In the process of Chinese Literature’s “Going-out” project, it istypical of the dilemma faced by the external translation and dissemination of modernChinese literature. The Renditions Series serves as a classical c...In the process of Chinese Literature’s “Going-out” project, it istypical of the dilemma faced by the external translation and dissemination of modernChinese literature. The Renditions Series serves as a classical case of providing aneffective model of “literature’s overseas distribution”. The successful experience of itstranslating-cum-disseminating model can be concluded as follows: all the translatorsare from China and overseas with cross-cultural background; the selection oftranslation is stylistically far-ranging among the Mainland, Taiwan and Hong Kong,and feminine literature in modern China is highly valued; translating method aims atconvoying the original literary aesthetics, and disseminating channels are manifold;the foreign recipients are common and professional readers; the eminent effects canbe proved by its considerable sales, library collections and acceptance in the targetcountries and regions. From the successful model of translation of Renditions Series,five implications can be made out for the modern Chinese literature’s “Going-global”:domestic and overseas translators cooperate well with all-round cultural identities; theselection holds onto diversification and literary character; various spreading channelsshould be broadened; target readers should be accurately located and continuouslywidened; translating and disseminating effects can be focused on and analyzed, so asto adjust and improve the corresponding sections in the model.展开更多
As a systematic work, there are very close links between the various aspects of the English translation of Chinese modern and contemporary literary works, whether they are translated into the main body, translated con...As a systematic work, there are very close links between the various aspects of the English translation of Chinese modern and contemporary literary works, whether they are translated into the main body, translated content and other links, or a specific translation approach, are not segmentation. Many translators, sinologists and books, magazines and so on have played a very important role in the process of translating modern and contemporary literary works in China. However with English-Chinese “borrowism” compared with, English work that translates the Chinese present current literature work, no matter in quantity and quality, infi uence and other aspects that the work itself has appear the relative backwardness. In order to promote the modern and contemporary Chinese literary works in the world, it is necessary to analyze and study the English translation of Chinese modern and contemporary literary works and the research methods.展开更多
“文学性”的再现是中国当代文学外译乃至中国文学外译的一个重要命题。利奇在《英诗学习指南:语言学的分析方法》(ALinguistic Guide to English Poetry)一书中总结的英语诗歌的八种语言变异情况,为考察以小说为代表的中国当代文学的...“文学性”的再现是中国当代文学外译乃至中国文学外译的一个重要命题。利奇在《英诗学习指南:语言学的分析方法》(ALinguistic Guide to English Poetry)一书中总结的英语诗歌的八种语言变异情况,为考察以小说为代表的中国当代文学的文学性及其在翻译中的再现问题提供了一个可资借鉴的参考。余华小说《在细雨中呼喊》具备利奇提出的全部八种语言变异的情况,但是对小说英译本的检视显示,译者在面对原文语言变异的翻译处理整体而言重视不够,译文美中不足。展开更多
文摘In the process of Chinese Literature’s “Going-out” project, it istypical of the dilemma faced by the external translation and dissemination of modernChinese literature. The Renditions Series serves as a classical case of providing aneffective model of “literature’s overseas distribution”. The successful experience of itstranslating-cum-disseminating model can be concluded as follows: all the translatorsare from China and overseas with cross-cultural background; the selection oftranslation is stylistically far-ranging among the Mainland, Taiwan and Hong Kong,and feminine literature in modern China is highly valued; translating method aims atconvoying the original literary aesthetics, and disseminating channels are manifold;the foreign recipients are common and professional readers; the eminent effects canbe proved by its considerable sales, library collections and acceptance in the targetcountries and regions. From the successful model of translation of Renditions Series,five implications can be made out for the modern Chinese literature’s “Going-global”:domestic and overseas translators cooperate well with all-round cultural identities; theselection holds onto diversification and literary character; various spreading channelsshould be broadened; target readers should be accurately located and continuouslywidened; translating and disseminating effects can be focused on and analyzed, so asto adjust and improve the corresponding sections in the model.
文摘As a systematic work, there are very close links between the various aspects of the English translation of Chinese modern and contemporary literary works, whether they are translated into the main body, translated content and other links, or a specific translation approach, are not segmentation. Many translators, sinologists and books, magazines and so on have played a very important role in the process of translating modern and contemporary literary works in China. However with English-Chinese “borrowism” compared with, English work that translates the Chinese present current literature work, no matter in quantity and quality, infi uence and other aspects that the work itself has appear the relative backwardness. In order to promote the modern and contemporary Chinese literary works in the world, it is necessary to analyze and study the English translation of Chinese modern and contemporary literary works and the research methods.
文摘“文学性”的再现是中国当代文学外译乃至中国文学外译的一个重要命题。利奇在《英诗学习指南:语言学的分析方法》(ALinguistic Guide to English Poetry)一书中总结的英语诗歌的八种语言变异情况,为考察以小说为代表的中国当代文学的文学性及其在翻译中的再现问题提供了一个可资借鉴的参考。余华小说《在细雨中呼喊》具备利奇提出的全部八种语言变异的情况,但是对小说英译本的检视显示,译者在面对原文语言变异的翻译处理整体而言重视不够,译文美中不足。
