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Catherine in A Farewell to Arms: Not a Perfect Woman in a Feminist World
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作者 翁馨 《海外英语》 2017年第11期178-180,共3页
Abstract:In Ernest Hemingway’s famous novel A Farewell to Arms,the main heroine Catherine is depicted and often interpreted as a perfect woman.Most male readers may regard Catherine as a dreamy wife since she is not ... Abstract:In Ernest Hemingway’s famous novel A Farewell to Arms,the main heroine Catherine is depicted and often interpreted as a perfect woman.Most male readers may regard Catherine as a dreamy wife since she is not only pretty,but also passionate towards love.However,this is not the case in a feminist point of view.Feminists hold a nearly opposite opinion towards Catherine.Therefore,what type of woman Catherine is in a feminist world is the question that needs solving.By applying a feminist view of what a female individual should do and contrasting Catherine’s behavior with the deeds of eligible women in feminists’eyes,it can be proved that Catherine can be considered as a delicate and dependent woman in Hemingway’s novel.Therefore,when shaping this character,Hemingway actually made an imperfect woman in a feminist view. 展开更多
关键词 Catherine imperfect FEMINIST
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面具、谎言、诱惑——论阿芙拉·贝恩在《奥汝努克》中的作者构建
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作者 任远 《外国文学研究》 CSSCI 北大核心 2019年第2期99-113,共15页
17世纪英国女作家阿芙拉·贝恩在《奥汝努克》中具有悖论性的女性作者权威构建与复辟时期戏剧文化和早期小说话语密切相关。其作者形象的悖论性首先体现在复辟时期舞台上戴面具的交际花形象中,这一人物既被市场所物化,又有着制造自... 17世纪英国女作家阿芙拉·贝恩在《奥汝努克》中具有悖论性的女性作者权威构建与复辟时期戏剧文化和早期小说话语密切相关。其作者形象的悖论性首先体现在复辟时期舞台上戴面具的交际花形象中,这一人物既被市场所物化,又有着制造自我形象的力量。其次,在早期小说真实/虚构混杂的范式内,贝恩揭示了虚构与女性的密切关联。小说作者不仅仅是真相记录者,也是诱惑与说谎者,女人的面具是其文本诱惑机制的隐喻。与此同时,女性/小说家伤感而没有行动力,但这却正是让作者同时做到共情和客观写作的合适位置。现实中的无法介入激发她发愤著书的愿望,但她在抒情之下仍充满对于文本虚构性的反思。 展开更多
关键词 阿芙拉·贝恩 《奥汝努克》 女小说家 虚构
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