The literary study of ancient mythology is a rational and necessary prerequisite for the study of the general history of Sichuan literature in the Pre-Qin period, though it can go beyond the study of literature. Compa...The literary study of ancient mythology is a rational and necessary prerequisite for the study of the general history of Sichuan literature in the Pre-Qin period, though it can go beyond the study of literature. Compared with other Chinese regional literatures such as Jing-Chu literature, the insufficiency of the literalization of the early Ba-Shu myth, to some extent, devalues the Ba-Shu literature in the Pre-Qin period and affects its consistence. When dealing with the influence of ancient mythology on the development of Chinese regional literature, including Sichuan literature, we need to analyze the inherent impact of regional mythology on the developing literature using a three-step process: restoring and summarizing the mythological pedigree, uncovering the “conceptual structure” of the mythology, and explaining the impact of the mythology on the developing literature. This paper uses this three-step process to construct the general history of Sichuan literature.展开更多
艺术史的“历史感知”(sense of the past)如何形成和发展?“后退几步”何以作为审视20世纪艺术准则?现代主义和后现代主义的关系是“断裂”的吗?尼采曾经提出对历史的态度有怀古式的(antiquarian)、纪念式的(monumental)和批判式的(cri...艺术史的“历史感知”(sense of the past)如何形成和发展?“后退几步”何以作为审视20世纪艺术准则?现代主义和后现代主义的关系是“断裂”的吗?尼采曾经提出对历史的态度有怀古式的(antiquarian)、纪念式的(monumental)和批判式的(critical)。这三种都不完全正确,也不完全错误。维柯的螺旋式历史观曾经把反复回到原点的回环运动看作推动历史发展的根本要素之一。如果从空间角度考察螺旋运动,那么螺旋式的历史不仅涉及某个时间点、某个时候的地点,还涉及空间。空间可以有时间属性。由此需要思考“空间再现”“唤起过去”时的“牛耕式转行书写”;思考“器物”(apparatus)对人性造成怎样的影响;思考“奇珍”(curiosity)如何令物品“回望”人类,从而不仅成为一个历史概念,更成为一种推动性概念,一种看待和思考事物的方式;思考“从事媒介批评的古物学家”意味什么;进而思考“历史写作”何以可以视为一种“历史诗学”。展开更多
基金a staged research result of “Cultural Traditions and the Regional Literary History”(16ZD02)——a key program funded by Sichuan Academy of Social Sciences“Studies on the Writing Systems in the Pre-Qin Period”(14CZW017)a youth program founded by National Social Sciences Fund
文摘The literary study of ancient mythology is a rational and necessary prerequisite for the study of the general history of Sichuan literature in the Pre-Qin period, though it can go beyond the study of literature. Compared with other Chinese regional literatures such as Jing-Chu literature, the insufficiency of the literalization of the early Ba-Shu myth, to some extent, devalues the Ba-Shu literature in the Pre-Qin period and affects its consistence. When dealing with the influence of ancient mythology on the development of Chinese regional literature, including Sichuan literature, we need to analyze the inherent impact of regional mythology on the developing literature using a three-step process: restoring and summarizing the mythological pedigree, uncovering the “conceptual structure” of the mythology, and explaining the impact of the mythology on the developing literature. This paper uses this three-step process to construct the general history of Sichuan literature.
文摘艺术史的“历史感知”(sense of the past)如何形成和发展?“后退几步”何以作为审视20世纪艺术准则?现代主义和后现代主义的关系是“断裂”的吗?尼采曾经提出对历史的态度有怀古式的(antiquarian)、纪念式的(monumental)和批判式的(critical)。这三种都不完全正确,也不完全错误。维柯的螺旋式历史观曾经把反复回到原点的回环运动看作推动历史发展的根本要素之一。如果从空间角度考察螺旋运动,那么螺旋式的历史不仅涉及某个时间点、某个时候的地点,还涉及空间。空间可以有时间属性。由此需要思考“空间再现”“唤起过去”时的“牛耕式转行书写”;思考“器物”(apparatus)对人性造成怎样的影响;思考“奇珍”(curiosity)如何令物品“回望”人类,从而不仅成为一个历史概念,更成为一种推动性概念,一种看待和思考事物的方式;思考“从事媒介批评的古物学家”意味什么;进而思考“历史写作”何以可以视为一种“历史诗学”。
