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Re-analysis to Hemingway’s Attitudes Towards Life&His Writing Style in The Old Man and the Sea
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作者 曹李宏 《海外英语》 2020年第14期245-246,共2页
The Old Man and the Sea,a great masterpiece,deserves deep research for its unique charm and morality.The paper states Hemingway’s attitude to life and writing style.
关键词 HEMINGWAY analogical meaning writing style The Old Man and the Sea
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On the Brief Analysis of the Writing Styles of Mao Tse-tung's Poetry
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作者 王晓惠 郑宇 《海外英语》 2018年第4期144-145,共2页
The paper briefly studies the writing styles of Mao's poetry, such as epic and lyric tints. It also analyzes some skills of translation employed by translators both home and abroad on some fuzzy numerals, such as ... The paper briefly studies the writing styles of Mao's poetry, such as epic and lyric tints. It also analyzes some skills of translation employed by translators both home and abroad on some fuzzy numerals, such as literal translation, omission, addition and reduction. 展开更多
关键词 writing styles NUMERALS translation skills
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Goblet Words and Indeterminacy: A Writing Style that Is Free of Commitment
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作者 Wai Wai Chiu 《Frontiers of Philosophy in China》 2015年第2期255-272,共18页
The Zhuangzi is a collection of ancient Chinese anecdotes and fables that serves as a foundational Daoist text. The style in which it is written is significant because it obscures rather than reveals the text's philo... The Zhuangzi is a collection of ancient Chinese anecdotes and fables that serves as a foundational Daoist text. The style in which it is written is significant because it obscures rather than reveals the text's philosophic positions. If the text cannot be translated into plain language while preserving its content, as the Mozi or the Mencius generally can be, then the writing style is not merely rhetorical. The style is itself indispensable to the content. In this study, I analyse a linguistic device mentioned in the Zhuangzi and use it to reflect the text's wn'ting style——namely, "goblet words" (zhi yan 巵言). I argue that various logical forms of goblet words defy the act of fixing a definite answer in any conceptual distinction or disputation. The forms, which include dilemmatic questions, oxymora and double denial, all serve to preserve indeterminacy. Reading goblet words may affect readers by making them more open-minded towards distinctions. However, readers cannot ascertain that the text's authors produced this effect intentionally. Therefore, the text may cause readers to be open-minded while the authors remain free of commitment. 展开更多
关键词 ZHUANGZI LANGUAGE writing style goblet words
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Some Comments on Ernest Hemingway’s Works
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作者 刘宝亮 《海外英语》 2020年第20期208-209,共2页
Literature treasure comes with the development of the world and there exist a great many literary works.The writer’s excellent creativity and novelty make their works outstanding and everlasting.Hemingway,one of Amer... Literature treasure comes with the development of the world and there exist a great many literary works.The writer’s excellent creativity and novelty make their works outstanding and everlasting.Hemingway,one of American literary masters,created a large number of literary works.Hemingway,as a writer with distinct personality and strong originality,has a unique artistic style and makes his works unusual.He plays an essentially important role in American literature.His writing styles and linguistic features will be discussed in this paper,which can help us know the connotation of his masterpieces in depth a lot. 展开更多
关键词 Ernest Hemingway linguistic feature writing style
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Lyricism as Epic's End: A New Approach to Wang Zengqi's Novels
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作者 LIN Ling 《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 2016年第4期674-698,共25页
This article seeks to reinterpret Wang Zengqi's (汪曾祺, 1920-97) novels written in the early and mid-1980s. Through a historical lens, the author examines the era immediately following China's reform and opening-... This article seeks to reinterpret Wang Zengqi's (汪曾祺, 1920-97) novels written in the early and mid-1980s. Through a historical lens, the author examines the era immediately following China's reform and opening-up when the political ideal of "distribution according to work" (anlao fenpei) had met with social realities at that time. Departing from the mainstream approach to Wang Zengqi, which oversimplifies China's process of reforms and opening and consequently reduces Wang Zengqi's literature to a "pure literature" devoid of social implications, a lyricism of individuals, and a depiction of depoliticized everyday life, this article lays emphasis on the interconnection between Wang Zengqi's time and his writings. By analyzing the forms and styles of Wang's novels, the author endeavors to place his writings back in their historical context as a means of rediscovering their underlying meanings and politics hitherto neglected by the scholarship on Chinese literature from the 1980s. Therefore, this article refutes the misconception of Wang Zengqi being a "small writer" and acknowledges the writer's "bigness" in his writing. In fact, big writers like Wang Zengqi are indispensable in the conception of new political worlds under any historical condition. 展开更多
关键词 reform and opening-up fenpei) China's early and mid-1980s realism "distribution according to work" (anlao lyrical style of writing REALISM SOCIALIST
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