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Appreciation and Analysis of Traditional Chinese Painting's Freehand Brushwork Aesthetic Characteristics
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作者 Jingnan CHEN 《International Journal of Technology Management》 2014年第2期119-121,共3页
Traditional Chinese painting possesses its own unique artistic style in the world' s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese ... Traditional Chinese painting possesses its own unique artistic style in the world' s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese painting. In traditional Chinese painting, top priority is given to the expression of the creator's subjective interests, but not to the external colors and similar appearances. The masters in the world of traditional Chinese painting have always attached high importance to expressing the spirits with forms or appearance since the ancient times. In traditional Chinese painting, "similarity in form or appearance" and "similarity in spirit" are always dialectically unified with consciousness and unconsciousness, so that the art form with the "freehand brushwork" aesthetic characteristics is produced and significantly features Chinese spirit and oriental style. Also, the realm of art to express spirit with appearance is always pursued in traditional Chinese painting, and this is totally different from the "express appearance with appearance" in the western paintings. Moreover, expression is always stressed in traditional Chinese painting so as to express the feeling world of human using the "freehand brnshwork" aesthetics as the creation method. The "freehand brushwork" aesthetic characteristics of traditional Chinese painting are branded with a profound Zhuangzi philosophy. 展开更多
关键词 traditional chinese painting Freehand Brushwork AESTHETICS
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Computational Approaches for Traditional Chinese Painting: From the “Six Principles of Painting” Perspective
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作者 张玮 张建伟 +4 位作者 黄锦畦 王懿芳 封颖超杰 王璐玮 陈为 《Journal of Computer Science & Technology》 SCIE EI CSCD 2024年第2期269-285,共17页
Traditional Chinese painting(TCP)is an invaluable cultural heritage resource and a unique visual art style.In recent years,there has been a growing emphasis on the digitalization of TCP for cultural preservation and r... Traditional Chinese painting(TCP)is an invaluable cultural heritage resource and a unique visual art style.In recent years,there has been a growing emphasis on the digitalization of TCP for cultural preservation and revitalization.The resulting digital copies have enabled the advancement of computational methods for a structured and systematic understanding of TCP.To explore this topic,we conduct an in-depth analysis of 94 pieces of literature.We examine the current use of computer technologies on TCP from three perspectives,based on numerous conversations with specialists.First,in light of the“Six Principles of Painting”theory,we categorize the articles according to their research focus on artistic elements.Second,we create a four-stage framework to illustrate the purposes of TCP applications.Third,we summarize the popular computational techniques applied to TCP.This work also provides insights into potential applications and prospects,with professional opinion. 展开更多
关键词 traditional chinese painting(TCP) digital humanities cultural heritage computer vision deep learning
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Exploration of the Spiritual Pursuit of Traditional Chinese Painting Similarity and Dissimilarity
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作者 Yuanpeng Song 《International Journal of Technology Management》 2014年第3期95-97,共3页
Chinese painting has a long history and distinctive national characteristics, self-contained in the field of world art. It is unique and become the mainstream of oriental art. Traditional Chinese painting is artistic ... Chinese painting has a long history and distinctive national characteristics, self-contained in the field of world art. It is unique and become the mainstream of oriental art. Traditional Chinese painting is artistic conception as the soul, melting into poetry, books, paintings as a whole, poetic romance as the connotation, expressing feelings and thoughts. It exhibited virtual static beauty in thinking of Taoist philosophy of nature, becoming a unique Chinese aesthetic art. Artistic spirit is an important part and aesthetic standard of Chinese painting aesthetics, in the "paintings goods recorded," "Lively spirit" is defined as the highest state of painting, artistic spirit is not a very mysterious thing, it was born from the pen and ink. NO pen and ink, no artistic spirit. Pursuing vivid artistic spirit, emphasizing ink skills, giving vent to feelings of oneself for its purpose, Chinese painting has generated a large number of outstanding works of art in thousands of years, constructed a unique cultural spirit, shaped the nation ' s aesthetic temperament and character. 展开更多
关键词 Spiritual Pursuit traditional chinese painting Similarity and Dissimilarity.
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Spotless, Jade-like Personality (traditional Chinese painting)
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作者 XIE LIJUN XIAO YUAN 《Women of China》 1995年第5期30-30,共1页
The interpretation of the traditional Chinese paintings done by Xie Lijun vividly expresses a woman’s tolerance and silence. In traditional Chinese paintings black is the main component and the function of the color ... The interpretation of the traditional Chinese paintings done by Xie Lijun vividly expresses a woman’s tolerance and silence. In traditional Chinese paintings black is the main component and the function of the color red is only to provide a striking contrast, so it is only used occasionally. On the contrary, in "Spotless. ,Jade-Like Personality." the color red is the main color in the painting. So different from its usual function, the red set against the quiet internal world passes from the expression of the figure’s eyes. The red color adds more elegance and inlplicit meaning to the work. 展开更多
关键词 Jade-like Personality Spotless traditional chinese painting
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Zhang Leiping's Traditional Chinese Paintings
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《Women of China》 1998年第3期30-30,共1页
Though small and graceful, Zhang Leiping has a painting style that is straightforward and unconstrained. "Usually, I’m timid," she says. "But once I have the pointing brush in my hand, I become very bo... Though small and graceful, Zhang Leiping has a painting style that is straightforward and unconstrained. "Usually, I’m timid," she says. "But once I have the pointing brush in my hand, I become very bold." Inspired from within, this woman painter’s work is a natural revelation; her paint gives artistic life to the mountains, rivers, grasses and trees of her motherland. 展开更多
关键词 Zhang Leiping’s traditional chinese paintings
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Classroom Teaching Evaluation of Chinese Painting as a Form of Fine Arts in Rural Junior High Schools 被引量:1
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作者 Haishan ZHU Shuifeng LAN 《Asian Agricultural Research》 2020年第12期69-72,共4页
Teaching evaluation is an indispensable part of the teaching system of junior high school.In order to inherit the excellent traditional Chinese culture and arts,traditional Chinese painting has been paid more and more... Teaching evaluation is an indispensable part of the teaching system of junior high school.In order to inherit the excellent traditional Chinese culture and arts,traditional Chinese painting has been paid more and more attention to in the fine arts curriculum of rural junior high school.This paper takes the classroom teaching evaluation of traditional Chinese painting as a form of fine arts in rural junior high school as the research object,and analyzes the problems existing in the classroom teaching evaluation of traditional Chinese painting in rural junior high school.This paper puts forward the corresponding improvement measures from the aspects of comprehensive evaluation object,concrete evaluation content,flexible evaluation language and diversified evaluation subjects,in order to improve the evaluation level of fine arts teachers'classroom teaching,improve students'aesthetic cognition and learning interest in traditional Chinese painting,and cultivate students'innovative thinking and spirit. 展开更多
关键词 Fine arts in rural junior high schools traditional chinese painting Teaching evaluation China
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Aesthetic style transferring method based on deep neural network between Chinese landscape painting and classical private garden's virtual scenario
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作者 Shuai Hong Jie Shen +4 位作者 Guonian Lü Xiaoyan Liu Yirui Mao Nina Sun Long Tang 《International Journal of Digital Earth》 SCIE EI 2023年第1期1491-1509,共19页
Most of the existing virtual scenarios built for the digital protection of Chinese classical private gardens are too modern in expression style to show the aesthetic significance of their historical period.Considering... Most of the existing virtual scenarios built for the digital protection of Chinese classical private gardens are too modern in expression style to show the aesthetic significance of their historical period.Considering the aesthetic commonality between traditional Chinese landscape paintings and classical private gardens and referring to image style transfer,here,a deep neural network was proposed to transfer the aesthetic style from landscape paintings to the virtual scenario of classical private gardens.The network consisted of two parts:style prediction and style transfer.The style prediction network was used to obtain style representation from style paintings,and the style transfer network was used to transfer style representation to the content scenario.The pre-trained network was then embedded into the scenario rendering pipeline and combined with the screen post-processing method to realise the stylised expression of the virtual scenario.To verify the feasibility of this methodology,a virtual scenario of the Humble Administrator’s Garden was used as the content scenario andfive garden landscape paintings from different time periods and painting styles were selected for the case study.The results demonstrated that this methodology could effectively achieve the aesthetic style transfer of a virtual scenario. 展开更多
关键词 chinese classical private garden virtual scenario chinese traditional landscape painting deep neural network aesthetic style transfer
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