Art is a macroscopical concept, a social ideology which is more classic than reality. When the word art is mentioned, two things will immediately occur to people. One is the response to beauty, the other one is the ca...Art is a macroscopical concept, a social ideology which is more classic than reality. When the word art is mentioned, two things will immediately occur to people. One is the response to beauty, the other one is the carrier which reflects the aesthetic perception. Taking the example that the mother of modern dance, Deng Ken, visited the Parthenon in Greek with a world-renowned scientist, as Den Ken was touched by the great ancient building, the scientist just asked her about the marble texture of the temple. Thereout, the author could not help but ruminate what is primary for the noumenon between the metaphysical response and the physical carrier of art standing in front of art,the macroscopical object. From this, the " noumenon " of art was endowed two prominent hierarchies by the author, as it were, " the first noumenon " and " the second noumenon "( the physical carrier of art and the metaphysical response to beauty). Both are main parts for each other and never separate from each other, jointly building the noumenon of art.展开更多
文摘Art is a macroscopical concept, a social ideology which is more classic than reality. When the word art is mentioned, two things will immediately occur to people. One is the response to beauty, the other one is the carrier which reflects the aesthetic perception. Taking the example that the mother of modern dance, Deng Ken, visited the Parthenon in Greek with a world-renowned scientist, as Den Ken was touched by the great ancient building, the scientist just asked her about the marble texture of the temple. Thereout, the author could not help but ruminate what is primary for the noumenon between the metaphysical response and the physical carrier of art standing in front of art,the macroscopical object. From this, the " noumenon " of art was endowed two prominent hierarchies by the author, as it were, " the first noumenon " and " the second noumenon "( the physical carrier of art and the metaphysical response to beauty). Both are main parts for each other and never separate from each other, jointly building the noumenon of art.
