As we all know, Imes in Chinese painting present not only shapes but also connotations in images. The author reconsiders charaters and visual effects of lines, and try to tell us: if we want to understand lines in Chi...As we all know, Imes in Chinese painting present not only shapes but also connotations in images. The author reconsiders charaters and visual effects of lines, and try to tell us: if we want to understand lines in Chinese painting deeply, we must practise calligraphy, since calligraphy is the highest level of the beauty of lines.展开更多
Brush and ink (Bi Mo ) in Chinese painting is a special aesthetic concept. which is a standard of criticizing a Chinese painting or observing the painter’s mood. Thus, the edu- cation of Chinese painting acturally fo...Brush and ink (Bi Mo ) in Chinese painting is a special aesthetic concept. which is a standard of criticizing a Chinese painting or observing the painter’s mood. Thus, the edu- cation of Chinese painting acturally focuses on brush and ink training.展开更多
A brief history of Colored landscape painting, which originated in South and North Dynasty in China. The author shows us a series of works known as the Blue-and green (qinglu shanshui) and their painters, such as Li S...A brief history of Colored landscape painting, which originated in South and North Dynasty in China. The author shows us a series of works known as the Blue-and green (qinglu shanshui) and their painters, such as Li Sixun, Li Zhaodao, etc. We can read it in a short time and have a survey of this special history in Chinese painting.展开更多
文摘As we all know, Imes in Chinese painting present not only shapes but also connotations in images. The author reconsiders charaters and visual effects of lines, and try to tell us: if we want to understand lines in Chinese painting deeply, we must practise calligraphy, since calligraphy is the highest level of the beauty of lines.
文摘Brush and ink (Bi Mo ) in Chinese painting is a special aesthetic concept. which is a standard of criticizing a Chinese painting or observing the painter’s mood. Thus, the edu- cation of Chinese painting acturally focuses on brush and ink training.
文摘A brief history of Colored landscape painting, which originated in South and North Dynasty in China. The author shows us a series of works known as the Blue-and green (qinglu shanshui) and their painters, such as Li Sixun, Li Zhaodao, etc. We can read it in a short time and have a survey of this special history in Chinese painting.
