Literature and Time:On Jiao Xun’s Concept of Literary Transformation

Jiao Xun’s concept of the succession of literary genres according to each generation’s strengths clearly establishes the interrelationship between historical time and literary genres.Jiao Xun’s idea of the transformation of literary styles differs from the prevailing notion at that time,which advocated prioritizing poetry and prose that conveyed aspirations and ideals while considering other literary genres such as ci(a form of lyric poetry),qu(drama),and novels as inferior.Instead,Jiao Xun advocated using the“nature”and“events”of objects as criteria and awakened a more traditional“poetic teaching tradition”characterized by metaphorical expression and emotional resonance,which aligned with the concept of literature conveying aspirations and ideals.This enabled the standard of“nature”to transcend the boundaries of literary genres,establishing new criteria for the hierarchy of genres and encapsulating Jiao Xun’s intention to summon emerging literary genres that were in harmony with the“present”.

A Survey of Major English Versions of Lu Xun’s Short Stories in the 20th Century

Lu Xun(1881-1936)has been acclaimed father of modern Chinese literature.He is the first writer to use the vernacular to write fiction.His stories have laid a solid foundation for the development of modern Chinese fiction.Call to Arms(1923)and Wandering(1926)represent the greatest achievement of Chinese story-writing at that time.His short stories are not only profound in thinking,but also worthy of admiration for their great value and innovation in art.Since the 1920’s,Lu Xun’s stories have been translated into various languages and published throughout the world,enjoying an international reputation.Only their English versions in the 20th century are discussed within this paper.These versions are different with various features,especially in dealing with Chinese traditional culture according to different purposes and towards different English readers.

A Survey of Feautures of Three English Versions of Lu Xun’s Short Stories

Lu Xun(1881-1936)has been acclaimed father of modern Chinese literature.He is the first writer to use the vernacular to write fiction.His stories have laid a solid foundation for the development of modern Chinese fiction.Call to Arms(1923)and Wandering(1926)represent the greatest achievement of Chinese story-writing at that time.Since the 1920’s,Lu Xun’s stories have been translated into various languages and published throughout the world,enjoying an international reputation.The three English versions chosen are different with various features,especially in dealing with Chinese traditional culture according to different purposes and towards different English readers.

Zhao Xun Obituary

Zhao Xun, Research Fellow and Editor-in-Chief of Acta Geologica Sinica （English edition） passed away at 0：30 on November 29, 2012 alter suffering from severe illness. He was 72. Born in Daxian County, Sichuan Province on 12 November 1940 and a graduate of Chengdu College of Geology （now the Chengdu University of Technology） in 1966, Zhao Xun further studied in Britain at Birmingham University and Cambridge University from 1983 to 1987. He held the posts, chronologically, of Deputy Chief Engineer and Deputy Director in Guangxi Bureau of Geology and Mineral Prospecting ＆ Exploitation, Secretary- General of the Geological Society of Guangxi, Deputy Director of The Ministry of Land and Resources of People＇s Republic of China Science and Technology Sector, Vice-President of the Chinese Academy of Geological Sciences, Secretary-General of the Geological Society of China, Vice-Secretary-General of the 30th International Geological Conference in 1996, and executive member of the UNESCO： IUGS IGCP Science Board. He was selected as a judge and consultant of UNESCO Geoparks, as well as Vice-Chairman and Office Director of the National Geopark Judge Panel of China. Zhao Xun promoted the building and development of the National Geoparks of China and the UNESCO Network of Geoparks, started and prepared the world＇s first Geopark Conference in 2004, and became one of the founders for Global geoparks. He made great contributions to the cause of geoparks, and was thus internationally honored as the father of geoparks in China.

Similarities in Mark Twain and Lu Xun's Writing Styles——The Employment of Sharp Contrast

Both Mark Twain and Lu Xun were the most well-known writers in the world literature. They were famous for biting style of writing and the way of using humor and irony,which won high praise of public. Although they lived in different countries and even different times,they shared certain similarities. This thesis will compare the likeness in their writing styles,especially their employment of sharp contrast. As for language,they were all the leaders in literature. It seemed that their works were just for fun. Actually there was light of thoughts in them that were used to satirize,to disclose,to laugh and eventually to cure people's soul. Therefore,after reading their works,people would laugh with tears and come to examine themselves. Naturally the glorification and organization of translating Mark Twain's works may result in the similarities of writing styles between the two men of letters.

On Lu Xun’s Responsibility Consciousness in Literary Translation

In literary translation,Lu Xun shouldered the mission and responsibility to his motherland,the people,education,language,literature and art.In his opinion,foreign literature and culture would bring “fire and light” to current society,provide Chinese children and youngsters with valuable readings and enhance the development of Chinese literature,language and characters.In his career of literary translation,Lu Xun fulfilled his long-cherished dream of being a “Spiritual Warrior” in China.

A General Analysis of Lu Xun’s Short Stories

Father of modern Chinese literature,Lu Xun,is the first writer to use the vernacular to write fiction.In his short stories,he exposes the crimes of feudalism and describes the plight of the peasants,who have been economically exploited and spiritually enslaved.He also depicts the fate of the intellectuals who struggle in the intense social contradictions.His fiction has laid a solid foundation for the development of modern Chinese fiction.Lu Xun has created almost all the new forms for Chinese new literature,and enjoys the most prominent status in the Chinese literary development in the 20th century.His writings reflect the great achievements of the literary reform since the May Fourth Movement.

A Glimpse into Lu Xun and Chinese Medicine

The criticism against Chinese medicine by Lu Xun at the early stage is often taken as a sharp weapon to attack Chinese medicine.However,through a horizontal and sequential analysis of the relevant material,it can be seen that Lu has experienced a process of learning,practicing,and objectively assessing Chinese medicine,which is closely related to the social background of the period,personal experience,and changes of thoughts.

Study on the medication rule of Wang Xun in the treatment of dysentery based on Data Mining

Objective: Based on data mining, Wang Xun's medication rule in the treatment of dysentery was discussed. Methods: the traditional Chinese medicine used in the prescriptions for dysentery in Wang Xun's "Tzu hang Ji Sanyuan Puji Fang" was counted, the names of the drugs were standardized, and their properties, taste, efficacy and meridian tropism were investigated respectively. The database was established with the help of Microsoft Excel 2016, SPSS statistic 24.0 and SPSS modeler 18.0 computer software, and the frequency analysis and high-frequency drug association rules were carried out Analysis, cluster analysis. Results: 44 prescriptions of Wang Xun's dysentery were sorted out and 64 traditional Chinese medicines were used, of which 22 were high-frequency drugs (drugs with frequency ≥ 5%). The top ten drugs were Cheqianzi, Danggui, liquorice, Muxiang, white peony, Fructus aurantii, areca, Poria cocos, radish and rhubarb. The correlation analysis produced "Raphanus seed→Plantago asiatica, Bitter orange→liquorice, tangerine peel→Fructus aurantii, Fructus aurantii→Cheqianzi, areca There are 15 associations of 2 kinds of drugs, such as hammer, Cheqianzi, Fructus aurantii, Muxiang, and so on. Cluster analysis shows that there are 4 cluster formulas: Angelica, Cheqianzi, Raphani, Fructus aurantii, white peony, liquorice, areca, red peony, tangerine peel, rhubarb, Fructus aurantii, Magnolia officinalis and Coptis. Conclusion: the method of data mining is to study the rule of Wang's prescription in the treatment of dysentery, so as to summarize the characteristics of Wang's prescription in the treatment of dysentery, which has guiding significance for clinical treatment of dysentery.

Beijing Guo Xun International Consultants Co., Ltd.

China has become a "hot spot" of foreign investment based on sustained development of its economy and huge potential market since implementing the reform and opening policy. In order to offer quality professional consultant service to foreign businessmen, the Beijing Guo Xun International Consultants Co., Ltd. was established in October 1993 by

The Idea of Edification in Jiao Xun’s Conception of Drama

Jiao Xun’s drama edification concept emphasizes“morality”and“emotion”at the same time,which expresses his tendency for drama conception to move closer to classics.Jiao Xun thinks that drama creation values the audience’s acceptance,which also makes drama an effective testing ground for re-processing the relationship between“morality”and“emotion”in Confucianism;and Jiao Xun respects folk daily life in popular literary forms to promote moral enlightenment,which shows that drama research has become one of his practical methods of“changing customs”.

A Comparative Study on the Two English Versions of Lu Xun's Stories

The two English versions of Lu Xun's stories, translated by Julia Lovell and the Rangs, are to be studied from the ecotranslatological perspective. A comparative study of the two English versions is made to figure out how the two translators linguistically and culturally make adaptive selections in the process of translation of Lu Xun's stories—In other words, how the eco-environment has greatly influenced the two translators' decisions to make adaptations and choices in linguistic and cultural aspects.The thesis discovers that the eco-environment has greatly influenced the process of translating Lu Xun's stories into English and eco-translatology is feasible to analyze the two translations, that both the Yangs and Lovell have offered successful translations by making adaptive selections and selective transformations. Therefore, neither of the two translations is superior or inferior to one another in different translational eco- environments. Hopefully, the thesis may enrich current researches on the Yang's and Lovell's translations and may be useful for the further study of applying eco-translatology to studies on other translators and their works.

Rectifying Names Is a Must——Xun Zi's Linguistic Ideas in Zhengming

In China, Warring States Period was imbued with chaos of wars and the whole society was in a state of ferment. The disordered phase in ideological area, as the most direct reflection of the change, was characterized by that all the old ethical standard had been badly weaken, even failed to explain the moral facts. In terms of common people, they were confused and puzzled by the questions as "what is language?" and "what is the standard of speaking and behavior?" Some ancient scholars pinned these problems upon the reversal of "ming" (名) and "shi" (实). As a result, to rectify names and to clarify the name of ethics became a must for reconstructing the old proprieties and system. Among those scholars and thinkers, Xun Zi firstly proposed Zhengming to state the relationship between a name and the thing it represents in a systematical way. This essay only sheds light upon the reason of rectifying names: to distinguish the rank and differentiate the similarities and differences("明贵贱,辨同异")which is the must of "rectifying names".

Analyzing Lu Xun’s Translation from a Social Perspective

Lu Xun’s translation is discussed in terms of his selecting source texts and some features of his translation in consideration of his purpose and role in society.Many first and secondary sources are searched and used to explore his translation,and the discussion is divided into five parts.

Xunzi on Human Xing and Moral Cultivation

Xunzi, a prominent Confucian philosopher in pre-Qin China, made s ignificant contributions to various aspects of Confucian teachings, including zhi 知(knowledge), xing 性(human nature), and politics. Xunzi's distinct perspectives on tian 天(Heaven) and xing, shaped during the tumultuous late Warring States period, led to his unique approach to moral cultivation, which diverges from those of the prominent Confucians who preceded him, Confucius and Mencius.

Re-Contextualizing Lu Xun＇s Early Thought and Poetics in the Journal Henan

In this paper I will re-contextualize Lu Xun＇s early thought, as evidenced in his lengthy classical-style essays, which are concerned with issues in literature, philosophy, politics and aesthetics during an era when China was facing profound cultural changes. Part of their significance lies in the way they provide us with an unabashed glimpse at what Lu Xun set out to accomplish, early on, in his new-found literary career. Although they are mainly the product of his final Lehrjahre （years of study） in Japan, the fact that he chose to include the two longest of them in the very first pages of his important 1926 anthology Fen （The grave） indicates that he considered the views expressed therein neither too immature nor too pass- to reprint at the height of his career as a creative writer. In fact, he wrote that one of his reasons for doing so was that a number of the literary figures and issues treated in these essays had, ironically, taken on an increased relevance for China ＂since the founding of the Republic.＂ The central concern of all the essays turns on questions of cultural crisis and transition. What I propose to do in this paper is to re-examine the essays within the context in which they first appeared, i.e., the expatriate Chinese journal Henan, then published in Tokyo as an unofficial organ of the anti-Manchu Tongmenghui （Revolutionary Alliance）.