中国当代艺术创作现状及产生原因

今天的中国艺术创作现状的形成既有历史原因,也有其特有的现实环境因素.本文从历史背景、现状、产生原因等几个方面对中国当代艺术进行分析和阐释.

试论中国近代社会发展的历史轨迹

一部中国近代史是一部西方文明战胜中国传统文明的历史 ,也是一部中华民族反抗外来侵略追求民族独立自由富强的历史 ,还是一部中华民族学习西方文明、反思传统文明。

论“中学为体西学为用”之实质及其影响

张之洞之所谓中学者,于政治乃君主专制,于人伦乃三纲五常;其所谓西学者,唯西艺、西政(技法)而已。“先以中学固其根底,然后择西学可补吾缺者用之,西政之可启吾疾者取之。”盖张氏之“中体西用者”,于学术人心固“独尊儒术”之变种也。张氏喋喋焉倡“保国、保教、保种”之巧言,终本不外保清廷、保专制、保独裁,达忠君之志者。“中体西用”之说,蓄数代陋儒曲士之旨趣,钩沉两千余年之痼疾,故其流播悠远,渍染深邃,暗流潜溪,墨浸环宇,固民治不进之厉阶,必去之而后民权民主能自安者也。

Spiritual Construction in Contemporary China and Its Ideological Resources

Spiritual construction in contemporary China is an important ideological task raised by China＇s historical practice. Modem development often entails entering into ＂modem civilization＂; yet the abstract understanding of this civilization hides its essential rules and historical nature. China has pursued development on different historical premises from the West, and therefore it belongs only partially to modem capitalist civilization. Its rapid development highlights the historical limits of the latter. Realistic prospects for Chinese development imply a transformation and remodeling of China＇s overall way of life, attitudes to life and values, and this inevitably calls for a new form of philosophy. The intellectual sources for this new philosophy are Chinese philosophy, Western philosophy and Marxist philosophy. Their creative integration points in a positive way to the possibility of a new type of civilization.