The Neue Nationalgalerie(1968)is considered an icon of the 20th century and part of the legacy of Mies van der Rohe.Almost 50 years after its construction the building showed some physiological decay;however,it has be...The Neue Nationalgalerie(1968)is considered an icon of the 20th century and part of the legacy of Mies van der Rohe.Almost 50 years after its construction the building showed some physiological decay;however,it has been considered obsolete due to the changing standards of use and comfort of an international art gallery affected also by a growing flux of visitors.The paper investigates the future of such an icon of modern architecture moving from some open issues of the intervention carried out by David Chipperfield started up in 2015 and now in an advanced stage.The refurbishment is pursuing the modernization of the building,but trying to match the historical values with the requirements of climate control and safety.The binomials memories/requirements and authenticity/form are at the base of the investigation.Although the intervention confirms the continuity of original use and it is aimed at keeping the image of the icon,it imposes transformations that belong to very different strategies,sometimes incompatible with the preservation of material meanings and values.The restoration work on modern heritage outlines how new cultural and socio-economic needs confront themselves with respecting/reproducing the appearance of the monument.展开更多
在欣赏那不勒斯考古博物馆(National Archaeological Museum of Naples)秘密陈列室(Secret Cabinet)的展品时,参观者会不由地想象罗马人为身体的庆祝狂欢、或是沉迷于男欢女爱的场景——乔治·巴塔耶在《爱神的眼泪》中也支持这种...在欣赏那不勒斯考古博物馆(National Archaeological Museum of Naples)秘密陈列室(Secret Cabinet)的展品时,参观者会不由地想象罗马人为身体的庆祝狂欢、或是沉迷于男欢女爱的场景——乔治·巴塔耶在《爱神的眼泪》中也支持这种观点。在观赏的过程中,大量的表现勃起生殖器的护身符、带有色情装饰的日用品、描绘交配场景的壁画或镶嵌画都让参观者们惊叹不已,尤其是代表牧神潘的大理石雕像,其半人半山羊的造型好像在暗示——欲望会使人失去理性,变得盲目。展开更多
文摘The Neue Nationalgalerie(1968)is considered an icon of the 20th century and part of the legacy of Mies van der Rohe.Almost 50 years after its construction the building showed some physiological decay;however,it has been considered obsolete due to the changing standards of use and comfort of an international art gallery affected also by a growing flux of visitors.The paper investigates the future of such an icon of modern architecture moving from some open issues of the intervention carried out by David Chipperfield started up in 2015 and now in an advanced stage.The refurbishment is pursuing the modernization of the building,but trying to match the historical values with the requirements of climate control and safety.The binomials memories/requirements and authenticity/form are at the base of the investigation.Although the intervention confirms the continuity of original use and it is aimed at keeping the image of the icon,it imposes transformations that belong to very different strategies,sometimes incompatible with the preservation of material meanings and values.The restoration work on modern heritage outlines how new cultural and socio-economic needs confront themselves with respecting/reproducing the appearance of the monument.
文摘在欣赏那不勒斯考古博物馆(National Archaeological Museum of Naples)秘密陈列室(Secret Cabinet)的展品时,参观者会不由地想象罗马人为身体的庆祝狂欢、或是沉迷于男欢女爱的场景——乔治·巴塔耶在《爱神的眼泪》中也支持这种观点。在观赏的过程中,大量的表现勃起生殖器的护身符、带有色情装饰的日用品、描绘交配场景的壁画或镶嵌画都让参观者们惊叹不已,尤其是代表牧神潘的大理石雕像,其半人半山羊的造型好像在暗示——欲望会使人失去理性,变得盲目。
