韩愈的《毛颖传》在朝鲜半岛的流传,象征着假传体文学正式融入朝鲜文学架构之中。在传入朝鲜半岛后,这种独特的拟人传记体散文形式迅速获得了朝鲜文学的认可与接纳。经过林椿、李奎报、李谷、李詹等文学家的精心创作,假传体文学在朝鲜...韩愈的《毛颖传》在朝鲜半岛的流传,象征着假传体文学正式融入朝鲜文学架构之中。在传入朝鲜半岛后,这种独特的拟人传记体散文形式迅速获得了朝鲜文学的认可与接纳。经过林椿、李奎报、李谷、李詹等文学家的精心创作,假传体文学在朝鲜逐渐繁荣起来。朝鲜李詹所著的《楮生传》与唐朝韩愈的《毛颖传》在多个方面呈现出显著的相似性。两者均采用了虚构的传主,分别以“文房四宝”中的纸和笔为象征进行叙事,紧密贴合原型特性展开写作,并均以假传体的形式来表达作者的情感与思考。然而,在表达思想主张等方面,两者亦存在明显的差异。The spread of Han Yu’s “The Biography of Mao Ying” in the Korean Peninsula symbolizes the formal integration of pseudo-biographical literature into the Korean literary structure. After being introduced to the Korean Peninsula, this unique form of anthropomorphic biographical prose quickly gained recognition and acceptance in Korean literature. Through the careful creation of writers such as Lin Chun, Li Kuibao, Li Gu, and Li Zhan, pseudo-biographical literature gradually flourished in North Korea. “The Biography of Chu Sheng” written by Li Zhan of North Korea and “The Biography of Mao Ying” written by Han Yu of the Tang Dynasty show significant similarities in many aspects. Both use fictitious biographies, and use the paper and pen as symbols of the “Four Treasures of the Study” to narrate the story. They closely follow the characteristics of the prototype to write, and both express the author’s emotions and thoughts in the form of pseudo-biography. However, there are also obvious differences between the two in terms of expressing ideas and propositions.展开更多
鲁迅与李光洙,作为中韩现代文学的杰出代表,两位作家所处的时代背景、家庭背景及人生轨迹均呈现出一定的相似性。在他们的文学作品中,均对女性问题给予了高度关注,将女性议题置于重要的社会层面进行剖析,这一做法在封建制度背景下的中...鲁迅与李光洙,作为中韩现代文学的杰出代表,两位作家所处的时代背景、家庭背景及人生轨迹均呈现出一定的相似性。在他们的文学作品中,均对女性问题给予了高度关注,将女性议题置于重要的社会层面进行剖析,这一做法在封建制度背景下的中韩文学界具有开创性意义。对于当前女性主义文学领域的探讨而言,鲁迅与李光洙的文学贡献无疑具有深远的现实意义和文学价值。研究聚焦于鲁迅的《伤逝》与李光洙的《无情》两部作品,旨在对这两位作家小说中的启蒙初期女性形象进行比较性分析。作品中的女性形象,不仅映照了20世纪初中韩两国的社会风貌与女性群体的生存状态,更深刻反映了中韩新时代知识分子群体对于女性独立问题的深刻思考与独到见解。Lu Xun and Lee Kwang-Soo, as outstanding representatives of modern Chinese and Korean literature, both writers have similarities in their era background, family background, and life trajectory. In their literary works, they both paid great attention to women’s issues and analyzed women’s issues at an important social level. This practice has pioneering significance in the Chinese and Korean literary circles under the background of the feudal system. For the current discussion of feminist literature, the literary contributions of Lu Xun and Lee Kwang-soo undoubtedly have far-reaching practical significance and literary value. This study focuses on Lu Xun’s “Sorrowful Death” and Lee Kwang-soo’s “Ruthless,” aiming to conduct a comparative analysis of the early enlightenment female images in the novels of these two writers. The female images in the works not only reflect the social outlook and living conditions of the female groups in China and South Korea in the early 20th century but also deeply reflect the profound thinking and unique insights of the new-era intellectual groups in China and South Korea on the issue of female independence.展开更多
文摘韩愈的《毛颖传》在朝鲜半岛的流传,象征着假传体文学正式融入朝鲜文学架构之中。在传入朝鲜半岛后,这种独特的拟人传记体散文形式迅速获得了朝鲜文学的认可与接纳。经过林椿、李奎报、李谷、李詹等文学家的精心创作,假传体文学在朝鲜逐渐繁荣起来。朝鲜李詹所著的《楮生传》与唐朝韩愈的《毛颖传》在多个方面呈现出显著的相似性。两者均采用了虚构的传主,分别以“文房四宝”中的纸和笔为象征进行叙事,紧密贴合原型特性展开写作,并均以假传体的形式来表达作者的情感与思考。然而,在表达思想主张等方面,两者亦存在明显的差异。The spread of Han Yu’s “The Biography of Mao Ying” in the Korean Peninsula symbolizes the formal integration of pseudo-biographical literature into the Korean literary structure. After being introduced to the Korean Peninsula, this unique form of anthropomorphic biographical prose quickly gained recognition and acceptance in Korean literature. Through the careful creation of writers such as Lin Chun, Li Kuibao, Li Gu, and Li Zhan, pseudo-biographical literature gradually flourished in North Korea. “The Biography of Chu Sheng” written by Li Zhan of North Korea and “The Biography of Mao Ying” written by Han Yu of the Tang Dynasty show significant similarities in many aspects. Both use fictitious biographies, and use the paper and pen as symbols of the “Four Treasures of the Study” to narrate the story. They closely follow the characteristics of the prototype to write, and both express the author’s emotions and thoughts in the form of pseudo-biography. However, there are also obvious differences between the two in terms of expressing ideas and propositions.
文摘鲁迅与李光洙,作为中韩现代文学的杰出代表,两位作家所处的时代背景、家庭背景及人生轨迹均呈现出一定的相似性。在他们的文学作品中,均对女性问题给予了高度关注,将女性议题置于重要的社会层面进行剖析,这一做法在封建制度背景下的中韩文学界具有开创性意义。对于当前女性主义文学领域的探讨而言,鲁迅与李光洙的文学贡献无疑具有深远的现实意义和文学价值。研究聚焦于鲁迅的《伤逝》与李光洙的《无情》两部作品,旨在对这两位作家小说中的启蒙初期女性形象进行比较性分析。作品中的女性形象,不仅映照了20世纪初中韩两国的社会风貌与女性群体的生存状态,更深刻反映了中韩新时代知识分子群体对于女性独立问题的深刻思考与独到见解。Lu Xun and Lee Kwang-Soo, as outstanding representatives of modern Chinese and Korean literature, both writers have similarities in their era background, family background, and life trajectory. In their literary works, they both paid great attention to women’s issues and analyzed women’s issues at an important social level. This practice has pioneering significance in the Chinese and Korean literary circles under the background of the feudal system. For the current discussion of feminist literature, the literary contributions of Lu Xun and Lee Kwang-soo undoubtedly have far-reaching practical significance and literary value. This study focuses on Lu Xun’s “Sorrowful Death” and Lee Kwang-soo’s “Ruthless,” aiming to conduct a comparative analysis of the early enlightenment female images in the novels of these two writers. The female images in the works not only reflect the social outlook and living conditions of the female groups in China and South Korea in the early 20th century but also deeply reflect the profound thinking and unique insights of the new-era intellectual groups in China and South Korea on the issue of female independence.
