On Translation of Children’s Literature Based on Reception Aesthetics:A Case Study of The Secret Garden

Grounded in reader-centered theories,Reception Aesthetics prioritizes the active engagement and acceptance of target readers.This study examines the translation of children’s literature through the lens of Reception Aesthetics,using Li Wenjun’s rendition of The Secret Garden as a case study.The objective is to scrutinize various aspects of the translation-including vocabulary,syntax,rhetorical devices,and cultural nuances-and to discern how the adaptation and application of diverse translation strategies cater to the aesthetic expectations.

对The Translator's Invisibility汉译本几处译文的商榷

汉译本《译者的隐形:翻译史论》(The translator's invisibility:A history of translation)对韦努蒂翻译思想和理念的引进和推广起到了很大的作用。然而,其中部分译文存在着对原文词义、搭配、句法结构、跨文化知识背景的理解错误以及遣词造句等方面的问题,与原文的本义有较大出入,容易引起读者误解,值得商榷。本文列出其中几例存疑译文,条分缕析,指出其失误所在,并提出参考译文,以供对比。

On the Gender Difference of Translator's Subjectivity in Literary Translation

Translation is an activity aimed at transferring the source language to the target language,related to many aspects involving culture,society,history and so on.The translator plays a critical role in translation practice.Xu Jun considers"translator’s subjectivity should be reflected to be artistic personal consciousness in translated works."Translator’s differences in age,gender,personal traits,educational level and other aspects make translation artistry completely divergent.Therefore,translator’s subjectivity shoulders great significances on the success of literary translation,which isn’t arbitrary,out of control,must be conducted in line with essence of the original work.This paper focuses on the gender difference of translator’s subjectivity in literary translation,hoping to find a way of eliminating the influence of it in the translation work.

On the Study of the Translator's Position in Traditional Translation Theories

In traditional translation theories, the author and the translator, the original text and the translated text are in the binary oppositions. Both author-centeredness and text-centeredness are in authoritative positions. Moreover, there are some incorrect viewpoints about the translator's position in the traditional translation theories. In this case, this paper will analyze the translator's position in the traditional translation theories comprehensively.

Translator's Subjectivity in Science and Technology Translation

Science and technology translation involves various industries and professions,with its own system of terminology and unique language features.For a translator,who is not a professional scientist or technician,it seems to be difficult to do science and technology translation accurately and properly.Consequently,it is necessary for the translator to give play to his subjectivity when translating science and technology documents or related interpretation:searching for related data to replenish necessary professional knowledge,consulting with professional technicians actively to clarify the jargon and common sayings,and thinking critically to scrutiny the source text.

Cultural Identity and Translator's Style: Case Study of Translation of Tea Relevant Acts in Hong Lou Meng

From the methodological perspective, the thesis summarized leisure tea act, judging-time tea act to map translator's style. Through investigations on all these, the thesis succeeded in confirming the translator's styles and pinpointing cultural identity as essential factors influencing their styles. Hopefully, this could help to provide a new angle of view to make research on translator's style. Moreover, the thesis wishes that with analysis of tea culture in Hong Lou Meng the translation of tea relevant acts receive greater priority in the Chinese Classics Translation.

设计改造羧酸还原酶合成医药中间体(S)-2-氨基丁醇

(S)-2-氨基丁醇同时具有羟基及氨基官能团,是多种重要药物分子的关键手性中间体,生物合成(S)-2-氨基丁醇尚缺少有效的酶元件。以塞格尼氏菌(Segniliparus rugosus)来源的羧酸还原酶SrCAR为研究对象,通过对实验室已有SrCAR突变文库进行筛选测试,结合活性位点共进化分析,同时利用组合活性中心饱和突变策略(Combinatorial active-site saturation test,CAST)构建新的突变体文库,经测试最终获得优势突变体XH7(G430V/E533F/A627N)。该突变体催化底物N-Boc-(S)-2-氨基丁酸到醛产物的活性(kcat/Km)较野生型SrCAR提高2.1倍,热熔值(Tm)提升2.3℃。进一步通过引入荧光假单胞菌(Pseudomonas fluorescens)来源的醇脱氢酶PfADH,可还原N-Boc-(S)-2-氨基丁醛到醇产物。XH7和PfADH的双酶共表达体系反应5 h即可将20 mmol/L底物实现几乎完全转化,转化率达到99%,并经脱Boc保护与分离纯化获得终产物(S)-2-氨基丁醇,得率为60%。通过分子动力学模拟解析最优突变体活性及热稳定性提高的分子机制,为SrCAR酶设计改造提供新的研究思路,拓展酶法合成(S)-2氨基丁醇的生物酶工具箱,可为类似高附加值医药中间体的生物合成提供理论和实践指导。

基于理性扩展热力学的L-S热声弹性理论框架

本文基于连续介质力学和理性扩展热力学分析流程,将L-S(Lord and Shulman)热弹性理论与声弹性理论相结合,建立L-S热声弹性理论的基本框架,包括运动学、力学与热力学、本构方程与演化方程、基本场方程四部分。在运动学部分,区分了Lagrange描述和Euler描述,以及3种不同的状态和构形,同时针对热声弹性情况定义了两类从自然状态到初始状态的转变过程;在力学与热力学部分,给出了质量守恒定律、动量守恒定律、角动量守恒定律、能量守恒定律以及熵产不等式,从而引出经典不可逆热力学的局限性;在本构方程与演化方程部分,介绍了扩展不可逆热力学原理,并基于理性扩展热力学流程,推导了从自然状态到初始状态、从初始状态到最终状态的热声弹性本构方程与演化方程,将热流作为本构自变量并考虑了热流与应变和温度的相关性;在最后一部分给出了基本场方程的运动方程形式和适用于数值模拟的一阶速度-应力-热流-温度微分方程。

The English Translation of Lunyu and the Dissemination of the Confucian Culture

As one of the carriers of Confucian culture,and from ancient times to the present,Lunyu or The Analects or The Analects of Confucius,has been well received by readers at home and abroad,and there are more and more English translations of Lunyu.This article will select some of the vocabulary translations with ancient Chinese characteristics in Lunyu as the object,employ the method of a comparative analysis to explore the cultural connotation behind the text and the dissemination of the translation,and discuss the translator’s translation strategies.Judging from the research on The Analects by scholars from home and abroad and the opening and development of overseas Confucius Institutes,Lunyu has exerted an enlightenment effect in different times.

Theoretical Transplantation into Translation Studies——An Analysis on the Pragmatic Application of Hofstede’s

The deepening process of globalization has given rise to restless cultural exchanges among people from different regions of the world through newspapers,books,and other written media.However,the significant differences in languages and cultures have become an insurmountable gap in intercultural communication.To lubricate cultural exchanges,new translation theories that focus on the transformation of different cultural concepts shall be introduced and adopted.This paper aims to extract applicable notions from Hofstede’s Cultural Dimensions for pragmatic translation studies by laying emphasis on its pragmatic value through case study.By such theoretical transplantation,valuable suggestions are proposed to tackle cultural misunderstandings and conflicts encountered amid cultural exchanges.

The English Subtitle Translation of Quanzhou’s World Heritage Application Documentary: A Frame Theory Perspective

Based on Fillmore’s frame theory, this paper examines the translator’s cognitive frame operation in the English subtitle translation of Quanzhou’s World Heritage application documentary. It analyzes and discusses how the translator maximizes translation effect between the source language and the target language, so as to enhance the readability of documentary subtitles and promote the spread of traditional Chinese culture. The findings are as follows: Firstly, in the translation process, the frame operations used by the translator include frame correspondence, intra-frame operations, frame replacement, frame perspective shift and frame transplantation. Secondly, cultural documentaries are full of culture-loaded words, for which the translator usually uses frame transplantation. Thirdly, due to the instantaneous nature of subtitles, intra-frame operations and frame replacement are applied in terms of cultural background of the target language audience. Besides, in order to enhance the audience’s reading experience, there may be some changes of narrative perspective in the English translation of cultural documentaries.

Functions and Benefits of SDL Translator's Workbench 2007

Nowadays more and more translators are trying to use machine to help their translation work.Translator's Workbench is a tool of machine translation.In this essay,I will explore functions and benefits of Translator's workbench 2007 with the theory of MT and TM.

On Translator＇s Subjectivity in the Chinese Version of Pride and Prejudice Translated by Wang Keyi

As the center and subject of the translation, translator＇ s subjectivity plays a great role in translation research and more and more attention has been aroused. Since the first version of Pride and Prejudice came into being, Chinese translators have begun to show great interest in translating this novel, and there are more than ten translated Chinese versions now. Scholars have conducted a lot of research about this novel and its various translated versions. Among all these Chinese versions, Wang Keyi＇ s version is relatively earlier and is also the most popular one. Thus, it attracts many readers＇ eyes and there are increasing comments and studies on this version. There are also studies analyzing or comparing several versions from the perspective of translator＇ s subjectivity. While, few articles are published to analyze this version from the three elements of translator＇ s subjectivity： initiatives, passiveness, and purposiveness. They are also three basic features of translator＇ s subjectivity, in which translator＇ s subjectivity reflects. It is also the three features that consist of the translator＇ s subjectivity. Therefore, the comprehensive and intensive research of translator＇ s subjectivity in the Chinese version of Pride and Prejudice has great realistic meaning and practical values.

A Survey of English Translation Studies of Lu You’s Poetry Based on the Data Analysis of Domestic Academic Journals (2001-2022)

This article presents a comprehensive analysis of the current state of research on the English translation of Lu You’s poetry, utilizing a data sample comprising research papers published in the CNKI Full-text Database from 2001 to 2022. Employing rigorous longitudinal statistical methods, the study examines the progress achieved over the past two decades. Notably, domestic researchers have displayed considerable interest in the study of Lu You’s English translation works since 2001. The research on the English translation of Lu You’s poetry reveals a diverse range of perspectives, indicating a rich body of scholarship. However, several challenges persist, including insufficient research, limited translation coverage, and a noticeable focus on specific poems such as “Phoenix Hairpin” in the realm of English translation research. Consequently, there is ample room for improvement in the quality of research output on the English translation of Lu You’s poems, as well as its recognition within the academic community. Building on these findings, it is argued that future investigations pertaining to the English translation of Lu You’s poetry should transcend the boundaries of textual analysis and encompass broader theoretical perspectives and research methodologies. By undertaking this shift, scholars will develop a more profound comprehension of Lu You’s poetic works and make substantive contributions to the field of translation studies. Thus, this article aims to bridge the gap between past research endeavors and future possibilities, serving as a guide and inspiration for scholars to embark on a more nuanced and enriching exploration of Lu You’s poetry as well as other Chinese literature classics.

The Translator's Subjectivity Reflected in the English Translation of "The Lane"

The translator's subjectivity plays an indispensible role in the translating activity. As a senior translator, Prof. Zhang Peiji brings his subjectivity into full play in his prose translation, and the English version of "The Lane" can be regarded as one of his representatives. An examination of the translator's subjectivity reflected in this version helps to better understand Prof. Zhang's art of prose translation.

Harmonious Relationship between Authors and Translators under the Feminist Translation Theory

"Androgyny" is an important concept of feminist criticism. The translators have their own voice under the guidance of"androgyny". The relationship between the translator and the author should be a harmonious dialogue.

The Poison of Polygamy:Genre of the English Translation

When the Chinese-language The Poison of Polygamy was translated into English,some critics identified the work as picaresque.Skeptical of this conclusion,the author of this paper broadens the field of inquiry to suggest classification in an emigrant sensational genre.Briefly,the first two plots of the multi-strand work unfold the adventures of Chinese emigrants travelling by sea and land to Melbourne’s Gold Mountain.Interestingly,we are also afforded a glimpse of emigrant miners’cooperation regardless of race and colour when a mine disaster occurs.The work provides sharp recognition of migrants’dilemmas,such as marriage,before tackling the bigamy issue,the gender war,the fallen lifestyle of the female protagonist and so on.As the work unfolds,further shocking tales of murders and indulgence are revealed.Unlike the picareque’s episodic style,the translated Poison of Polygamy is coherent,realistic,serious and critical,and completely lacking in both sarcasm and playfulness.To investigate the appropriateness of assigning the work to the picaresque genre,the paper compares briefly with representative Spanish picaresque works such as Lazarillo and Gusman and English canonical Moll Flanders,watching carefully for commonalities.However,The Poison of Polygamy would seem to resonate more with Braddon’s Lady Audley’s Secret,a sensational fiction which shocked the English world in the 1860s.The contexts of both novels are close,mid-Victorian and Edwardian,where the latter is a continuation of the Victorians.The author is further enlightened by research results of literary translators who advocate that a text,once translated into a target language,becomes a canon of that culture and is cherished as such by its readers-as in the case of Shakespeare being revered as a German poet when read in translation.From this experiment the paper deems that cross-lingual comparative literature is not only possible but significant and resourceful.

A Study of Farmers' Rationality Based on Maslow's Hierarchy of Needs

In this paper,on the basis of analyzing farmers' dominant position in society and explanation of farmers' rationality,we make use of Maslow's hierarchy theory of needs to divide farmers' needs into three levels in accordance with the different stages: survival needs,interpersonal harmony and social responsibility,which are the needs hierarchies for farmers to satisfy themselves. We combine Maslow's hierarchy theory of needs and farmers' rationality and confirm that farmers do have rationality and it is in a dynamic condition.

Translator's Identity in the English Translation of Wenxin Diaolong

In the article Owen’s and Yang Guobin’s English versions of Wenxin Diaolong are compared from the perspective of a translator’s identity.Owen is a translator of A-merican origin while Yang Guobin is of Chinese origin.Their multiple identity as a reader,author,creator and cultural communicator differs much from each other,which produces important influences upon the selection of the strategy of translation.Owen prefers foreignizing translation while Yang favors domesticating translation.The English translation of Wenxin Diaolong provides much value for the research on the translation of Chinese classic literature.

Translator＇s Voice in Translated Texts

Ever since Venuti put forward the concept of translator＇s invisibility in 1995, studies have been conducted on the discursive presence of translators in the translated texts. The translator, as the receiver of the source text and m the meantime the producer of the target text, is sure to leave his/her voice traceable in the translated texts throughout the whole translating process. This paper aims to present an overview of the conceptual development of the translator＇s voice in translation studies from different perspectives like narratology, stylistics, socio-narrative theory, speech-act theory etc.