Critical Discourse Analysis derives from traditional critical linguistics.It is a new language theory in western language study emerging between 1970 s and1980s.This theory aims to analyze the non-literary discourse f...Critical Discourse Analysis derives from traditional critical linguistics.It is a new language theory in western language study emerging between 1970 s and1980s.This theory aims to analyze the non-literary discourse from the angle of criticism.Starting from the definition of critical discourse analysis and political discourse,this papers describes the current development of critical analysis approach for political discourse,explores this critical analysis course,and anticipates the tendency of critical political discourse analysis in our country.展开更多
Anchored on Yule’s categories of semantic roles,the present study examined the language of cartoon scripts with Chinese characters in Walt Disney’s Mulan 1 and 2 and DreamWorks’s Kung Fu Panda 1 and 2.Specifically ...Anchored on Yule’s categories of semantic roles,the present study examined the language of cartoon scripts with Chinese characters in Walt Disney’s Mulan 1 and 2 and DreamWorks’s Kung Fu Panda 1 and 2.Specifically it described the:(1)semantic features of the scripts in terms of semantic roles;and(2)similarities and differences in the language of the scripts semantically.Data analyzed were limited to 800 sentences which were randomly selected from the scripts of Mulan 1 and 2 and Kung Fu Panda 1 and 2.More specifically,200 lines per film were analyzed by taxonomizing the utterances in terms of identifying the semantic roles of argument nominals in each utterance.Results revealed the roles of agent and experiencer in the subject positions are dominant in contrast with the frequency of occurrences of theme,goal,location and source.In conclusion,the language of animated film is relatively simpler,literal and direct to suit the level of the target audience who are generally children.Finally,this research suggests that more linguistic levels should be conducted to explore the language features on cartoon movies in the future.展开更多
基金the key research program"Comparison Study of China-US Political Discourse with Critical Discourse Analysis Theory"of Anhui Humanities and Social Sciences Research Foundation(No.SK2015 A445)entrusted program of Shanghai Foreign Language Education Press"A Study of Political Discourse from the Perspective of CDA"(No.SK2015 A799)2013 Quality Engineering Program"College English Curriculum Teaching Team"of Fuyang Normal University(No.2013JXTD07)
文摘Critical Discourse Analysis derives from traditional critical linguistics.It is a new language theory in western language study emerging between 1970 s and1980s.This theory aims to analyze the non-literary discourse from the angle of criticism.Starting from the definition of critical discourse analysis and political discourse,this papers describes the current development of critical analysis approach for political discourse,explores this critical analysis course,and anticipates the tendency of critical political discourse analysis in our country.
基金Support received from Humanities and Social Science Research Project of Higher Education in Anhui Province(No.SK2020A0248)Talent Support Program of Anhui University of Chinese Medicine(2020rcyb010).
文摘Anchored on Yule’s categories of semantic roles,the present study examined the language of cartoon scripts with Chinese characters in Walt Disney’s Mulan 1 and 2 and DreamWorks’s Kung Fu Panda 1 and 2.Specifically it described the:(1)semantic features of the scripts in terms of semantic roles;and(2)similarities and differences in the language of the scripts semantically.Data analyzed were limited to 800 sentences which were randomly selected from the scripts of Mulan 1 and 2 and Kung Fu Panda 1 and 2.More specifically,200 lines per film were analyzed by taxonomizing the utterances in terms of identifying the semantic roles of argument nominals in each utterance.Results revealed the roles of agent and experiencer in the subject positions are dominant in contrast with the frequency of occurrences of theme,goal,location and source.In conclusion,the language of animated film is relatively simpler,literal and direct to suit the level of the target audience who are generally children.Finally,this research suggests that more linguistic levels should be conducted to explore the language features on cartoon movies in the future.