There are two interesting puzzles about tropes. They are literal nonsense, yet native speakers easily make sense of them. Moreover, despite the fact that tropes are literal nonsense, native speakers find them helpful ...There are two interesting puzzles about tropes. They are literal nonsense, yet native speakers easily make sense of them. Moreover, despite the fact that tropes are literal nonsense, native speakers find them helpful in clarifying and enhancing meanings and sharpening reference. In this paper, there is an attempt to explain these puzzles through the use of theories of markedness and rank, as framed by Peirce's semiotic theory. Tropes are nonsense in that they tend to violate the implicit rules of semantic fields. These create puzzles and anomalies for the native speakers to resolve—abductions—and they do so primarily by certain markedness and rank operations. By neutralizing or bracketing categorical ranks, speakers can see, more clearly, the similarity between the salient or marked features of elements from disparate semantic fields. This results in a more vivid sense of the targets of such tropes. Markedness assimilation can help sharpen reference or help to focus distinctions that make things clearer. Markedness reversals can also help in the manner, but can also obfuscate when that is appropriate.展开更多
Wordsworth’s love towards nature is great. He believes that divinity exists in everything created by God. The tempo of the poem reaches its peaks when the author gives the two close’shots of daffodils, which are eff...Wordsworth’s love towards nature is great. He believes that divinity exists in everything created by God. The tempo of the poem reaches its peaks when the author gives the two close’shots of daffodils, which are effected by the parallel two lines.展开更多
文摘There are two interesting puzzles about tropes. They are literal nonsense, yet native speakers easily make sense of them. Moreover, despite the fact that tropes are literal nonsense, native speakers find them helpful in clarifying and enhancing meanings and sharpening reference. In this paper, there is an attempt to explain these puzzles through the use of theories of markedness and rank, as framed by Peirce's semiotic theory. Tropes are nonsense in that they tend to violate the implicit rules of semantic fields. These create puzzles and anomalies for the native speakers to resolve—abductions—and they do so primarily by certain markedness and rank operations. By neutralizing or bracketing categorical ranks, speakers can see, more clearly, the similarity between the salient or marked features of elements from disparate semantic fields. This results in a more vivid sense of the targets of such tropes. Markedness assimilation can help sharpen reference or help to focus distinctions that make things clearer. Markedness reversals can also help in the manner, but can also obfuscate when that is appropriate.
文摘Wordsworth’s love towards nature is great. He believes that divinity exists in everything created by God. The tempo of the poem reaches its peaks when the author gives the two close’shots of daffodils, which are effected by the parallel two lines.
