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A Brief Analysis of the Themes of The Journey to the West
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作者 林雅琴 《海外英语》 2011年第11X期280-281,共2页
The Journey to the West has adopted a conventional theme--life is a journey;in order to deliver one's soul,one has to go on the path of salvation.The purpose of this paper is to examine what steps the author has t... The Journey to the West has adopted a conventional theme--life is a journey;in order to deliver one's soul,one has to go on the path of salvation.The purpose of this paper is to examine what steps the author has taken to enlighten the readers as to the progress of spiritual salvation.In view of this purpose,the analysis will be focused on the preaching of religious doctrines and the criticism of social realities in the novel. 展开更多
关键词 the journey to the west themes SALVATION RELIGIOUS doctrines SOCIAL realities
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The Criticism of Social Realities in the Three Worlds after the Human World of The Journey to the West
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作者 林雅琴 《海外英语》 2012年第3X期202-203,共2页
The three worlds after the human world in The Journey to the West, in spite of their religious elements, their implicit moralizing, and their involved allegory, hold up a mirror to the social vices of the author's... The three worlds after the human world in The Journey to the West, in spite of their religious elements, their implicit moralizing, and their involved allegory, hold up a mirror to the social vices of the author's day, showing on the one hand the corruption, injustice, ava rice, lust, faction, perfidiousness and cruelty among the ruling classes, and on the other hand the miseries of the oppressed. 展开更多
关键词 the journey to the west the THREE WORLDS after the
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The Criticism of Social Realities in the Human World of The Journey to the West
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作者 林雅琴 《海外英语》 2012年第1X期209-210,共2页
Given the descriptions of all those unworthy kings in the human world,The Journey to the West is more of a realistic work of fiction than a fantasy.Though the story comprises many superstitious elements,it is told in ... Given the descriptions of all those unworthy kings in the human world,The Journey to the West is more of a realistic work of fiction than a fantasy.Though the story comprises many superstitious elements,it is told in a very vivid and convincing way and it holds numerous indirect references to the conditions of the author's own day.The book is the author's most forceful means of criticizing the ugly appearances of the ruling classes of his time. 展开更多
关键词 the journey to the west the HUMAN world CRITICISM
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Cultural Transfer of Specific Terms Translation in The Journey to the West(C-E)
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作者 杨岑 《海外英语》 2015年第24期162-163,166,共3页
Translation study has long been focused on the linguistic difference between the ST and TT, to achieve"faithfulness"of the original. Translation is regarded as a second-hand copy the source text. Since Susan... Translation study has long been focused on the linguistic difference between the ST and TT, to achieve"faithfulness"of the original. Translation is regarded as a second-hand copy the source text. Since Susan Bassnett puts forward cultural transfer as an approach in translation study, it begins to shift from linguistic study to comparative literary study. The process of translation involved in making another culture comprehensible entails varying degrees of violence, especially when culture being translated is constituted as that of the"other". The Journey to the West, a traditional Chinese classic contains numerous cultural-specific terms. Translators with different cultural identity mainly adopt domestication to provide easy access to the target readers, revealing the subjectivity and ideology of the translators and their cultures. 展开更多
关键词 TRANSLATION studies CULTURAL transfer SPECIFIC TERMS the journey to the west DOMESTICATION
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Research on the Derivative Development of Super IP in Journey to the West (西游记)
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作者 LIANG Chen ZHANG Pei 《Cultural and Religious Studies》 2021年第9期443-449,共7页
This paper is devoted to excavating the mode of production of the culture of Journey to the West-taking the creators of derivative works of Journey to the West as the main body,and from their free and conscious expres... This paper is devoted to excavating the mode of production of the culture of Journey to the West-taking the creators of derivative works of Journey to the West as the main body,and from their free and conscious expression in the process of creation,to find out the path of works’development that conforms to the law of social aesthetics and creation.In the aspect of spiritual expression of the works,the freedom of the artist is reflected in the art producers’emotions,concepts,tastes,and accomplishment in the works,which is related to the artist’s life background,experience,and aesthetics:Wan Laiming(万籁鸣)’s classic national animation,Princess Iron Fan(铁扇公主),is adapted from the version of hundred times of Journey to the West.In addition to the necessary secondary creation in the text and presentation,the theme expression has also been updated and adjusted according to the social background and the author’s emotion;in the text expression of the works,the freedom of the artist is shown in the uniqueness of the work-the form and content of the works come from experience and are different from experience.The idea of building Marvel Cinematic Universe(MCU,漫威电影宇宙)is similar to the framework of“Core Task+Unit Stories”in Journey to the West;A lot of high-quality films and animations such as The Forbidden Kingdom(功夫之王),Panda do Kung Fu(功夫熊猫)and Jackie Chan Adventures(成龙历险记)used western context and culture to create cross-cultural works,but retained unique oriental corpus and images,forming the works’unique style and label.Artists’ability and experience enable them to be acutely aware of the law of artistic creation;they compare and think about different cultural works,and then apply the law to the secondary creation.The artist’s self-consciousness comes from the appreciator’s degree of acceptance of the works;it is reflected in the creator’s reasonable adjustment to the works due to the market,policy,and appreciator’s habits and tastes.The image of Sun Wukong(孙悟空)in the anime film Monkey Kin:Hero Is Back(大圣归来)-a hero of rebirth-has refreshed the audience.From the perspective of cultural studies,this is a negotiated secondary creation of Sun Wukong’s image in Journey to the West based on the interpretation psychology of the audience.In short,to analyze and summarize the ideation of various derivative works is to study the creative laws shared by artists,so as to provide more experience and reference for subsequent creation. 展开更多
关键词 journey to the west art production artistic creation IP development
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The Analysis of the Rhetorical Devices in Ode to the West Wind
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作者 余玲玲 《海外英语》 2016年第6期139-140,共2页
Ode to the West Wind is one of the masterpiece of Percy Bysshe Shelley, and the image"west wind"is the core of the poem. This paper will analyze the poem with the rhetorical devices, including alliteration, ... Ode to the West Wind is one of the masterpiece of Percy Bysshe Shelley, and the image"west wind"is the core of the poem. This paper will analyze the poem with the rhetorical devices, including alliteration, simile, metaphor and hyperbole and so on. The usage of the rhetorical device makes the language more profound and intense, models the image more vivid and attentive and lets the theme more clear and distinct. 展开更多
关键词 RHEtoRICAL DEVICE west WIND theme
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A Comparison of Different Values of Freedom Reflected in the Characters of Sun Wukong and Dean
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作者 HUANG Kaihong WEN Hui 《Sino-US English Teaching》 2023年第12期486-492,共7页
Both the characters of Sun Wukong in The Journey to the West,which is a traditional Chinese fiction,and Dean in On the Road,which is a typical American Beat Generation novel,have been pursuing a carefree lifestyle bas... Both the characters of Sun Wukong in The Journey to the West,which is a traditional Chinese fiction,and Dean in On the Road,which is a typical American Beat Generation novel,have been pursuing a carefree lifestyle based on their living environments respectively,but their values of freedom bear quite different meanings:Sun Wukong tries his best to struggle for a happy life for all his family and his friends as well as for himself with little consideration of the risk of his own life,while Dean is always on his way at random for his own personal happiness with little consideration for anybody else.Therefore,Sun Wukong’s behavior represents a kind of collectivism within his individualism,while Dean’s act reflects his American free life style of individualism to a certain extent. 展开更多
关键词 COMPARISON COLLECTIVISM INDIVIDUALISM the journey to the west On the Road
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“Acupuncture Journey to America”——A Tale of the Marvelous 被引量:1
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作者 LI Yong-ming 陈可冀 丛伟红 《Chinese Journal of Integrative Medicine》 SCIE CAS 2012年第3期233-234,共2页
On November 16,2010,China's acupuncture was officially added to the list of world intangible cultural heritage of humanity by the 5th United Nations Educational,Scientific and Cultural Organization Intergovernmental ... On November 16,2010,China's acupuncture was officially added to the list of world intangible cultural heritage of humanity by the 5th United Nations Educational,Scientific and Cultural Organization Intergovernmental Committee for Safeguarding Intangible Cultural Heritage.This declaration indicates that acupuncture,the needle therapy of Chinese medicine(CM),has received worldwide recognition by people from different cultures.As a medical therapy, acupuncture has been used to treat a wide range of medical disorders in more than 160 countries. 展开更多
关键词 A Tale of the Marvelous Acupuncture journey to America west
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Journey to the West
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作者 LI LI 《Beijing Review》 2011年第4期24-25,共2页
Successful entrepreneurs and professionals lead a new emigration boom There has developed a new wave of emigration from China to developed countries in recent years.
关键词 journey to the west
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东周秦汉时期骆驼题材文物初步研究
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作者 冯锴 李阳 +1 位作者 蒋文孝 王添瑞 《考古与文物》 北大核心 2024年第3期82-92,共11页
本文在广泛梳理东周秦汉时期骆驼题材文物类别与时空分布的基础上,认为骆驼题材文物的出现年代、分布范围和造型风格具有显著的时代与地域特征。骆驼题材文物在内地的出现和发展,深受我国北方人群的影响,显示出较为活跃的农牧互动。秦... 本文在广泛梳理东周秦汉时期骆驼题材文物类别与时空分布的基础上,认为骆驼题材文物的出现年代、分布范围和造型风格具有显著的时代与地域特征。骆驼题材文物在内地的出现和发展,深受我国北方人群的影响,显示出较为活跃的农牧互动。秦始皇帝陵陵西大墓M1新发现的单体金、银骆驼塑像写实逼真的艺术形式,是我国骆驼题材文物中的特例,但在中亚、西亚艺术品中有迹可循,它可能是舶来品,也可能是在西方艺术影响之下本土创造的。 展开更多
关键词 东周秦汉时期 骆驼题材文物 农牧互动 中西文化交流
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Pilgrim's Progress, Progress of Salvation
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作者 林雅琴 《海外英语》 2011年第10X期281-282,共2页
Through a comparative analysis of The Pilgrim's Progress and The Journey to the West, the paper aims to reveal what common ground is shared by the two novels and what light is thrown on the theme of spiritual salv... Through a comparative analysis of The Pilgrim's Progress and The Journey to the West, the paper aims to reveal what common ground is shared by the two novels and what light is thrown on the theme of spiritual salvation. The fruit of the study leads to a conclusion that both novels have employed religious doctrines and social criticisms to make the theme of spiritual salvation more palatable for their readers. 展开更多
关键词 the Pilgrim’s PROGRESS the journey to the west RELIGIOUS doctrines social criticisms SPIRITUAL SALVATION
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《西游记》与神魔小说审美规范的确立 被引量:2
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作者 陈文新 余来明 《东南大学学报(哲学社会科学版)》 北大核心 2003年第5期112-115,共4页
考察《西游记》所确立的审美规范,必须兼顾它与佛教的人生哲学、中国志怪传统和中国笑话文学的关联,将《西游记》的象征性主旨、想像世界和戏谑性风格融为一体来加以理解。将三者结合起来,既可以避免一味从"现实意义"的角度... 考察《西游记》所确立的审美规范,必须兼顾它与佛教的人生哲学、中国志怪传统和中国笑话文学的关联,将《西游记》的象征性主旨、想像世界和戏谑性风格融为一体来加以理解。将三者结合起来,既可以避免一味从"现实意义"的角度阐释《西游记》,也不会因为注重象征性意蕴而过于拘泥、严肃,或者因为强调戏谑而忽视了小说的内涵和想像世界自身的逻辑,对具体人物和具体情节的解读也将更为中肯、恰切。 展开更多
关键词 神魔小说 《西游记》 象征性主旨 想像世界 戏谑性风格 审美规范
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禅门心法──也谈《西游记》的主题 被引量:4
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作者 贾三强 《咸阳师范学院学报》 1999年第4期24-28,共5页
《西游记》的主题研究众说纷纭,而宗教主题说是最重要的一种。本文认为,《西游记》的主题是佛教的“禅门心法”。并且详细辨析了作品中与之有关的释与儒道的关系、反佛教的现象、个性解放的倾向以及主题的多义性等问题。
关键词 《西游记》 主题 佛教 禅门心法
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《麦田里的守望者》国外研究综述 被引量:3
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作者 田迎春 《兰州大学学报(社会科学版)》 CSSCI 北大核心 2014年第2期152-155,共4页
美国作家杰罗姆·大卫·塞林格的作品广受西方文学评论界的关注,有关其杰作——《麦田里的守望者》方面的评论,数量之多甚至被称为一种"工业"。在搜集、整理国外相关研究成果的基础上,从文学传统、主题、语言、主要... 美国作家杰罗姆·大卫·塞林格的作品广受西方文学评论界的关注,有关其杰作——《麦田里的守望者》方面的评论,数量之多甚至被称为一种"工业"。在搜集、整理国外相关研究成果的基础上,从文学传统、主题、语言、主要的批评方法等方面对研究成果进行了梳理归纳。 展开更多
关键词 《麦田里的守望者》 杰罗姆·大卫·塞林格 国外研究 文学传统 主题 语言特色 批评方法
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《西游记》与“金丹大道”——关于《西游记》主题的几个关键问题辨析 被引量:3
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作者 郭健 《华中科技大学学报(社会科学版)》 2002年第6期81-84,共4页
《西游记》的主题是“金丹大道”——这是明清时大多数《西游记》研究者的观点。 2 0世纪 90年代 ,李安纲先生重提这一观点 ,遭到了不少学者的反驳。文章试图通过辨析《西游记》中的“佛教”、“心学”、“游戏笔墨”等关键性问题 ,澄... 《西游记》的主题是“金丹大道”——这是明清时大多数《西游记》研究者的观点。 2 0世纪 90年代 ,李安纲先生重提这一观点 ,遭到了不少学者的反驳。文章试图通过辨析《西游记》中的“佛教”、“心学”、“游戏笔墨”等关键性问题 ,澄清以往学者对《西游记》 展开更多
关键词 《西游记》 '金丹大道 主题
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民间世俗宗教的西行朝圣——《西游记》主题新释 被引量:3
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作者 霍省瑞 《武汉理工大学学报(社会科学版)》 CSSCI 北大核心 2010年第3期441-445,共5页
唐僧师徒西行朝圣与民间世俗宗教朝圣的动因一脉相承,他们的朝圣历程更集中体现了民间世俗宗教的多元化信仰,实用主义意识与行为,特有的"义利观"与实践原则,独特的实践形态以及世俗化了的神灵观念等诸种典型特征。唐僧师徒西... 唐僧师徒西行朝圣与民间世俗宗教朝圣的动因一脉相承,他们的朝圣历程更集中体现了民间世俗宗教的多元化信仰,实用主义意识与行为,特有的"义利观"与实践原则,独特的实践形态以及世俗化了的神灵观念等诸种典型特征。唐僧师徒西行的圆满结局也堪称是民间世俗宗教朝圣的圆满结局。因此,《西游记》是一部体现民间世俗宗教西行朝圣的小说,每一个读完《西游记》且进入故事的人,都会随着唐僧师徒走完属于自己的西行朝圣之旅。 展开更多
关键词 《西游记》主题 朝圣缘因 朝圣历程 朝圣结局 民间世俗宗教朝圣
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任伯年人物画的艺术特征 被引量:5
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作者 刘钢 《泰山学院学报》 2003年第1期52-56,共5页
 中国人物画近百年来,在"中西结合"的途径中,第一个取得成就的是任伯年。本文拟从"中西结合"的方面,论述任伯年人物画的艺术特征,借以研究、启示中国人物画继续发展的方向。
关键词 中国 人物画 任伯年 艺术特征 题材 人物造型 色彩 中西结合
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《西游记》主题说的百年变迁--兼论“主题”概念的理论意义 被引量:1
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作者 陈大康 《华东师范大学学报(哲学社会科学版)》 CSSCI 北大核心 2020年第4期38-52,185,共16页
《西游记》主题说百年来有几次大变化。否定清代儒释道三家阐释后的三十年里,鲁迅、胡适的"游戏说"占主导地位,随后三十年里,强调阶级斗争的主题转化说为权威解释。近四十年里,数十种新说相继而出,又伴生了核心主题、副主题... 《西游记》主题说百年来有几次大变化。否定清代儒释道三家阐释后的三十年里,鲁迅、胡适的"游戏说"占主导地位,随后三十年里,强调阶级斗争的主题转化说为权威解释。近四十年里,数十种新说相继而出,又伴生了核心主题、副主题、多重主题等概念,其他古典名著乃至现当代短篇小说也出现了纷争态势。《辞海》改写"主题"定义以适应现状,文艺理论教材则取消相关阐述。若追溯"主题"概念起源,辨析其含义,可发现纷争实已越出概念外延的覆盖。若认真审视起点与辨析关键概念,研究中许多无谓的争论似可避免。 展开更多
关键词 《西游记》 主题说 百年变迁
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《大唐三藏取经诗话》到《西游记》中救赎主题的发展与演变 被引量:2
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作者 杨光熙 《浙江社会科学》 CSSCI 北大核心 2009年第9期93-97,117,共6页
《大唐三藏取经诗话》(以下简称《诗话》)、《西游记杂剧》(以下简称《杂剧》)、《西游记》前后相沿叙述三藏法师西行取经故事。三部作品在以取经作为核心主题的同时,均将取经团队成员通过经历取经获得救赎、求得正果作为副部主题。《... 《大唐三藏取经诗话》(以下简称《诗话》)、《西游记杂剧》(以下简称《杂剧》)、《西游记》前后相沿叙述三藏法师西行取经故事。三部作品在以取经作为核心主题的同时,均将取经团队成员通过经历取经获得救赎、求得正果作为副部主题。《诗话》中救赎主题已出现,由于《诗话》是一部简陋的面向世人的"俗讲",其简陋与不成熟使救赎主题没有能够覆盖取经团队全部人物,面向世俗的特点则使救赎的实现形式表现出明显的世俗性。《杂剧》出自名家,对救赎主题有了很大的发展与丰富,很多方面也反映出受了度脱剧的影响。《西游记》中救赎主题最终统帅取经团队所有人物,救赎主题完全确立。明代"心学"影响巨大,佛教世俗化程度加深,这些都对《西游记》救赎主题产生了很大影响。 展开更多
关键词 《大唐三藏取经诗话》 《西游记杂剧》 《西游记》 救赎主题 发展与演变
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成长的童话——《西游记》主题另解 被引量:3
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作者 陶淑琴 《贵阳学院学报(社会科学版)》 2009年第2期59-63,共5页
《西游记》问世以来,对它的主题的探讨众说纷纭,其中也不乏真知灼见,但是,却并没有一种学说能够完全地说服读者。笔者以为,《西游记》的主题是人的成长这一永恒母题,小说通过孙悟空形象的塑造,真实再现了个体生命成长历程中的种种困苦磨... 《西游记》问世以来,对它的主题的探讨众说纷纭,其中也不乏真知灼见,但是,却并没有一种学说能够完全地说服读者。笔者以为,《西游记》的主题是人的成长这一永恒母题,小说通过孙悟空形象的塑造,真实再现了个体生命成长历程中的种种困苦磨难,主要是以唐僧为代表的成人世界为他设置的各种成长考验和对他施行的强制性规范化教育。对于成人世界,孙悟空经历了由反抗到被迫接受,再到自觉认同三个阶段。 展开更多
关键词 西游记 孙悟空 成长主题
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