Research on the Innovation of Traditional Music Cultural Inheritance

Traditional music is an important source of Chinese civilization and has a profound impact on the origin,enrichment,leap forward,and sublimation of Chinese culture.Starting from the three dimensions of history,people,and integration,it is important to inherit,carry forward,and spread the contemporary value of traditional music culture.We should focus on the inheritance of historical dimension,reposition the unique function of traditional music culture,strengthen the ecological protection of traditional music culture,and advocate excavation protection,purification protection,and promotion protection.Additionally,we focus on the development of the people dimension,adhere to the people-centered creative orientation,grasp the needs of the people,reflect their aspirations,and strive to enhance the timeliness and attraction of national music.We also focus on the communication of integration dimension,leverage the characteristic advantages of emerging media communication,promote the cross-border integration of the traditional music industry and related fields,respond to the focus and interaction of music audience services,and promote the construction of a modern three-dimensional communication system of traditional music.

Analysis on the Homogeneities between Traditional Chinese Music and Painting Arts from Qichang Dong＇s ＂Theory of Southern and Northern Schools＂

Qichang Dong was a famous calligraphy and painting artist in ancient China. The theory of southern and northern schools proposed by him was a conclusion to traditional Chinese landscape painting art, and played an incomparable function in the traditional Chinese painting history in comparison with other painting theories. In the painting history, there were the theory of ＂pre-Dong＂ and the theory of ＂post-Dong＂ . In this paper, by starting from Qichang Dong＇ s ＂theory of southern and northern schoots＂ , the homogeneities between traditional Chinese music and painting arts are analyzed from the principle of spirit and the principle of technology, so that the homogeneities between traditional Chinese music and painting arts are explored in aesthetic concept and actual art creation.

China's Traditional Music Enters a New Era——Impression of "China National Concert in Spring Festival of Year of Horse" by HK Zhongyue Orchestra

At 11:00 a.m. of February 10, 2002, the"China National Concert in the Spring Festival ofthe Year of the Horse" was solemnly given in thegolden hall of Vienna. The Hong Kong ChineseFolk Music Orchestra, under the direction of thechief inspector and famous conductor

Research on the Development Trend of Chinese Traditional Music Art from the Perspectives of Aesthetic and Historical Culture

In this paper, we conduct research on the development trend of Chinese traditional music art from the perspectives of aesthetic and historical culture. In the ancient Chinese aesthetic tradition, ＂peace＂ music aesthetic of music practice has the extremely important influence, not only affect the music creation, performance, appreciation that also affect the music form and content, social function, etc. ＂peace＂ as beauty is the core of the ancient music esthetics thought, so to speak. Chinese music culture while constantly in the long course of history, the Chinese music culture of different nations, but as a precocious and has a long history of nation, he has a great ability, that is both absorb different music culture, and unified as the relatively stable whole music culture and maintain their own basic features, and distinguish it from other music culture.

World Reacts to Traditional Tibetan Music

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Improving Archival Records and Service of Traditional Korean Performing Arts in a Semantic Web Environment

Purpose:This research project aims to organize the archival information of traditional Korean performing arts in a semantic web environment.Key requirements,which the archival records manager should consider for publishing and distribution of gugak performing archival information in a semantic web environment,are presented in the perspective of linked data.Design/methodology/approach:This study analyzes the metadata provided by the National Gugak Center’s Gugak Archive,the search and browse menus of Gugak Archive’s website and K-PAAN,the performing arts portal site.Findings:The importance of consistency,continuity,and systematicity—crucial qualities in traditional record management practices—is undiminished in a semantic web environment.However,a semantic web environment also requires new tools such as web identifiers(URIs),data models(RDF),and link information(interlinking).Research limitations:The scope of this study does not include practical implementation strategies for the archival records management system and website services.The suggestions also do not discuss issues related to copyright or policy coordination between related organizations.Practical implications:The findings of this study can assist records managers in converting a traditional performing arts information archive into a semantic web environment-based online archival service and system.This can also be useful for collaboration with record managers who are unfamiliar with relational or triple database system.Originality/value:This study analyzed the metadata of the Gugak Archive and its online services to present practical requirements for managing and disseminating gugak performing arts information in a semantic web environment.In the application of the semantic web services’principles and methods to an Gugak Archive,this study can contribute to the improvement of information organization and services in the field of Korean traditional music.

The Function of Education in Codification of Radif in Iranian Dastgahi Music

The goal of this research is to investigate the ideas that functioned in shaping thought of Radif in Iranian Dastgahi music. In this regard by preparing the reasons, we pay attention to the function of education in codification of Radif. Although Iranian traditional music has long history but its codification to seven Dastgah-s and five Avaz-es in the format of Radif is attributed to Qajar Dynasty in the 19th century. In this transformation, Mirza Abdollah, Tar-Player of the Nasser al-Din Shah Period, has played an important role in final codification of Radif. Due to the truth that the past masters scrimped in music education, and Mirza Abdollah had encountered with problems to learn music, hence he has mostly cared about music education in adulthood, and it is probable that one of the reasons in collecting Gusheh-s （approximately a small piece of the Iranian Dastgahi music） and organizing them into coherent sets was making simplicity for the students to learn. Furthermore, masters who seriously and continuously have taught after Mirza Abdollah, left a narration （version） of Radif. On the other hand, definite patterns in placement of Gusheh-s and phrases of the Radif have been organized in a manner that makes educational function for it.

Visual exploration of latent space for traditional Chinese music

Generating compact and effective numerical representations of data is a fundamental step for many machine learning tasks.Traditionally,handcrafted features are used but as deep learning starts to show its potential,using deep learning models to extract compact representations becomes a new trend.Among them,adopting vectors from the model’s latent space is the most popular.There are several studies focused on visual analysis of latent space in NLP and computer vision.However,relatively little work has been done for music information retrieval(MIR)especially incorporating visualization.To bridge this gap,we propose a visual analysis system utilizing Autoencoders to facilitate analysis and exploration of traditional Chinese music.Due to the lack of proper traditional Chinese music data,we construct a labeled dataset from a collection of pre-recorded audios and then convert them into spectrograms.Our system takes music features learned from two deep learning models(a fully-connected Autoencoder and a Long Short-Term Memory(LSTM)Autoencoder)as input.Through interactive selection,similarity calculation,clustering and listening,we show that the latent representations of the encoded data allow our system to identify essential music elements,which lay the foundation for further analysis and retrieval of Chinese music in the future.

文化遗产的旅游开发潜力及障碍因子——基于湘西传统音乐的实证

Traditional music is an important component of cultural heritage.However,studies have scarcely explored the tourism development potential and the obstacle factors of traditional music.This study takes Xiangxi as the research site,constructs an evaluation index system,and utilizes survey and geographical methods.The major research results are as follows:First,the average potential of resource endowment,tourism industry development,and socio-economic conditions are 0.28,0.36,and 0.24,respectively.The potential of resource endowment is higher in the west and lower in the east,that of tourism industry development is higher in the north and south and lower in the center,and that of socio-economic conditions is higher in the south and lower in the north.Second,the comprehensive potential is 0.29,which is higher in the northwest and southwest regions.Coordination in most administrative units is at a medium level,and most regions have obvious advantages in resource endowment.Third,the primary obstacle factor is socio-economic conditions(39.21%),followed by resource endowment(30.73%)and tourism industry development(30.06%).The administrative units can be classified into four groups:socio-economic condition obstacle,resource endowment and tourism industry development obstacles,resource endowment and socio-economic condition obstacles,and tourism industry development and socio-economic condition obstacles.The highest priority goals for Xiangxi involve economic development and the integration of modern technologies to stimulate passenger flow.For reg traditional music items(eastern area of Xiangxi),tourism development should be restrained and other resources with stronger inherent advantages should be exploited.This study explored the quantification of traditional music tourism potential,representing a novel breakthrough in this field of research.The indicator system and research methods used in this study can provide guidance and methodological references for cultural heritage research.The suggestions proposed in this article contribute to the rational development and effective protection of cultural heritage resources and the healthy development of the tourism industry.