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A brief analysis of the classical poetry Chinese-English translation: From the perspective of "Beauty in three aspects"
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作者 ZENG Hang-li 《Sino-US English Teaching》 2010年第2期52-58,共7页
With the growing of mutual communication between different cultures, the translation of classical Chinese poetry becomes quite significant in the contemporary times. This paper first briefly introduces classical Chine... With the growing of mutual communication between different cultures, the translation of classical Chinese poetry becomes quite significant in the contemporary times. This paper first briefly introduces classical Chinese poetry, major classical Chinese poetry translation schools and their representatives, and professor XU Yuan-zhong's famous principle of "Beauty in three aspects". In order to help disseminate this part of Chinese culture through discussing how the reader of the translation may be inspired, moved and aesthetically entertained in the same way as one reads the original, this paper will analyze the classical poetry Chinese-English translation from the perspective of "Beauty in three aspects", namely, in three parts--beauty in meaning, beauty in sound and beauty in form. Thus, it serves the purpose to offer a relatively comprehensive view of the classical poetry Chinese-English translation. 展开更多
关键词 classical chinese poetry "Beauty in three aspects" chinese-english translation
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Poetry Translation and Cultural Transmission——the English Version of the Classical Chinese Poem “Bring in the Wine”
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作者 刘圆圆 《海外英语》 2019年第14期45-46,共2页
This article,based on the English version of Li Bai's Classical Chinese Poem“Bring in the Wine”,explores the important position of cultural transmission in the English translation of the Classical Chinese Poem t... This article,based on the English version of Li Bai's Classical Chinese Poem“Bring in the Wine”,explores the important position of cultural transmission in the English translation of the Classical Chinese Poem through the comparison of the cultural translation,and finally draws the rationality and feasibility of the creative translation techniques in the English translation of the Classical Chinese Poems.It points out that the alienation of the Chinese culture's external communication has ignored the reader's cultural acceptance ability and position of the western countries and regions dominated by the foreign countries.It is believed that in a long period of time,Chinese culture needs the translation of Chinese translators to dissimilation,the translation of foreign sinologists,domestication,and alienation,to meet the needs of different types of readers and to promote the Chinese culture to go out. 展开更多
关键词 english TRANSLATION of classical poetry cultural transmission Li Bai “Bring in the Wine” creative TRANSLATION FOREIGNIZATION DOMESTICATION
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On untranslatability of classical Chinese poetry: From the perspective of aesthetic function of language 被引量:3
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作者 LIANG Zhi-min 《Sino-US English Teaching》 2007年第10期76-81,共6页
The author analyzes the untranslatability of the classical Chinese poetry from the perspective of aesthetic function of language. The untranslatability lies firstly in the heterogeneity, indeterminism and the ambiguit... The author analyzes the untranslatability of the classical Chinese poetry from the perspective of aesthetic function of language. The untranslatability lies firstly in the heterogeneity, indeterminism and the ambiguity of the Chinese language itself. Moreover, the classical Chinese poetry displays its unique features and beauty which can not be rendered into English in terms of aesthetic function of language. 展开更多
关键词 aesthetic function of language TRANSLATABILITY UNTRANSLATABILITY classical chinese poetry three beauty
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Research on English Canadian Poetry in China,1982-2022:A Comprehensive Overview
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作者 YUAN Jing-jing 《Journal of Literature and Art Studies》 2023年第4期258-266,共9页
The study of English Canadian poetry in Chinese academia began with translation in the 1950s.However,due to the country’s unique social,historical and cultural circumstances,the research stalled for approximately two... The study of English Canadian poetry in Chinese academia began with translation in the 1950s.However,due to the country’s unique social,historical and cultural circumstances,the research stalled for approximately two decades before picking up again in the 1980s.Since the 1980s,it has transitioned from a process of pure translation to the combination of translation and criticism,meanwhile,the research perspectives and contents demonstrate a tendency of richness and diversification.The major findings suggest that,despite current emphasis on regional and national literary studies in Chinese academia,English Canadian poetry is still not received much attention.This study aims to investigate and review the research trends and focus of English Canadian poetry in China from 1982 to 2022 and to point out its achievements and limitations. 展开更多
关键词 Canadian literature english Canadian poetry translation and introduction chinese translation chinese academia
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Noun-Inspiring Theme in Poetic Translation—On Noun Translation Governed by Theme of Classical Chinese Poetry
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作者 严亮 曾利沙 《海外英语》 2014年第11X期162-165,共4页
The presence of poetic noun is very common in classical Chinese poetry. And the absence of preposition and conjunction leading to noun juxtaposition is one of the poetic aesthetic features. At present, most researches... The presence of poetic noun is very common in classical Chinese poetry. And the absence of preposition and conjunction leading to noun juxtaposition is one of the poetic aesthetic features. At present, most researches of poetic translatio on n base individual impression and perception, fail to comprehend the nouns of source text in categorization, and critical analysis on the translated nouns is not interpretable and verifiable. This paper, taking a perspective of poetic theme relevance, categorizes the poetic noun from the indicative, descriptive and symbolic dimensions, proposes a poetic translation strategy called"aesthetic reproduction of poetic theme", and proves its necessity and rationality. 展开更多
关键词 classical chinese poetry NOUN TRANSLATION POETIC t
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Analysis of Aesthetic Communication Barriers in English Translation of Classic Chinese Poetry
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作者 雷妍 《海外英语》 2014年第17期144-147,共4页
Aesthetic communication plays significant role in poetry translation,for it affects the target text in both internal structure and external structure. This paper analyzes the comparison of nine versions of English tra... Aesthetic communication plays significant role in poetry translation,for it affects the target text in both internal structure and external structure. This paper analyzes the comparison of nine versions of English translation of classic Chinese poem —Jing Ye Si written by Li Bai(李白) from the perspective of aesthetic communication barriers and reiterates the factors which influence the translation target texts. 展开更多
关键词 AESTHETIC COMMUNICATION barriers CLASSIC chinese P
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Poetry Translation as Rewriting:A Case Study of Zhang Zhizhong’s Reading English Literature to Translate Classical Chinese Poems
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作者 CHENG Yanjun 《译苑新谭》 2024年第2期24-35,共12页
In the summer of 2023,Zhang Zhizhong’s Reading English Literature to Translate Classical Chinese Poems got published as one of the“Comparative Literature and World Literature Research Series”edited by Cao Shunqing.... In the summer of 2023,Zhang Zhizhong’s Reading English Literature to Translate Classical Chinese Poems got published as one of the“Comparative Literature and World Literature Research Series”edited by Cao Shunqing.It presents Zhang’s latest theory and praxis of translating classical Chinese poems.As a kind of rewriting,Zhang’s translations are similar to modern English poems—with creative expressions in contemporary English,the enjambments from free verses,the form of concrete poetry,and the artistic conceptions of classical Chinese poetry,but without the rhymes in original works.How this poetry translation as rewriting generates in the constraints of ideology,poetics,and patronage is to be analyzed in the light of AndréLefevere’s rewriting theory.By examining the non-textual factors related to Zhang’s rewriting,it aims to reveal how this rewriting,as an experimental approach to poetry translation,can shed light on the global circulation of Chinese poetry. 展开更多
关键词 REWRITING ideology POETICS PATRONAGE Reading english Literature to Translate classical chinese Poems
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A Stylistic Perspective on Translation of Reduplicated Words in Classical Chinese Poetry
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作者 薛才佳 《海外英语》 2011年第11X期193-196,共4页
Chinese poetry has a very long and remarkable history.It is one of the most important representatives of China's ancient civilization of 5000 years.Chinese poetry utilizes quite a large number of methods in order ... Chinese poetry has a very long and remarkable history.It is one of the most important representatives of China's ancient civilization of 5000 years.Chinese poetry utilizes quite a large number of methods in order to be more melodious and charming.Reduplicated words,as a figure of speech,are one of the most frequently used form among them.Reduplicated words as an active rhetorical device can add more flavor and taste to poems.They have the advantages of expressing the stylistic beauty effectively in form,sound and sense,thus push the article to its topmost aesthetic beauty.This paper,from a stylistic perspective,first discusses and argues the translatability of reduplicated words and then the importance to maintain the style of reduplicated words.After that it tries hard to put forward some favorable ways of dealing with the translation of reduplicated words so that reduplicated words in classical Chinese poetry can be appropriately translated without damage to the original style and flavor. 展开更多
关键词 classical chinese poetry reduplicated WORDS STYLE TRANSLATION
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A Tentative Study of Translation Evaluation System of Chinese Classical Poetry Form: From the Perspective of Functional Linguistics
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作者 张芳芳 《海外英语》 2021年第9期230-233,共4页
Chinese classical poetry is the special form of literature. The translated texts of various qualities hinder the foreign read-ers from appreciating of CCP and even from correctly understanding of the Chinese unique cu... Chinese classical poetry is the special form of literature. The translated texts of various qualities hinder the foreign read-ers from appreciating of CCP and even from correctly understanding of the Chinese unique culture, which presents obstacles to thetransmission of Chinese great culture. Tentatively establishing an evaluation system of CCP from the perspective of functional lin-guistics,based on three meta-functions proposed by Halliday, by applying the translation evaluation system, the quality of six trans-lated versions of 清明, a poem by Du Mu are assessed. By this case study, it is intended to prove the feasibility and practicability ofthis translation evaluation system, and then provide the suggestions on bettering the translated versions. 展开更多
关键词 chinese classical poetry translation Halliday's functional linguistics translation evaluation system
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Strategies of Teaching English Poetry
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作者 纪启明 李明 《Sino-US English Teaching》 2007年第3期18-20,29,共4页
This paper deals with how to teach appreciation of English poetry in college by analyzing the following items: introduction of the concept, content and writing style, the realistic meaning, multi-media aided teaching... This paper deals with how to teach appreciation of English poetry in college by analyzing the following items: introduction of the concept, content and writing style, the realistic meaning, multi-media aided teaching and translating English poetry into Chinese. 展开更多
关键词 appreciation of english poetry content and writing style the realistic meaning multi-media aided teaching translating english poetry into chinese
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A Study on the Untranslatability of Classical Chinese Poems and Untranslatability Compensation
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作者 Wang Qianqian 《International English Education Research》 2014年第11期50-52,共3页
Classical Chinese poems(CCP) is regarded as the inheritance and treasure of Chinese culture. CCP translation, on one hand, makes us have access to explore the linguistic charming and the cultural value of classical ... Classical Chinese poems(CCP) is regarded as the inheritance and treasure of Chinese culture. CCP translation, on one hand, makes us have access to explore the linguistic charming and the cultural value of classical Chinese poems; on the other hand, it provides an opportunity to transmit Chinese classical culture into western culture. While translatability of CCP translation, coupled with its untranslatability is considered a contentious topic in translation circle. Admittedly, in the process of CCP translation, some problems or barriers turn out to be our stumbling stone. But generally speaking, most of the poetry are translatable and untranslatability can be transformed into translatability with certain strategies. This thesis have compared the similarities and differences between Chinese and western poems to analyze the reasons why CCP can or cannot be translated and lays much emphasis on untranslatability as well as the compensation of untranslatability. Lastly, foreignization and domestication are recommended as two strategies in CCP translation when untranslatability occurs. 展开更多
关键词 classical chinese poetry(CCP) translation UNTRANSLATABILITY Foreignization and domestication
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近三百年中国典籍英译的多维透视与现实镜鉴
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作者 王烟朦 孙显斌 《图书馆论坛》 CSSCI 北大核心 2024年第11期140-152,共13页
中国典籍英译是促进中西文明交流互鉴,继而反向助推中国典籍资源传承与利用的重要手段。文章从《中国文献西译书目》《新编中国文献西译书目(1900-2017)》中甄选出1,620条相关单行本条目,运用知识图谱的可视化分析方法和文献计量法,绘... 中国典籍英译是促进中西文明交流互鉴,继而反向助推中国典籍资源传承与利用的重要手段。文章从《中国文献西译书目》《新编中国文献西译书目(1900-2017)》中甄选出1,620条相关单行本条目,运用知识图谱的可视化分析方法和文献计量法,绘制18世纪上半叶以降近三百年英译作品、译者群体和出版发行的图景。以史为鉴,新时期我国主导的中国典籍英译应规避选题的重复性,契合海外受众的需求,发扬翻译大家的精神并倡导合作翻译,推进国内出版社的国际化及加强与英美出版社的通力合作。 展开更多
关键词 中国典籍 近三百年英译史 可视化分析 文献计量
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中国农学典籍英译研究:回顾与展望
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作者 梁林歆 李磊 《北京第二外国语学院学报》 北大核心 2024年第3期85-99,共15页
作为世界农业发源地之一,中国的农耕文明在历史上长期居于世界先进水平。农业生产实践上的优势催生了大批宝贵的、种类繁多的农学文化古籍,对世界农作物种植、生产工具和技术的开发影响深远,是现今中国“文化外译”战略的重要组成部分... 作为世界农业发源地之一,中国的农耕文明在历史上长期居于世界先进水平。农业生产实践上的优势催生了大批宝贵的、种类繁多的农学文化古籍,对世界农作物种植、生产工具和技术的开发影响深远,是现今中国“文化外译”战略的重要组成部分。基于这一事实,本文将回顾我国农学典籍英译的发展历程,统计国内与农学典籍英译相关的研究论文,从发文概况、文本考察、研究主题、理论视角、期刊来源分布等方面梳理农学典籍英译的研究现状。分析发现,当前研究存在诸如译本数量少、文本考察单一、宏观研究欠缺、研究方法传统等问题。据此,本文最后对我国农学典籍的译介提出了展望与建议。 展开更多
关键词 农学典籍 典籍英译 文化外译 英译研究
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中华典籍外译的易读性与可读性研究——以《西游记》韦利译本和蓝诗玲译本为例
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作者 许宗瑞 张云丹 《淮阴师范学院学报(哲学社会科学版)》 2024年第3期301-306,318,324,共8页
本文以《西游记》韦利译本和蓝诗玲译本为例,通过软件量化分析和文本细读研究,比较了两节译本的易读性和可读性。结果发现,两节译本均遵循“一致性”原则和“缩短距离”原则以提高译本易读性,同时利用副文本构建叙事语境,采用编译结合... 本文以《西游记》韦利译本和蓝诗玲译本为例,通过软件量化分析和文本细读研究,比较了两节译本的易读性和可读性。结果发现,两节译本均遵循“一致性”原则和“缩短距离”原则以提高译本易读性,同时利用副文本构建叙事语境,采用编译结合或译创结合策略以增强文本故事性和时代性,从而提高译本可读性。两节译本的成功经验或可为今后中华典籍外译提供一些新的启示。 展开更多
关键词 中华典籍外译 《西游记》 《西游记》韦利译本 《西游记》蓝诗玲译本
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汪榕培典籍英译“三化”研究
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作者 赵长江 《湖南工业大学学报(社会科学版)》 2024年第2期8-15,共8页
中国典籍英译专家汪榕培从文学角度英译《老子》和《庄子》,使道家典籍文学化,接受效果良好。他将中国传统文学作品译为当代英语,使中国文学当代化,展现中国文学魅力。他借用中国传统哲学理论和绘画理论提出“译可译,非常译”复译观和... 中国典籍英译专家汪榕培从文学角度英译《老子》和《庄子》,使道家典籍文学化,接受效果良好。他将中国传统文学作品译为当代英语,使中国文学当代化,展现中国文学魅力。他借用中国传统哲学理论和绘画理论提出“译可译,非常译”复译观和“传神达意”翻译标准,使典籍翻译理论古典化,丰富了中国传统译论研究。汪榕培典籍英译的“三化”实践有助于中国典籍英译水平的提高及翻译理论研究的深化,也有助于中国传统文化走出去。 展开更多
关键词 汪榕培 典籍英译 “三化” “传神达意”
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《离骚》英译的符号美学分析 被引量:1
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作者 陈奇敏 《华北理工大学学报(社会科学版)》 2024年第2期103-109,共7页
诗歌是具备美学功能的符号艺术形式。以霍克思英译《离骚》为例,从符号美学视角分析了译诗对原诗美学特征的传达策略和翻译效果。《离骚》原诗语言具有能指感性美、所指含蓄美和叙述新奇美,而霍克思的译诗对原诗美学特征既有呼应也有改... 诗歌是具备美学功能的符号艺术形式。以霍克思英译《离骚》为例,从符号美学视角分析了译诗对原诗美学特征的传达策略和翻译效果。《离骚》原诗语言具有能指感性美、所指含蓄美和叙述新奇美,而霍克思的译诗对原诗美学特征既有呼应也有改换,在音韵美感、多义语符、象喻修辞和叙述方式层面均衡考量翻译的充分性和可接受性,体现了中西诗学审美的和谐碰撞。 展开更多
关键词 符号美学 古诗英译 《离骚》 霍克思
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接受美学视域下的中国古典散文英译分析——以《项脊轩志》的两个译本为例
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作者 崔凯 陈芍霏 《文化创新比较研究》 2024年第7期14-17,共4页
接受美学理论是以审美主体欣赏、接受审美客体的具体过程为研究中心的美学流派,该理论以读者为中心,强调读者阅读过程中对文本空白和不确定性填补的重要性,对文学创作和文学研究都有重要影响。而在翻译实践中,接受美学理论同样有启示作... 接受美学理论是以审美主体欣赏、接受审美客体的具体过程为研究中心的美学流派,该理论以读者为中心,强调读者阅读过程中对文本空白和不确定性填补的重要性,对文学创作和文学研究都有重要影响。而在翻译实践中,接受美学理论同样有启示作用,其重要概念引起译者对读者的关注,进而影响译者翻译过程中对文本的解读和翻译策略的选择。该文基于接受美学理论,选取中国古典散文《项脊轩志》的两个英译本为对比研究材料,分析译者对期待视野或召唤结构的关注度,以及接受美学的重要概念在译本中的具体体现和相应影响,旨在探究接受美学理论之于散文英译的指导意义,为中国文学“走出去”提供一定的借鉴。 展开更多
关键词 接受美学 中国古典散文 散文翻译 《项脊轩志》 英译本 英译对比
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中国古诗英译的可译性——赏读Transplanting the Seed:Poetry and Translation 被引量:2
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作者 陈缘梅 《莆田学院学报》 2005年第6期59-63,共5页
在SusanBassnett的TransplantingtheSeed一文中提出诗歌翻译的可译性的基础上,简要介绍中国古诗英译的可译性和不可译性的客观存在;通过对一些古诗的英译文本进行研读,着重分析可译的客观性,并介绍了对不可译的处理方法,如风格、音韵和... 在SusanBassnett的TransplantingtheSeed一文中提出诗歌翻译的可译性的基础上,简要介绍中国古诗英译的可译性和不可译性的客观存在;通过对一些古诗的英译文本进行研读,着重分析可译的客观性,并介绍了对不可译的处理方法,如风格、音韵和文化的移植。 展开更多
关键词 可译性 中国古诗英译 SUSAN Bassnctt
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古诗英译中的叙事化转向寻析
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作者 石灿 《中北大学学报(社会科学版)》 2024年第4期72-78,共7页
古诗的译介总是无法避却诗歌精神的佚失现象。这种现象集中表现为诗歌经语际转换后于译文中呈现出一种叙事化转向。所谓叙事化转向,并非意指译文中的抒情因素为叙事因素所替代进而渐趋消弭,而是体现为其叙事性的增强与呈现。这种叙事性... 古诗的译介总是无法避却诗歌精神的佚失现象。这种现象集中表现为诗歌经语际转换后于译文中呈现出一种叙事化转向。所谓叙事化转向,并非意指译文中的抒情因素为叙事因素所替代进而渐趋消弭,而是体现为其叙事性的增强与呈现。这种叙事性的增强归根结底产生于主体对情节机制的识别以及抒情性、叙事性与诗性三者的相互关系。 展开更多
关键词 古诗英译 叙事化转向 情节机制
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入乎其内,出乎其外——黄宏荃《英译宋代词选》中的“心译”法解析
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作者 冯全功 《天津外国语大学学报》 2024年第4期78-89,112,F0003,共14页
作为一名被遮蔽的翻译家,黄宏荃的代表性译作《英译宋代词选》还未引起学界应有的重视。论文旨在探讨黄宏荃在《英译宋代词选》中提出的“心译”法,结合书中的大量译例,分析其具体表现,主要包括:(1)撰写导言与注释,为译文读者提供解读语... 作为一名被遮蔽的翻译家,黄宏荃的代表性译作《英译宋代词选》还未引起学界应有的重视。论文旨在探讨黄宏荃在《英译宋代词选》中提出的“心译”法,结合书中的大量译例,分析其具体表现,主要包括:(1)撰写导言与注释,为译文读者提供解读语境;(2)添加具体词汇,烘托原作的情感氛围;(3)充分利用英语形合特征,打造地道译文;(4)采用各种变通手段,译出原作的精神与韵味。黄宏荃的“心译”法对中国古典诗词以及整个文学翻译不无启发,译者唯有全身心地投入翻译,方能产出精品译文。 展开更多
关键词 黄宏荃 《英译宋词词选》 “心译”法 中国古典诗词
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