关于装饰图案变形的思考

“写生变形”课是设计专业的基础课程之一,它对学生设计能力的培养十分重要。写生是获得良好的图案变形效果的一个途径,正确分析写生与变形的关系,才能使我们的设计达到预期目标。

写意画:创新型用笔理念与大笔墨的抽象组织形式

Someexperienced artists are rationally aware of applying creative brushes and abstract compositions in their freehand brush-work painting, which would bring them a special visual effect and form their own style...

山水画创作应该贴近生活

Chinese Painting Artists’s Drawing from nature, is a process of mixing personal emotion andlandscape. Life is an endless source of arts. Painters should make clear whom arts will serve and howto serve them. Paintings of eternity are always closely connected with life.

中国画的符号性与当代广告招贴设计

The writer trys to set up a bridge of Symbols between Chinese painting and poster design, because both of them have the same visual effect.

以水墨抒写独立的心灵——陈力农和他的写意人物画

陈力农供职于浙江绍兴书画院．从事中国人物画创作研究。在上个世纪八十年代初期，贺友址的《山乡巨变》、刘国辉的《啼笑因缘》等连环画．都曾是陈力农临摹学习的蓝本．特别是刘国辉的《啼笑因缘》那个性化、生动传神的人物造型，抑扬顿挫、疏密有致的线条，强烈地吸引着陈力农，并从中得到了艺术滋养。经过大量的临摹学习．陈力农逐渐形成了表达人物造型、动态．把握线条韵律、节奏、疏密等绘画能力和审美判断力。

海派画家姚有信与其《貂蝉拜月图》解析

From the most favourite worksof Yao Youxin, such as DiaoChan Praying For Moon, we canknow that he applied mixedtechniques, which containeddrawing and traditional brush-and-ink, to create his figures, justlike what most painters of Shang-hai School have done. But Yaocould do it better with more ac-curate and elegant shapes, whichalso formed his individual style...

书中有我 我中有书——论书籍艺术设计的生命力

书籍设计并非是书的表皮化妆,也决不仅限于平面图像、文 字、色彩的构成形式,它应该是营造一幢容纳文化的立体构筑物的 “建筑”术,是外在和内在形神兼备的生命体。在书籍创造过程中 研究传统,适应现代理念,追求美感和功能二者之间完美的和谐, 是书籍存在至今仍具有生命力的最好证明。

重视自己的个性特点——有机造型设计与产品经营理念

本文立足于对有机造型设计与产品经营理念的研究,主要阐明了在开发与设计产品中的设计理念与经营理念之间的关系,并用耐克(NIKE)运动鞋和奔驰汽车的成功案例来阐述了重视企业本身的个性特征的观点和理念。

色彩画教学方式初探

探索色彩画的教学方式,培养、训练学生正确的观察方式、良好的色彩感觉,掌握色彩的表现能力,是美术教师的基本职责。