system in the new e-nose to detecting Chinese spirits

We present a new pattern recognition system based on moving average and linear discriminant analysis （LDA）, which can be used to process the original signal of the new polymer quartz piezoelectric crystal air-sensitive sensor system we designed, called the new e-nose. Using the new e-nose, we obtain the template datum of Chinese spirits via a new pattern recognition system. To verify the effectiveness of the new pattern recognition system, we select three kinds of Chinese spirits to test, our results confirm that the new pattern recognition system can perfectly identify and distinguish between the Chinese spirits.

Exchange of Presents:The Name and Nature of Chinese Red from the Perspective of Anthropology of Art

Chinese red refers to a key visual symbol of the multiethnic Chinese nation. From naming to local color preference, the visual experience accumulation in Chinese red lies not just in the solitary and fossilized historical relics, but in a ceaseless and dynamic process of formation, recognition, conversion and transmission. Moreover, the symbolic constitution and ethnic identi cation of Chinese red exempli es historical accomplishments in local exchanges of artifacts, technologies, systems, and outlooks with foreign partners. Therefore, as part of the country's cultural heritage, Chinese red also encompasses two aspects, cultural integration based on its identification and artistic productivity with a focus on di erentiation.

The Complex Beauty of Chinese Filigree Inlay Art

IN Chinese costume dramas, imperial concubines are always seen wearing delicate decorations on the head, from phoenix coronets dotted with splendid jewelry to hairpins with elegant dangling ornaments. Those crafted items combine colorful jewelry with gold wires;the craft used to manufacture them is called Chinese filigree inlay.

Research on the Menzel Drawing Close to the Spirit of the Masses of People and the Applications on Fine Arts Teaching in Colleges and Universities

Menzel was one of the famous German artists of the 19th century. His sketches were more contemporary and could show the true state of people’s life. Menzel sketches rich subject matter, in the process of creation can grasp the image is in place, and can work into the spirit of humanism, so that his works with realistic style, artistic value is relatively high, for later artistic creation and teaching has a greater signifi cance. This paper mainly analyzes the art, sketch and pasted application signifi cance and measures in the fine arts teaching in colleges and universities.

Research on the Impact of Western Art upon Chinese Artists Wu Guanzhong and Zao Wou-ki in the 20th Century

World War II led to a reallocation of many countries’political roles.Some nations got stronger after the war while others lost their past advantages and became less powerful.During the post-war period,many genres of art schools were established,first in Europe followed by America and then Asia,resulting in a collision between China and the West as Western art served to inspire Chinese art.This study examines the works of Wu Guanzhong and Zao Wou-ki and discusses how post-war Western art had influenced Chinese art and what changes had been brought to artistic styles of Chinese art.

Comparison of Chinese and Foreign Art under the“Belt and Road”Initiative

In the context of the“Belt and Road”art creation,the Silk Road is the theme,trying to create a new form of aesthetics.The artistic creation of Chinese and foreign artists is driven by the spirit of the“Belt and Road”and the historical stories on the Silk Road as backgrounds.The artists have expressed their cultural propositions and demands with unique regional culture and artistic language,highlighting the Silk Road’s impact on the present.significance.Although there are many differences between Chinese and foreign cultures in many aspects of the work,it still reflects the common recognition of the“Belt and Road”in many details,achieving a high degree of integration between the theme and language,and spirit and form.

An Analysis of the Value of Chinese Folk Traditional Culture in Art Design Education in Contemporary Colleges and Universities

With the development and expansion of China's economy, people's artistic and cultural forms have also been significantly improved and developed. At the same time, the educational development of art design in colleges and universities has also become a common trend, for the shaping of the Chinese women's top of the artistic design concept has laid a good cornerstone. At the same time, the Chinese nation after five thousand years of development, the formation of the vast treasures of art and culture, in the origins of circulation is still endless, to the later Chinese children to provide valuable artistic learning resources. The fusion of Chinese folk art culture in the art design education of colleges and universities has a crucial influence on broadening students 'artistic vision, cultivating students' artistic innovation thinking and inheriting Chinese traditional folk art culture. Through the combination of folk art and modern art, the art education of colleges and universities has very far-reaching foresight significance.

Chinese knot development in the atmosphere of Modem decorative art

As an art, Chinese knot is aged and refreshing. Those kinds of knots have come down from time immemorial. It exemplified the wisdom of the working people. The knots have the beauty of plainness and nature. Applying it in modem decoration would give the Modem decorative art personality and all kinds of form are available. The two parts would interact and help each other forward. Through the research, this paper analyzed the styles and features of Chinese knot. As well as the development and application of Chinese knot in Modem decorative art. In order to make the theoretical bases, for the sake of inheriting and continuing fine folk arts.

Summary of the Studies on Classical Chinese Folk Houses

Research fruits in classical Chinese folk houses since 1980s were summarized in this study from various perspectives,such as architectural structure,spatial layout,decoration,aesthetic value,regional features and historical attributes,meanwhile,the future study orientation in this field was also discussed.

A Brief Analysis on the Differences between the Aesthetic Modernity Pursuits of Modern and Contemporary Chinese Art and the Modern Art of the West

Aesthetic Modernity is a western concept.It was based on the development of the historical view.This article focuses on the aesthetic modernity pursuits of modern and contemporary Chinese art and compares it with the western culture and modern art under the concept of aesthetics.It also analyses the problems and causes in the process of modernity of Chinese modern and con⁃temporary art,and presents the advice to the further development of Chinese art.