新媒介美学的最新拓展再一次激发了人们对如下两个问题的研究：一个是媒介（Bolter and Grusin，2000；Manovich，2002）；一个是狭义的技术（Francastel，2000）。当艺术家通过运用（或者滥用）新的通讯、信息以及生物技术进行艺术创...新媒介美学的最新拓展再一次激发了人们对如下两个问题的研究：一个是媒介（Bolter and Grusin，2000；Manovich，2002）；一个是狭义的技术（Francastel，2000）。当艺术家通过运用（或者滥用）新的通讯、信息以及生物技术进行艺术创作时，他们实际上是在回应我们在文化、政治、市场上对于一些小器具、装置和交互式媒介的迷惑，并在物质上对其起着推波助澜的作用。这种迷惑游移于技术爱好与技术恐慌之间。展开更多
On the evening of July 13, after Samaranch, President of the International Olympic Committee (IOC), announced in the International Trade Centre in Moscow that Beijing would host the Summer Olympic Games in 2008, a mov...On the evening of July 13, after Samaranch, President of the International Olympic Committee (IOC), announced in the International Trade Centre in Moscow that Beijing would host the Summer Olympic Games in 2008, a moving scene was being projected, on the large screen in the press center on the first floor: He Zhenliang, with tears in his eyes, was embracing his fellow IOC members who were coming up to shake hands with him in celebration.展开更多
文摘新媒介美学的最新拓展再一次激发了人们对如下两个问题的研究：一个是媒介（Bolter and Grusin，2000；Manovich，2002）；一个是狭义的技术（Francastel，2000）。当艺术家通过运用（或者滥用）新的通讯、信息以及生物技术进行艺术创作时，他们实际上是在回应我们在文化、政治、市场上对于一些小器具、装置和交互式媒介的迷惑，并在物质上对其起着推波助澜的作用。这种迷惑游移于技术爱好与技术恐慌之间。
文摘On the evening of July 13, after Samaranch, President of the International Olympic Committee (IOC), announced in the International Trade Centre in Moscow that Beijing would host the Summer Olympic Games in 2008, a moving scene was being projected, on the large screen in the press center on the first floor: He Zhenliang, with tears in his eyes, was embracing his fellow IOC members who were coming up to shake hands with him in celebration.
