The Hua brand cross-stitched artisticwomen’s clothing produced by theYunnan Kunming City Xiaohua ArtisticClothing Factory has absorbed the essenceof the adornment art of the ethnic groups inYunnan,producing patterns ...The Hua brand cross-stitched artisticwomen’s clothing produced by theYunnan Kunming City Xiaohua ArtisticClothing Factory has absorbed the essenceof the adornment art of the ethnic groups inYunnan,producing patterns incorporatingthe tight skirts of the Jingpo nationality,thebrocades of the Zhuang nationality,the beltsof the Bai nationality and the展开更多
The purpose of this essay is to identify and analyze one of Lavinia Fontana＇s mysterious paintings, traditionally entitled Cleopatra but here considered to be an inventive portrayal of an ancient scientist, Cleopatra...The purpose of this essay is to identify and analyze one of Lavinia Fontana＇s mysterious paintings, traditionally entitled Cleopatra but here considered to be an inventive portrayal of an ancient scientist, Cleopatra the Alchemist （ca. third century BCE）. There are four parts to this study. The first is an iconographical analysis of the painting by Lavinia Fontana＇s Cleopatra the Alchemist （1605） at the Galleria Spada in Rome. The second section deals with the origin of the Egyptian Cleopatra the Alchemist as an Egyptian scientist and of her inventions, which include the alembic and the ouroboros motiE The third section consists of an emblematic comparison between the imagery in the painting and alchemical references. The last brief section considers problematic copies of the painting展开更多
ON March 3rd, 1998, an exhibition titled "Century · Women" drew up its curtain at the China Arts Gallery in Beijing, and attracted a vast number of visitors with its large scale, historical overview, an...ON March 3rd, 1998, an exhibition titled "Century · Women" drew up its curtain at the China Arts Gallery in Beijing, and attracted a vast number of visitors with its large scale, historical overview, and representation of a great number of painters with various styles. While people strolled in the gallery, a lively forum on the topic of "Visual Angle of Gender: Women’s Arts and Women Artists in Cultural Change" was also taking place in Beijing. The purpose of the forum was to corroborate the academic value of the exhibition, as well as to analyze the cultural significance of women’s art through the exploration of the history and present situation of Chinese women’s art, Over 30 scholars and artists presented speeches on the topic; the audience numbered in the hundreds.展开更多
文摘The Hua brand cross-stitched artisticwomen’s clothing produced by theYunnan Kunming City Xiaohua ArtisticClothing Factory has absorbed the essenceof the adornment art of the ethnic groups inYunnan,producing patterns incorporatingthe tight skirts of the Jingpo nationality,thebrocades of the Zhuang nationality,the beltsof the Bai nationality and the
文摘The purpose of this essay is to identify and analyze one of Lavinia Fontana＇s mysterious paintings, traditionally entitled Cleopatra but here considered to be an inventive portrayal of an ancient scientist, Cleopatra the Alchemist （ca. third century BCE）. There are four parts to this study. The first is an iconographical analysis of the painting by Lavinia Fontana＇s Cleopatra the Alchemist （1605） at the Galleria Spada in Rome. The second section deals with the origin of the Egyptian Cleopatra the Alchemist as an Egyptian scientist and of her inventions, which include the alembic and the ouroboros motiE The third section consists of an emblematic comparison between the imagery in the painting and alchemical references. The last brief section considers problematic copies of the painting
文摘ON March 3rd, 1998, an exhibition titled "Century · Women" drew up its curtain at the China Arts Gallery in Beijing, and attracted a vast number of visitors with its large scale, historical overview, and representation of a great number of painters with various styles. While people strolled in the gallery, a lively forum on the topic of "Visual Angle of Gender: Women’s Arts and Women Artists in Cultural Change" was also taking place in Beijing. The purpose of the forum was to corroborate the academic value of the exhibition, as well as to analyze the cultural significance of women’s art through the exploration of the history and present situation of Chinese women’s art, Over 30 scholars and artists presented speeches on the topic; the audience numbered in the hundreds.
